Best International Feature: France, Denmark & Russia's contenders

by Cláudio Alves

In less than two weeks, December 16th to be exact, we'll know the Best International Feature shortlist. In previous years, there were only nine finalists but, due to recent rule changes, the list has been expanded to ten titles. As usual, expect to see a lot of European productions since this category loves to reward the cinema of the Old Continent. Thinking of those preferences, I've decided to purview the submissions of three European champions of the past. 

Specifically, they are France, with nine competitive wins and three honorary awards uner their belt; Denmark, with three victories; and Russia, which won once or four times if you count USSR's wins. We'll start with the most-nominated country in the category's History…

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Cannes 2019 Un Certain Regard Lineup

We already dove into the Cannes Competition Lineup so it's time to look at the other most famous program, Un Certain Regard, which tends to be where a lot of the edgier titles from younger directors go. Some years people actually think this program beats the main competition for quality (since the main competition generally defaults to the "masters," regardless of whether or not they happen to be having a strong year).

UN CERTAIN REGARD

Fernanda Montenegro in "Invisible Life"

Here is a bit about all that titles in Un Certain Regard. These films won't get quite as much buzz in May UNLESS they break out and the familiar refrain begins "Why wasn't this in the main competition?" You know how Cannes critics do...

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Berlinale 2019: Juliette Binoche, delights & disappointments, and the festival winners

Seán McGovern concludes his coverage of the Berlin International Film Festival.

Juliette Binoche presents the Golden Bear to Israel's Nadav Lapid for his drama "Synonyms"

There is a bittersweet conundrum with film festivals, that no matter how many films you see, you still only get one colourfully subjective corner of a greater kaleidoscope of stories. But you do get a sense both from the conversations you have in line and the energy on the ground as to what you absolutely must see. Each year we ask the same question, no different for the 69th Berlinale: was it a good year, or a bad year? The answer is... a resounding shrug of the shoulders.

Not that the festival was without worthy winners. In typically pluralistic European style, a veritable bread basket of awards were given to a range of films both in the main competition and beyond, led by our “beautiful” president Juliette Binoche. I don't know if it was a translation thing, but the amount of times that Binoche was referred to as “our beautiful president” during Berlinale was insane...

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Which lower profile films might surprise in the Oscar Animated Feature race?

by Nathaniel R

Early Man was one of the earliest titles released. Will Oscar remember it? They do love Aardman filmsAs Oscar watchers know it requires only 16 eligible animated features to trigger a 5-wide shortlist of nominees for Best Animated Feature. That number is fairly easy to hit, making this category rather more like the Tony Awards than the Oscars or Emmys, in that it's drawing from a very limited pool. You have, statistically, quite a good chance of getting nominated if you exist. The Academy generally reveals the eligibility list between November 6th and the 15th.

Obviously we know that high profile films from studios and animation houses like Pixar (Incredibles 2), Disney (Ralph Breaks the Internet), Warner Animation (Smallfoot, Teen Titans Go!), Fox Searchlight (Isle of Dogs), Universal (The Grinch), Sony Animation (Into the Spider-Verse, Hotel Transylvania 3), Aardman (Early Man -- which was just nominated for the European Film Awards), and Paramount (Sherlock Gnomes) will be hoping to snag one of the five coveted nominations but what of the lower profile titles? History suggests that one or two of them could muscle their way into the shortlist ahead of an arguably less inspiring American option...

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Six More Foreign Film Oscar Contenders

by Nathaniel R

We're now up to 36 entries for Best Foreign Language Film, so  over one-third of the way to the full list. Of the six latest announcements The Heiresses has had the arguably highest profile at festivals but the Russian entry is the most "typically Oscar-like" in subject matter, though that thankfully matters less than it once did, even in the foreign category. 

• The Great Mystical Circus Brazil
  A century in the life of a family of circus owners. This is the 7th time Brazil has submitted a film by Carlos Diegues. He's their most frequently submitted director but none of his submitted films have been nominated. 
• Graves Without a Name Cambodia
  Rithy Panh created Cambodia's only Oscar nominee (the brilliant documentary The Missing Picture). This is another doc on the same topic: the Kmer Rouge and genocide
• Polyxeni Greece 
  The plot sounds intriguing. A young Greek orphan with a lust for life, is adopted and raised by a wealthy Greek-Turkish couple, unaware that people are plotting and after her large inheritance. Greece used to automatically submit the winner of the Thessaloniki Film Festival but those awards have since been abolished. The new big prizes for Greek films are the Hellenic Film Awards (often referred to as "the Iris" like we call the Academy Awards "Oscar"). They began in 2010 with Dogtooth as their first winner but winning the Iris (which Polyxeni did) doesn't automatically get you the Oscar submission since the submission is now decided by a committee. 
• Sunset Hungary
  It's László Nemes' follow up to his Oscar winning debut Son of Saul. He's gone further back in time from World War II in the previous picture to just before World War I for this story of a young woman who wants to be a milliner in a hat shop previously owned by her parents.
• The Heiresses Paraguay 
  Lesbian drama about a formerly wealthy woman restarting her life after her longtime partner is imprisoned. Among its several festival prizes is the promising Best Actress win at Berlinale.
• Sobibor  - Russia 
  A true story of a prisoner uprising at an extermination camp in Russia during World War II.

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