Best International Feature: France, Denmark & Russia's contenders

by Cláudio Alves

In less than two weeks, December 16th to be exact, we'll know the Best International Feature shortlist. In previous years, there were only nine finalists but, due to recent rule changes, the list has been expanded to ten titles. As usual, expect to see a lot of European productions since this category loves to reward the cinema of the Old Continent. Thinking of those preferences, I've decided to purview the submissions of three European champions of the past. 

Specifically, they are France, with nine competitive wins and three honorary awards uner their belt; Denmark, with three victories; and Russia, which won once or four times if you count USSR's wins. We'll start with the most-nominated country in the category's History…

Click to read more ...

Cannes: 'Un Certain Regard' and 'Cinéfondation' Winners

At Cannes the "Competition" titles get most of the press but there's another competition that runs parallel each year which often hides films that are just as strong --some years critics argue that they're stronger. Nadine Labaki (Capernaum) presided this year over the jury judging the 19 films in "Un Certain Regard." That's the program Cannes officials often throw distinctive or high quality films from newer filmmakers in since they reserve the main competition for (mostly) legendary auteurs or Cannes mainstays. 

UN CERTAIN REGARD PRIZE

THE INVISIBLE LIFE OF EURIDICE GUSMAO (Karim Aïnouz, Brazil)
We first started tracking this picture because it's from the queer Brazilian director Karim Aïnouz who made Futuro Beach, a movie that we liked at the time but obviously undervalued as it really lingers in the memory (I still find myself thinking about it regularly 5 years later). His new film, which won the hearts of Labaki and her jury, also features the legendary Fernanda Montenegro but hers is, alas, a supporting role...

Click to read more ...

Cannes: Rocketman, Les Miserables, Bacarau, and Red Carpet Men.

Richard, Taron, and Elton at the premiere.

Women get all 98% of the attention on the red carpet but we'll get to the gowns a bit later. For whatever reason, order of programming or specific films, or what not, in the first weekend of the festival the male-centric stuff is what's popping from the French film Les Miserables (not an adaptation of the Victor Hugo novel or Broadway musical) to the polarizing Brazilian film Bacurau (from the director of Aquarius - yay!) to the Elton John bio Rocketman.

Rocketman had the glitziest premiere - give or take Jim Jarmusch's opening night screening for Dead Don't Die, so today we're gazing at the men in their finery from the first few days of the festival and at the reviews for a few of the early films screened, too. It's all after the jump...

Click to read more ...