Oscar Volley: Best Original Screenplay is the Battle of the Auteurs

In this Oscar Volley, Eric Blume and Cláudio Alves discuss the Best Original Screenplay race…

HARD TRUTHS, Mike Leigh

ERIC BLUME: Hi Cláudio, I put us together on this one because I love arguing with you.  Hope that's okay.  Plus, I am curious to get your takes on some of these films and scripts.

Best Original Screenplay has a lot of strong contenders this year.  What I find particularly interesting is that eight of these feature scripts written by their directors - Seed of the Sacred Fig, A Real Pain, The Substance, September 5, Anora, The Brutalist, All We Imagine as Light, and Hard Truths.  That has to be some kind of record? 

CLÁUDIO ALVES: With the growing connection between the big European film festivals and the awards season, auteur cinema is on the rise as an Oscar gold magnet. And many of those selections favor director-forward productions, often where the folks in the director's chair also penned the script. Indeed, from the octet you mention, only A Real Pain and Hard Truths premiered outside Cannes or Venice. And with Mike Leigh's latest, it wasn't for a lack of trying on his part…

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Ireland's "Kneecap" leads the BIFA nominations

by Cláudio Alves

In a fascinating turn of events, the official Oscar submission from Ireland is the most nominated film at the British Independent Film Awards. Kneecap, a comedy about the homonymous Belfast hip-hop group, scored a grand total of 14 nods, including five for its director, Rich Peppiatt. In the second place, we find Rose Glass's Saint Maud follow-up, Love Lies Bleeding. A thriller flirting with body horror, it nabbed 12 honors. Coming in third, there's The Outrun which continues to grow its awards season profile. The Scottish drama scored nine nominations overall, but its best bet is probably Best Actress, where Saoirse Ronan is aiming for gold. If things go according to Sony Picture Classic's plans, the film might add an Oscar nomination to its bounty before the season's over…

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"Anora" leads the Gotham Nominations

by Cláudio Alves

ANORA seems poised to dominate the awards season.

Another year, another awards season. And, like it happens every fall, the Gotham Awards have the privilege of kicking the race into high gear. Unsurprisingly, Anora leads with four nominations, followed by Nickel Boys and I Saw the TV Glow with three nods a piece, though the latter failed to get a spot in the Best Feature category. Then again, it's worth remembering that the Gothams' nine categories are divided into five distinct committees with no overlap between them. The same people (critics, curators, editors, and programmers) who decide the Director and Screenplay nominees have no say in who makes it into the acting races, for example.

So, expect idiosyncrasies and don't put much stock in how some films appear in a couple of major categories but not others. More than a precursor for Oscar gold, these prizes often feel like an opportunity to highlight the richness of the cinematic year before the viable contenders get reduced to a limited lot. So, let's take a look at their selection…

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AFI Fest: “Hard Truths” Tackles Modern Social Anxiety in One of the Year’s Best Films

by Eurocheese

Mike Leigh is a filmmaker who has always evoked strong opinions, with your typical cinephile having their own takes on which films are strongest among his catalog. Certainly one of the highlights of his career has been Secrets & Lies, with the memorable pairing of Brenda Blethyn and his leading lady from this film, Marianne Jean-Baptiste. Her subtle work in that film, clashing against her brash co-stars, is often cited as one of the best performances from any Leigh film, earning her only Oscar nomination to date. Seeing her back in one of his leading roles, fans of the director and actress will be pleased to hear that their reunion brings us one of the best performances and films of the year.

Jean-Baptiste’s Pansy introduces herself to the audience by waking up screaming, and her intensity doesn’t dial down from there...

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10 Questions about the Oscar race

by Nathaniel R

Every Oscar chart has been updated. Late October is always a strange time in the awards race. It's a time when most of the major players have surfaced (at festivals or screenings) but nobody has yet seen everything and no awards groups (beyond festival juries) have sorted and sifted through the abundance. Which means anything is still possible until the critics groups and awards org begin to narrow the focus of Academy voters in ways that tend to be both interesting and disheartening. They'll boost a couple of unexpected but worthy contenders into the conversation but at the same time their hive mind choices will pour abundant love on too few titles and starve other beauties of sunlight and water.

So as you peruse the charts, answer these ten questions in the comments...

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