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Best Supporting Actress - Predictions

"Not enough leading performances in your roundup. I mean a supporting actress lineup made up of only supporting roles? Now that's crazy talk!" - Sarah

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Entries in film critics (160)

Tuesday
Apr112017

Links, 11

NYT Amanda Peet on why she doesn't read reviews
Variety Ron Howard to produce and direct much discussed political book Hillbilly Elegy. A very odd fit if you ask us, since Howard is skilled at broad-stroked popcorn pictures, not nuanced thematic drama
NYT Radley Metzger, erotic cinema pioneer (The Lickerish Quartet, Score) has died at 88

Shadowplay looks back at Joan Crawford in Torch Song with some notes on Feud
Interview Mag talks to Pilou Asbaek (A War, Ghost in the Shell
MNPP John Waters still making trouble onscreen and in print 
Theater Mania Provincetown's got an amazing lineup of concerts this summer including Sutton Foster and Megan Hilty
Coming Soon Some Scarlet Witch action from the Avengers: Infinity War set. It's always amusing to see how strange these things look before visual fx
i09 reviews the direct to video animated feature Teen Titans: Judas Contract, based on the classic 80s storyline
Cinematic Corner the best and worst of 2016. Yes, it's still okay to post these. I know I need to finish up some categories in the film bitch awards

Finally, please do check out the Pulitzer Prizes for 2017. Winners and finalists have been announced. Nothing movie or TV related this year among the winners except, eventually, the fiction winner Underground Railroad, which is Barry Jenkins next project as previously discussed. There are two theater related winners so congrats to Lynn Nottage who is the first black woman to win two Pulitzers for Drama (her new play "Sweat" which stars Feud and The American's Alison Wright alongside Johanna Day and Michelle Wilson) and to Hilton Als of the New Yorker for his theater criticism. Among the finalists that didn't win is one worthy voice for movie lovers: Ty Burr of the Boston Globe was honored with 10 of his columns noted.

Sunday
Mar122017

Big Little Tweetweek

The hilarious thing is she's always worked this much. Good luck to all the new completists out there at ever finishing her filmography!

After the jump Chris Hemsworth, Big Little Lies, the Gyllenhaals, film critic humor, and prayers for Barbra Streisand... 

Click to read more ...

Friday
Jan272017

"Where is Kyra" wins raves for La Pfeiff

True story: I started our new "Pfandom" series specifically for two reasons. The second was to cheer myself up in these awful democracy-losing times. The first though was to welcome our pfavorite, Michelle Pfeiffer, back. The twitter debate rages on what we shall call this year ("The Pfeiffersance? Michellaisance?" any other suggestions?). The first of her pfour roles this year is the title character in Where is Kyra?, which just premiered at Sundance. I will not be reading any reviews as I'd like to experience it pfresh but my understanding is that it's Oscar nominated cinematographer Bradford Young (Arrival) and Michelle herself winning the raves while people are less jazzed about the movie itself? Regardless, TFE's official stance is that it's very unfortunate that Pfeiffer did not show to support her movie. Director Andrew Dosunmu (Mother of George) had to go it alone. If she doesn't leave home to promote her movies this year,  the comeback may be rather less than glamorous and successful. But what can you do? She's an elusive creature. 

If you don't have my aversion to reading reviews before you see a film, reviews are now available at Village VoiceVariety, The Hollywood Reporter, Screen Daily, Ion Cinema, Playlist, and Yahoo! Movies.

Thursday
Jan052017

An Interview with the Founder of the Seattle Film Critics Society

Please welcome Brian Zitzelman, our newest contributor. He's a member of the newly formed Seattle Film Critics Society and for his first post he's interviewing the founder of that society Michael Ward. A little inside peak for you. - Editor

Michael Ward of "Should I See It"by Brian Zitzelman

Beyond being a genuinely kind, smart man, Michael Ward has done what few have; he's created a film critic's society. The Seattle Film Critics Society to be exact.  

Despite being home to a near month-long film festival, a multitude of cinemas devoted to older movies and generally being pretty comfortably snobby about the arts, the city of Seattle hasn't had a proper Film Society for over a decade. Mr. Ward changed that with months and months of work dealing with studio reps here and cavalcades of other oddities. In between tallying the final votes and writing sensationally for his own site Should I See It, I spoke to Mike about the joys, troubles and curveballs of what it takes to develop something that’s usually an established institution in other parts of the country. 

BRIAN ZITZELMAN: Let me start with the obvious question; How happy are you to have this first year of the Seattle Film Critics Society behind you?

MICHAEL WARD: Well, it feels premature to say that we have a full year under our belts. We are still working with a team to complete the infrastructure but I am comfortable in saying that lots of people have put in lots of time to make this a reality. We are planning on voting in a Board of Directors in February 2017, and at that point, more than two years of hard work will definitely have paid off. 

Moonlight took 6 prizes including Best Picture at the first official Seattle Film Critics Society awards

Can you walk us through the whole concept? I think most people assume every major metropolitan city has its own film critics circle, especially those with a history of the arts like Seattle. 

While this iteration of a Seattle Film Critics Society is new, there was an organization that existed from 2001-2004. Unfortunately, when they disbanded it was an ugly dissolution, and people are still reeling from how that all apparently went down.  But you're absolutely right Brian, most major cities have a film critics society or organization which most people typically only hear about during awards season...  

Click to read more ...

Tuesday
Dec202016

Catching up w/ Critics Prizes: Chicago, London, Kansas City, and SEFCA

Another week another big round of critics prizes. As previously noted we only cover about 16 groups (for sanity purposes) so here were a fourth of them as announced these past few days.

CHICAGO FILM CRITICS ASSOCIATION

Chicago's association was first established in 1988 with a Best Picture prize for Mississippi Burning of all things. This year they liked The Handmaiden so much that it even broke into their Best Picture nomination, a rarity for the group. The last foreign language film to do so with Chicago was Crouching Tiger Hidden Dragon back in 2000. It won three prizes, just shy of what Manchester by the Sea managed...

Click to read more ...

Monday
Dec122016

We ♥︎ the San Diego Film Critics Society

I want to make out with every member of the San Diego Film Critics Society right now. Why? It's not for their individual choices, no, though some of them are good. It's for this simple fact: they looked at the entire film year and not just movies that are just now hitting theaters. And, my friends, that is EXACTLY what film critics are not only supposed to do but best suited to do. The publicity teams and Oscar campaigns are already on the job of reminding people about which movies are coming out. Critics should notice more than what's being shoved at them minutes before they vote. 

Hell or High Water is their big winner but other pre-November releases in their mix include Aquarius, The Nice Guys, Love & Friendship and more. Good work San Diego! You can see the full list after the jump...  

Click to read more ...

Sunday
Dec112016

Boston Loves "Manchester"

The Boston Film Critics Society formed in 1980 divvying up their first year of prizes largely between Martin Scorsese's Raging Bull and Jonathan Demme's undeappreciated Melvin & Howard. (Both auteurs would reign again with the BFCS via The Departed and Silence of the Lambs). While they don't often out on stylish limbs and aren't as invested in foreign films as they once did and were, when they return to either of those impulses it's often exciting. Our absolute favorite thing they occassional do is a weirdo but "why, yes, actually!" supporting performance pick like Toni Collette for The Hours, Juliette Lewis in Conviction or Ezra Miller in Perks of Being a Wallflower.

Here's what they chose as Best for 2016 along with several trivia notes...

Click to read more ...