2026 Cannes Winners + Oscar Submission Speculation

by Nathaniel R

FJORD wins the coveted Palme d'Or. Will Oscars nominations follow for Cristian Mungiu, Renate Reinsve, and Sebastian Stan? ?

Will the 2026 Cannes Festival have lasting impact on this cinematic year? With the oft-reported absence of major Hollywood outings at the 79th festival, the best we might hope for (for those of us on the other side of the ocean) is a similar or muted echo to last year when the four non-English features that dominated the Cannes conversation (It Was Just An Accident, Sentimental Value, The Secret Agent, Sirāt) proved to have incredible staying power, wowing audiences from their May 2025 premieres all the way through the culmination of awards season on Oscar night in March of 2026. Not all of the award-winning films from a year ago held strong the whole film year, of course; Sound of Falling, The President's Cake, The Mysterious Gaze of the Flamingo, award-winning in May, struggled to make a big impact several months later with quieter distribution and media reactions.  Now that the 2026 edition of the festival has wrapped Fjord, Fatherland, The Black Ball, Minotaur, A Man of His Time, All of a Sudden, and Teenage Sex and Death at Camp Miasma, as well as all of the non-winning films will now face the broader audience endurance test as they make their way through international markets. Will we see any of the 2026 Cannes titles in the mix come Oscar season, still building large devout fanbases? Not every film that wins big at Cannes "plays" elsewhere and some which come up empty-handed on the Croisette become awards players in other contexts (like Oscar or equivalent awards in their home countries).

The winners from the 79th Annual Cannes Film Festival and some commentary after the jump... 

Click to read more ...

"Dear Comrades!" and Russia at the Oscars

by Nathaniel R

Russia has announced that Andrey Konchalovskiy's Dear Comrades!, a Grand Jury Prize winner in Venice, will be their selection for the Oscars. This is the third time Russia has selected Konchalovsky to submit them. The 83 year old director is deeply tied to Russian cinematic history. He's the elder brother of Russia's most Oscar-loved director Nikita Mikhalkov (Burnt by the Sun) and he began his career writing and working for the legendary Andrei Tarkovsky (on Ivan's Childhood and Andre Rublev) in the early 1960s before launching his own directorial career.  He even tried his hand at English language films in the 1980s making Duet for One with Julie Andrews and the underappreciated Shy People with Barbara Hershey. His first Russian submission House of Fools in 2002 was unsuccessul. His second submission, the hugely lauded Paradise  in 2016, got close to the nomination, securing a finalist spot for itself. Will the third time be the charm? The official synopsis goes like so...

When the communist government raises food prices in 1962, the rebellious workers from the small industrial town of Novocherkassk go on strike. The massacre which then ensues is seen through the eyes of a devout party activist.

Hot on the heels of that news NEON has announced that they're grabbed US distribution though no release date has been announced. Let's look at Russia's history with Oscar after the jump...

Click to read more ...

Beauty Break: Cannes 2018 Jury

by Nathaniel R

"Avengers Cannes Jury Assemble!" Australia's champion actress Cate Blanchett, as you know, is presiding (and only the 9th actress to have the honor) but who will be joining her on the Croisette? The beautiful people are after the jump...

Click to read more ...

Review: Loveless

Seán McGovern on Russia's Foreign Film Oscar nominee opening tomorrow in select US cities 

There's a moment in Andrey Zvyagintsev's masterful film Loveless when a volunteer search and rescue venture into the forest to look for missing boy, Alexey. Tipped-off by the boy's classmate, the team, flanked in their fluorescent jackets, comb over every inch of a massive, abandoned building in the forest. Fixtures and furniture are freezing and rotting in the building. Art deco detailing crumbling around them. Burst pipes, detritus. No sign of life. As I was watching I kept asking what this building was. Why was it built? When? Was it still here? These questions were not even addressed, let alone any kind of answer. And this is Loveless: A fog of cold indifference shrouds these characters and their world of empty-hearted progress. This is a film about loss, and not only the loss of a child...

Click to read more ...

Oscar Contenders Sweep Through the 11th Asia Pacific Screen Awards

By Glenn Dunks

Rajkummar Rao wins BEST ACTOR for India's Oscar submission "Newton"

This past Thursday, the 11th Asia Pacific Screen Awards were held in Brisbane, Australia. The awards cover 70 countries and areas, which makes their scope even bigger than APSA's cousin the European Film Awards. Now, fair admission, working for APSA is my day job for four months of the year, but when I say what they do is so incredible and important you should know I'm not saying so out of obligation. How many award shows do you know that can honour an Australian 1920s-set western, a contemporary Georgian drama for actressexuals, and Syrian documentaries about life-saving humanitarians?

More than half of the 13 categories this year were won by films on various Oscar eligibility longlists and therefore in serious contention of nominations. While the big winner of the night for Best Feature Film was ultimately Warwick Thornton's Sweet Country of Australia, it won't be released locally until January next year so it could potentially be eligible for 2018 (his 2009 debut, which also won the Best Feature Film APSA made the foreign language shortlist). But the big country winners of the night were Georgia and Russia with three wins.

The winners are after the jump...

Click to read more ...