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Entries in Emma Stone (107)

Tuesday
Feb262019

With a Friend Like Emma...

And the prize for "Best Reaction Shot" of Oscar night goes to an overwhelmed Emma Stone cheering on her friend and surprise Oscar winner Olivia Colman. While we're sad the producers didn't also give us enough cutaways to Rachel Weisz (hopefully occupied by snogging Daniel Craig) and the sight of a tearful Yorgos Lanthimos was unexpected and heartwarming, nothing tops the effusive affection of a friend. Hang this in the Louvre next to Kate Winslet's clasped hands in support of Leo DiCaprio.

Tuesday
Feb192019

Smackdown 2018: Amy, Emma, Rachel, Marina, "and..." Regina King

Presenting Oscar's Chosen 'Supporting' Actresses of the Films of 2018.

Two warring ladies of the royal court, two desperate mothers, and an amoral ambitious politician's wife. That's the 'supporting' actress roll call for the 91st Oscars, though two of the characters are leading ladies. Still, we're here to talk performances, first and foremost. Who wowed us, whose take on their characters left us wanting, and are these actresses making the most of what's in their screenplays? [Sad Disclaimer: Unfortunately since we did not receive screeners this season (moving/address problems) we were unable to do the normal screentime count portion of the Smackdown though we're just as curious as you surely are about how the screentime in The Favourite actually measures up from actress-to-actress. We won't trust any report till we do our own because we've heard conflicting statements, so we will eventually do the count.]

THIS MONTH'S PANELISTS   

Here to talk about these five nominated turns are actress Ginny O'Keefe, blogger Robin Write (Filmotomy), two senior Film Experience contributors Murtada ElfadlChris Feil, and your host Nathaniel R.  The final collective panelist is the Readers (hey, that means you!!!) who took the time to send us their votes. Okay, let's go!

2018
SUPPORTING ACTRESS SMACKDOWN  

 

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Tuesday
Jan292019

Who will win Supporting Actress? Who should win?

2018 may well go down in history as the most volatile supporting actress race since 2007 (wherein four different women won the 5 televised prizes: Globes, Critics Choice, SAG, BAFTA, and Oscar). If you'll recall that historic year, those five prizes went, in order, to Cate Blanchett (I'm Not There), Amy Ryan (Gone Baby Gone), Ruby Dee (American Gangster),and the final two went to Tilda Swinton (Michael Clayton). The only Oscar nominee that year that didn't win a televised prize was little Saoirse Ronan (Atonement). Saoirse even lost the "Young Actress" prize at Critics Choice but she got the last laugh, already being considered a Great by her early twenties with two more nominations since then and momentum for a win should the right role come along and she's still just 24 years old...

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Monday
Jan282019

Beauty vs Beast: Forgiveness Among Friends

Jason from MNPP here, right upfront with an apology for what I'm about to do to you all with this week's "Beauty vs Beast" -- unfortunately for all of us we've reached the "look at the movies that are being nominated for awards" part of the year which is forcing me, just forcing me, to make us all choose between the bitter besties of the perfect (if you ask me) Can You Ever Forgive Me? from director Marielle Heller.

Both Melissa McCarthy and Richard E. grant happily and deservedly secured Oscar nominations for their performances as the wrter Lee Israel and her partner-in-crime and bourbon Jack Hock, but for all their chumminess they're also often taking adversarial stances in the film, given the cobustiveness of both their characters. So even if we hate to bust up one of the greatest gay duos ever put on screen like this, we're still gonna ask...

 

PREVIOUSLY Speaking of Awards Nominated Duos, last week's The Favourite bout crowned Lady Sarah (Rachel Weisz) by a pretty substantial margin. (3/4s of the vote, if you're wondering.) Said Roger:

"Team Sarah, no question. While this is Stone best performance to date, for me, it’s a tossup between Weisz and Colman for MVP. A tragic, deeply felt love story between Sarah and Queen Anne hides in plain sight. When it sneaks up on you in their final scene together between the door, it elevates what is already an entirely enjoyable film and recontextualiizes everything. Sarah was and always will be the favourite. Also, there is no doubt that all three are leading roles. I also share the belief that if the Oscar doesn’t go to King as I expect, Weisz wins her second."

Monday
Jan282019

That controversial ending to "The Favourite"

by Mark Brinkerhoff

Happy post-Oscar nominations week! Despite a fair amount of rubbish (*cough* Bohemian Rhapsody), the Academy has blessed The Favourite with a deservedly (co-)leading 10 nominations. Bravo! Well done. On that note, it’s high time we talk about the film’s—shall we say—polarizing ending. Are you ready? Let’s go… (Warning: Spoilers ahead.)

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Monday
Jan212019

Beauty vs Beast: Queen Anne's Choice

Happy Oscar Nominations Eve, everybody! Jason from MNPP here with this week's "Beauty vs Beast" which this week shall tackle one of the probable juggernauts nomination-wise tomorrow, or so we hope -- Yorgos Lanthimos' giddily profane The Favourite boasts a triumverate for the ages, with Queen Anne (Olivia Colman) sitting astride two wars, the more interesting one between her comely, craven subjects Lady Sarah (Rachel Weisz) and cousin Abagail (Emma Stone). Everybody's predicting richkly deserved nominations for all three (while simultaneously bickering about their Lead vs Supporting placement) but we're more interested where you'd come down from Queen Anne's place...

 

PREVIOUSLY Last week you guys wisely took Joan's advice and didn't fuck with her, fellas - Faye Dunaway's stark-raving turn in Mommie Dearest trampled through the roses to a win of just under 80%. Said Roger:

"I love MOMMIE DEAREST. In terms of Oscar eligibility, Faye Dunaway absolutely should have won the Oscar. Her performance is incredible and almost experimental. I think this is a rare example where the overused remark of losing one’s self in a role is warranted. The line between Faye Dunaway and Joan Crawford is blurred beyond distinction. Both actresses are so enthralling that seeing one as the other, Dunaway as Crawford, is so electrifying it borders on hyperreality."