Who’s our next three-peat champion?

by Cláudio Alves

And just like that, Sean Penn became the eighth actor to win three Oscars.

With One Battle After Another, Sean Penn became the eighth person in Academy Award history to win a third acting Oscar. He follows Supporting Actor king Walter Brennan, most honored thespian ever Katharine Hepburn, Swedish superstar Ingrid Bergman, New Hollywood enfant terrible Jack Nicholson, nomination queen Meryl Streep, method actor extraordinaire Daniel Day-Lewis, and too-cool-for-school Oscar favorite Frances McDormand. This honor comes after a period when Penn was fairly removed from the awards conversation, regularly panned at Cannes for his directorial work while winning the favor of a few critics for underseen performances like those in Daddio and Asphalt City. Indeed, he seems so uninterested in playing the game that he barely campaigned and didn’t even show up to collect his prize.

Disregarding whether he deserves it or not, Penn’s victory leads me to wonder who’s next? Who is closest to joining this exclusive club? There are currently 19 two-time acting Oscar winners alive, each a different case, with some landing in the “just a matter of time” field, while others are surely “not happening.” Join me as I go over these possibilities…

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Split Decision: "Bugonia"

In the Split Decision series, our writers pair up and face off on an Oscar-nominated movie one loves and the other doesn't. Tonight, ERIC BLUME and CLÁUDIO ALVES discuss Bugonia...

ERIC: Cláudio, a friendship is nothing without honesty, so I'll honor our friendship by saying I've been putting off our conversation on Bugonia, because it's a film that brought me such perverse joy and basic movie-movie satisfaction...and I know you are not a big fan of Lanthimos' aesthetic and style, his partnership with Emma Stone, and some of Stone's key performances.  They all mean a lot to me, so diving into this pit seems a bit challenging. 

But what is the purpose of being a passionate cinephile if you can't dive into the pit, right?  I'll start by saying that I think Bugonia is great, crazy, zany fun, and kept me on the edge of my seat the entire time.  That's just basic-level movie audience talk, but it's true, and I can't say that about a lot of movies, not even a few that I rank higher in my top ten list this year!  Now, proceed, my friend.

CLÁUDIO: For the record, I'm not anti-Lanthimos nor am I anti-Stone…

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Oscar Volley: Is "Best Actress" tied up with a bow for Jessie Buckley?

The Oscar Volleys continue. Today, LYNN LEE and NICK TAYLOR discuss the surprisingly stable Oscar race for Best Actress.

Jessie Buckley in HAMNET | © Focus Features

LYNN: At the risk of stating the obvious, Nick, Best Actress has been the most predictable stable of the four acting races by far. Is there a world in which Jessie Buckley doesn’t take this? And are we basically fine with that?

NICK: I mean, where else is there to start? Buckley’s the surest winner of the acting categories, and among a handful of artists (PTA, Ludwig Göransson) who have to know they’re winning the Oscar. I’m not complaining. Buckley’s been delivering ambitious, awards-worthy turns since she debuted with Beast in 2017, and her turn as Agnes is such an ideal use of her screen persona. The practical intelligence, the precise-yet-walloping emotions, the way her characters are so irreducibly themselves that their odd edges and peculiar beliefs doom them to black sheep status even when things are looking their way. She’s incredible, and just because the grieving mother is an easy type for awards groups to notice shouldn’t diminish how powerful her work is in Hamnet...

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The Best Actress Race: Nomination Tracks & Frankenstein Fusion

by Nathaniel R

I should probably switch this up as I've been doing it annually, but I can't resist. I love imagining a Frankenstein-fusion of the parts of all the  BEST ACTRESS nominees.  If you smoosh or stitch Renate, Kate, Emma, Jessie, and Rose together our Best Actress Category Avatar is a mid-career still-ascending brunette star on her second nomination. She's also dabbled in musicals, played Sally Bowles in "Cabaret", and BAFTA recognized her genius before Oscar voters did!  Maybe she has false memories of winning an Oscar but this is only her second nomination. Her director has a proven track record with guiding actresses -- she may have even worked with them before -- to stellar performances. She's a fire sign with earth rising, a wife, a mother of two, and she just turned 40.

The movie she's nominated for is a drama about a young grieving mother struggling to balance her artistic career ambitions, with her obnoxious needy child--- wait, is she Alice from Alice Doesnt Live Here Anymore?. No uh, never mind, the movie is weirder than that. There's a darkly comic subplot about incels and mysterious holes in her ceiling but the main thrust of the narrative is that the most important man in her life (was it her dad or husband? I forget) is perpetually absent, consummed by his own artistic career ambitions, and has no time for her needs! 

See the updated Best Actress chart 
The chart includes a daily poll, "How'd They Get Nominated?" speculation (not meant as judgment -- nobody is nominated on performance alone!), stats, anecdotes, and trivia. 

Venice: Yorgos Lanthimos Returns with "Bugonia"

Elisa Giudici reporting from Venice

The cage match comes first: a ruthless CEO named Michelle (Emma Stone) wakes in a crumbling suburban house, bound and outmaneuvered by Teddy (Jesse Plemons), a low-wage packer with a ponytail, a backyard of beehives, and a head full of conspiracy podcasts. With help from his guileless cousin Don (Aidan Delbis), Teddy gives her three days to lead them to her spaceship before a looming lunar eclipse. Money won’t tempt him; sex won’t distract him—he and Don have even resorted to DIY chemical castration to blunt any “alien” manipulation. The stakes sound absurd, but the menace is real: in Lanthimos’s world, delusion can be methodical, rage can be lucid, and the invisible can prove terrifyingly effective...

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