Best International Feature: Argentina, Canada, Russia

by Cláudio Alves

Last time, our voyage through the Best International Feature Oscar submissions took us to the entries from some of the biggest film industries in the world. Today's countries may not be as prolific in terms of cinematic production, but they are gigantic when it comes to population and landmass. Furthermore, their submissions are united by a common theme – the relationship between mothers and daughters, familial bonds in distress. Without further ado, let's explore the maternal meditations of Argentina, Canada, and Russia…

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"Dear Comrades!" and Russia at the Oscars

by Nathaniel R

Russia has announced that Andrey Konchalovskiy's Dear Comrades!, a Grand Jury Prize winner in Venice, will be their selection for the Oscars. This is the third time Russia has selected Konchalovsky to submit them. The 83 year old director is deeply tied to Russian cinematic history. He's the elder brother of Russia's most Oscar-loved director Nikita Mikhalkov (Burnt by the Sun) and he began his career writing and working for the legendary Andrei Tarkovsky (on Ivan's Childhood and Andre Rublev) in the early 1960s before launching his own directorial career.  He even tried his hand at English language films in the 1980s making Duet for One with Julie Andrews and the underappreciated Shy People with Barbara Hershey. His first Russian submission House of Fools in 2002 was unsuccessul. His second submission, the hugely lauded Paradise  in 2016, got close to the nomination, securing a finalist spot for itself. Will the third time be the charm? The official synopsis goes like so...

When the communist government raises food prices in 1962, the rebellious workers from the small industrial town of Novocherkassk go on strike. The massacre which then ensues is seen through the eyes of a devout party activist.

Hot on the heels of that news NEON has announced that they're grabbed US distribution though no release date has been announced. Let's look at Russia's history with Oscar after the jump...

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How had I never seen... "Doctor Zhivago"?

Every once in a while we ask Team Experience members to finally get around to a famous film they've been meaning to watch forever. Here's Christopher James...

I hate to say it, but when does one put on a three hour epic? The time never quite seems right, especially in a pre-quarantine world. That’s why David Lean’s epic extravaganzas had long been blind spots in my filmography. Both The Bridge on the River Kwai and Lawrence of Arabia become instant personal favorites after finally watching them for the first time in the past five years. Yet, somehow Doctor Zhivago (1965) always seemed just a bridge, or perilous train ride, too far. When I would think of it, I would picture the sets and costumes from stills. But was it worth sitting through over three hours of a movie just for, in the words of Aretha Franklin, “gowns, beautiful gowns”? Luckily, the epic is way more than just its trappings. As Team Experience gushed a few years back, there are so many memorable scenes and subplots in this involving romantic quartet.

To compliment Doctor Zhivago appropriately, one must go down each Oscar craft category one by one. It’s a technically stunning achievement that is beautiful, towering and simultaneously warm and cold all in the same breath...

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The Furniture: The frozen escape of "Doctor Zhivago"

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

Ten movies were nominated for Best Production Design at the 1965 Oscars, one of the last years before the Academy retired separate categories for color and black & white. There are some striking examples on the list, from the bloated (The Agony & the Ecstasy, Ship of Fools) to the bizarre (Inside Daisy Clover). But when you come down to it, there’s really no looking past Doctor Zhivago.

This was David Lean’s second consecutive film to win the category, after Lawrence of Arabia three years earlier. While their visual scope is similar, the two films actually have very different preoccupations. Lawrence of Arabia is about a man determined to shape history. Doctor Zhivago is about a man trying to escape it. Understanding the difference helps us understand the design.

We begin on the eve of the Russian Revolution, a moment of great social contrasts...

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Watch at Home: 1917 Again.

A biweekly look at what's new for home viewing...

New on DVD or Blu-Ray
• 1917 - Sam Mendes continuous shot war epic took home 3 Oscars. We shudder to think how reduced it will be via motion-smoothing on the nation's TVs.
• Clemency -Too somber to win legions of fans but this death row drama has amazing performances
• Come to Daddy - Elijah Wood sure does make a lot of indies, doesn't he?
• The Current War - After years of sitting on a shelf and then a swift wide release, we're definitely curious...

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