Despite the disdain many members of the media, including some within the BFCA, seem to hold for the HFPA, the organization that runs the Golden Globes, everyone seems to want to be them. The Critics Choice Awards, now in their 21st year, have had trouble emerging from that institution's shadow.
Though the CCMAs had seemed to be on a slight upswing around the turn of the decade (the Meryl Streep years of Doubt and Julie & Julia seemed to go well in terms of media interest, comparatively at least), things have been since trending downward and went truly haywire this year. In addition to the "never take us seriously!" self-sabotage to change a nominee lineup after nominations had been announced, there are the strange impulses that can only come from not trusting the voting body such as the need to give Amy Schumer a special prize in the year when she's already going to win a normal prize.
Meanwhile the continued expansion of categories over the past several years has created a clusterf*** that requires that very few of them be televised live. Which is a pity because if they were they might be worth discussing. Mad Max Fury Road won 9 prizes but it didn't even remotely emerge from the night feeling like a big winner since only one of the nine was televised! [More...]