Cannes at Home: Day 2 - Breakdowns and rebellions

by Cláudio Alves

The first day of Main Competition screenings saw the premiere of a few film by Kirill Serebrennikov, and a collaboration from Felix van Groeningen, and Charlotte Vandermeersch.  Tchaikovsky's Wife (read Elisa's review) marks the third time Serebrennikov competes for the Palme d'Or, but the first time he's been at the Croisette. In the last few years, he's forbidden from exiting Russia after being convicted of deviating state funds for the Gogol Center in Moscow, a subterfuge for punishing an artist who's consistently spoken against Putin's regime. The other screening was less politically charged in comparison. The Eight Mountains (read Elisa's review) is the first directorial collaboration of Groeningen and Vandermeersch, though they previously wrote the screenplay for Groeningen's The Broken Circle Breakdown. Moreover, it's Vandermeersch's debut as a director and is the first of five competition titles directed or co-directed by women – a record in Cannes history.

For the Cannes at Home miniseries, today's films are The Broken Circle Breakdown and Serebrennikov's Leto...

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Interview: Peeter Rebane on the gay romantic drama "Firebird"

by Nathaniel R

Writer/Director Peeter Rebane (left) and his narrative feature debut "Firebird"

Sometimes timelessness is a curse. We don't neccessarily want period pieces about forbidden oppressed gay romances to feel especially resonate in the now. Neverthless that's what's happened with Firebird. Peeter Rebane's narrative debut, which recently opened in select cities, tells the true story of a gay soldier and his clandestine romance with a fighter pilot in a Russian airforce base in Estonia during the Cold War. The film has been in the works for ten years but in the interim Russian culture has become more virulently anti-gay (stoked by homophobic 'strong-man' Putin) and aggressive about it; please see the tremendous documentary Welcome to Chechnya if you haven't. At the moment Russia is also waging war on Ukraine which adds yet more unexpected charge to the film since one of the two leads playing Russian military men, Oleg Zagorodnii, is Ukrainian. 

When I sat down with the director Peeter Rebane, we talked about all this, as well as co-writing with his openly gay leading actor (Tom Prior), directing sex scenes, and homophobia in former Soviet countries... 

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Doc Corner: 'Navalny' is the first Oscar contender of '22

By Glenn Dunks

What luck it is to be a filmmaker in the room at such moments of historic opportunity. Canadian director Daniel Roher has made one previous feature, a music bio-doc about The Band, which probably isn’t the sort of bellwether for somebody who is about to capture evidence of the plot to assassinate the political rival of Vladimir Putin. But here we are.

Because of that luck and whatever directorial smarts got him there, Roher and his film Navalny are surely very real contenders for the documentary Oscar, the first such major title of the year.

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'Firebird' coming to theaters on April 29th

by Nathaniel R

New gay film to tell you about. Roadside Attractions will be releasing the Cold War romantic drama Firebirds, on April 29th in theaters. Inspired by a true story, it involves the forbidden gay romance of a soldier and a pilot fighter in Estonia during the 1970s. British actor Tom Prior (Kingsman: Secret Service, The Theory of Everything) plays the Russian soldier and Ukrainian actor Oleg Zagorodnii plays the pilot fighter. Though the cast is international and it's shot in English the director, Peeter Rebane, making his narrative feature debut, is from Estonia...

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Best International Film: Belgium, Kosovo, Russia

by Cláudio Alves

Our odyssey through the Best International Film submissions continues, this time focused on women behind the camera. As Juan Carlos' series Through Her Lens reminds us, there's a wealth of women directors every year whose work gets forgotten in lieu of their male counterparts. Of course, that's true in the Best Director Oscar race, but it also applies to every other category, including this one. From schoolyard bullying shot as psychological warfare to the physical aftermaths of an unspoken massacre, the submissions from Belgium, Kosovo, and Russia showcase the talent of female artists who explore many shades of brutality through a woman's point-of-view…

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