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Entries in Emma Stone (41)

Sunday
Mar012015

Podcast Finale: The Team Reflects on the 87th Academy Awards

Nick, Katey, Joe and Nathaniel reunite for the podcast season finale. The topic is the Oscars and these are our last words on this year's. The conversation includes but is not limited to:

• Neil Patrick Harris strong opening but then...
• Our choices for MVP from the audience
• Musical numbers - good but too many?
• Who should host next time?
• Power Trio: Canonero, Lubezki & Desplat
• Obsessing over Julianne Moore's speech
• Eddie Redmayne's glee
• Nick's John Travolta prediction
• Which of the nominees will be nominated again quickest?

And of course we play our favorite game of suggesting pairings of actors and directors. 

Juli is a little embarrassed at our obsessing on her 

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of the post or download from iTunes.  

87th Oscars Reviewed

Wednesday
Feb252015

Red Carpet: Supporting Actresses & Stray Beauties

Red Carpet Lineup Time as we struggle to wrap up Oscar night! It's time to say goodbye to the Supporting Actress Class of 2014 and it occurs to me that though I know you favored Arquette to a very wide margin in the race, I have no idea who y'all think was best dressed of this annual rotating quintet? So please do vote!  

 

NATHANIEL: In the meantime please welcome back our LA beauties Margaret and Anne Marie to the fashion panel. In the spirit of the times, when red carpet press have been encouraged to #AskHerMore, let's do that. We've never cared "who" people are wearing anyway... just that they're giving us glamour for our favorite International Holiday, Oscar Night. What questions immediately come to mind when you see this lineup?

MARGARET: What I'm desperate to know is, who are these ladies going to work with next? With perhaps the exception of California-law-mandated nominee Meryl Streep, they all have fresh momentum that should give them their pick of projects..

ANNE MARIE: Maybe they can all work in a movie together. They certainly make a great lineup standing next to each other.

NATHANIEL: Actresses are not allowed to work together! They must choose which man they'd like to mother, inspire or longsuffer for.

MARGARET: In my very vivid head-world where I am a massively wealthy movie producer, I would definitely finance the heck out of some Empire-style movie about which ambitious and capable protege of Meryl's should take up the torch of some high-powered business.

NATHANIEL:  I think it wisest we keep Laura Dern away from big corporations.

more...

Click to read more ...

Tuesday
Feb242015

"I'm gonna ask you, okay? And you say yes, okay? Are you my mom?" / "Yes, sweetie"

This is your daily reminder that Julianne Moore won an Oscar* 

A lot of actors have played Juli's screen kids over the years. Hopefully not all of them have been too traumatized by it since she plays "bad mommy" more often than good one. In fact, here's a list of them because a) it's fun to make lists and b) we go above and beyond here at The Film Experience. We really do. So you should like us on facebook, follow Nathaniel on twitter, and sign up for the forthcoming newsletter pretty please!

Julianne's Screen Kids... It's a Boy / Girl / Ghost

  1. Uncredited (Newborn) - Nine Months (1995)
  2. Chauncy Leopardi (Stepson) - [safe] (1995)
  3. Mark Wahlberg "you're my baby boy" & Heather Graham "I love you mom!" (Honorary Children) - Boogie Nights (1997)
  4. Haunting Offscreen Presence (Child She Isn't Allowed To See) - Boogie Nights (1997)
  5. Liv Tyler - Cookie's Fortune (1999)
  6. Victoria Rudiak (Dead Child) - A Map of the World (1999)
  7. Hayley Lochner (Other Child) - A Map of the World (1999)
  8. Tom Cruise (Stepson) - Magnolia (1999)
  9. Haunting Offscreen Presence (Imaginary Child) - World Traveller (2001)
  10. Will McAllister - The Shipping News (2001)
  11. Ryan Ward & Lindsay Andretta (Ignored Children) - Far From Heaven (2002)
  12. Jack Rovello & Ed Harris (Same Character) - The Hours (2002)
  13. Christopher Kovaleski & Matthew Pleszewicz (Dead Child - Or Did The Child Ever Exist At All ???) - The Forgotten (2004)
  14. Trevor Morgan, Ellary Porterfield, Monté Gagné, Robert Clark, Michael Seater, Erik Knudsen, Jake Scott, Jordan Todosey, Ryan Price, Shae Norris, Abigail Falle, Luca Barbaro, Brando Barbaro, Jack Murray, Evan Rose, Jessica Pollock, Emily Persich, Maxwell Uretsky, Brendan Price, Melanie Tonello, Julia Megan Thompson, Connor Sharp (Impossibly Large Brood) - The Prize Winner of Defiance, Ohio (2005)
  15. Marlon Sherman (Missing or Dead Child ???) - Freedomland (2006)
  16. Haunting Offscreen Presence (Dead Child) - Children of Men (2006)
  17. Barney Clark & Eddie Redmayne- (Same Character) - Savage Grace (2007)
  18. Max Thieriot - Chloe (2009)
  19. Mia Wasikowska & Josh Hutcherson - The Kids Are All Right (2010)
  20. Emma Stone - Crazy Stupid Love (2011)
  21. Paul Dano - Being Flynn (2012)
  22. Onata Aprile - What Maisie Knew (2013)
  23. Haunting Offscreen Presence (Dead Child) - Don Jon (2013)
  24. Chloë Grace Moretz -Carrie (2013)
  25. Kate Bosworth, Hunter Parrish, and Kristen Stewart - Still Alice (2014)

 

And now the first of them (Eddie Redmayne) has just won an Oscar! As I said in yesterday's New Oscar Trivia post it's the first time our Best Actress & Best Actor winner have previously costarred as mother & son.

Which of her screen kids will be next?

Maybe Emma Stone who was so delightful while practicing with a LEGO Oscar? Or Wahlberg or Moretz or Stewart or.... what'cha think?  

* How long can I keep this up d'ya think?

Tuesday
Jan272015

Red Carpet Lineup: The 21st Annual SAG Awards

Greetings, fashion followers and actress admirers! Anne Marie and Margaret here with the Screen Actors Guild Awards edition of Red Carpet Lineup. We're carrying on without Nathaniel this time, since he's over at Sundance walking some red carpets of his own.

Anne Marie:  Last night held few surprises awards-wise, but the red carpet looks were as wide-ranging as Tatiana Maslany's clones in Orphan Black. Without further ado, let's talk fashion!

Margaret: Color-wise, it was a subdued red carpet, so let's start with some of the ladies in black and white: our queen Viola (VIOLAAAAAA), it-girl Emma Stone, the Supreme Sarah Paulson, and proud "complicated woman" Maggie Gyllenhaal. Which neutral getup is your favorite?

Anne Marie:  VIOLAAAAAA! Damn, she looked good. She sounded good, too. That speech was wonderful, and almost made me forgive How To Get Away With Murder for its grievous faults. Sarah Paulson, queen of my heart and the master of photobombs, is also rocking that black and white dress. I don't, as a general rule, like two-piece separate dresses like this, but she is... dare I say... bewitching. (Groan all you like but it's true.)

Margaret: I have to say, all four of these ladies' makeup artists deserve a serious bonus. Their faces look magnificent.

Anne Marie: True. Although, what the heck is going on with Emma Stone's dress? She looks like she's wearing an oversized suit jacket with a gauze skirt stapled on.

Margaret: Perhaps it's an avant-garde nod to her Birdman role, an abstracted fashion cape?

Anne Marie:  Sort of a Lois-Lane-by-way-of-Morticia-Addams kind of thing?

Margaret: Sure looks like it. If I'm honest, I hope her people pull her something twice as kooky for the Oscars. Liven things up a smidge.

Anne Marie: Any final thoughts on our first 4 ladies in white-and-black?

Margaret: Just that Maggie Gyllenhaal's cleavage keyhole amuses me, and that I'm almost sorry that Frances McDormand beat her last night because after the glorious stoneface Ms. McDormand produced after losing at the Golden Globes, I can't help but mourn for the gifs that might have been.

Now, on to our second lineup, the theme of which is WINNERS. 

Maternity couture, OITNB, and casting ideas for a gritty Little Mermaid reboot after the jump...

Click to read more ...

Friday
Jan162015

Supporting Actress: The Chart, The Poll, The Stats

It's funny how little news coverage there is now each time Meryl Streep breaks her own Oscar records. With her 19th nomination she's just 5 more away from DOUBLING the previous record holders (Jack Nicholson & Katharine Hepburn) whose record of 12 nominations she broke a dozen years back with Adaptation (2002), her 13th. Five would seem like a ridiculous number remaining to even mention (only roughly two dozen actresses have managed five nods in entire careers in the history of the world) but it's Meryl and she's nominated each time she makes a movie and makes them (almost) every year. Maybe she'll reach that big number before her 75th birthday in the summer of 2024?

Supporting Actress nonsense, The Arquettes, and more trivia after the jump...

Click to read more ...

Monday
Jan122015

Big Eyes Surprise? Final Best Actress Predictions

One of last night's most unnerving moments may well have been hearing Big Eyes mentioned multiple times. It's easy to forget that the movie is out in theaters now, since it didn't make big Christmas waves in the media or the box office (it's likely to end its run as Burton's second least successful film of all time after Ed Wood which is 100 times better), didn't earn rave reviews (it's sitting at 70% on Rotten Tomatoes which is, shall we say, generous) so Amy Adams surprise upon winning is entirely understandable.

To say that I am ill prepared for this moment is a huge understatement. Huge."

The surprise win reminds us that she's been generously adored by nearly all the awards communities for years now, an embryonic-Meryl perhaps. This season provides the biggest test yet of how much of a default nominee she truly is with AMPAS. If she manages an Oscar nod this year against much stronger competition in much better films (Reese, Julianne, Felicity, Marion, Rosamund, Hilary, and Emily) and a much more willful campaign for another performance that's better than its movie (Hi, Jennifer Aniston!) you should expect her to be nominated for every film going forward, as you would Meryl herself.  

Nevertheless I don't think it's going to happen and the dye is set on this category. Our nominees will be

Best Actress Oscar Predictions
Jennifer Aniston, Cake
Felicity Jones, Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

A few critics groups made a valiant stand for Marion Cotillard but in the end Two Days One Night killed that dream itself by arriving in theaters way too late to build any presence of its own as an impressive movie, which would have bolstered support for the shockingly real performance at its center from an actress that keeps topping her Oscar-winning role without the Academy paying her any mind. 

In conclusion, may Big Eyes greatest pop culture legacy be the opening monologue joke from Tina Fey and Amy Poehler. They announced that there was a live Margaret Keane painting at the ceremony. Cut to: Emma Stone. Well, they are gigantic. They take up her whole face like an anime character. What really sold the punchline was its coda; Tina & Amy are great at those little joke extenders when you're already laughing.


Emma reactions to a BIG EYES joke aimed at her gif via Vulture

It's cute. But it's creepy."

We might say the same of Amy Adams Awards Haul!

Saturday
Jan102015

Who you gonna call? Linkbusters

Vanity Fair Melissa McCarthy and other funny ladies in talks for Ghostbusters reboot. I'm rooting for Jillian Bell myself who is mentioned. Yay.
Buzzfeed a definitive ranking of Disney Prince butts - as great as it sounds though I'd place Prince Phillip higher because my imagination works (I love that former Prince BD Wong even replied to his ranking on Twitter)
Vulture let us all worship Charlize Theron who has demanded (and been given) equal pay to her male co-star for The Huntsman. It's not like people went to the first movie for Hemsworth...Insane. Sexism by the numbers.
The Film Grapevine Birdman and the unexpected virtue of Contrivance
A Socialite Life Andrew Garfield and Emma Stone photobomb someone actually trying to take a photo of them

Slate on why Wes Anderson movies have never been popular with the Academy Awards before (presumably) now. Fairly good reasoning
MNPP Wet Hot American Summer will become a Netflix series and the original cast is all returning
RogerEbert.com on the women in Selma: the unsung heroines of the movement
THR Samuel Goldwyn Jr dies 
Theater Mania The Color Purple is coming back to Broadway (already?) with Jennifer Hudson as Shug 

Good Long Reads
IndieWire great piece on the definitions of patriotism and exceedingly pro-gun messaging of American Sniper. Please do not let this film be nominated for Best Picture. It's just not what we need right now...especially given how many people have been killed by guns lately in the States...and still no gun reform.
Grantland Wesley Morris on Selma. Love this sprawling, provocative review / thinkpiece. I've been totally appalled and confused myself at the way the media has latched on to the Lyndon B Johnson depiction but Morris makes a great point here that helps clarify, for me, the anger and nitpicking:

A quick survey of film history suggests that the depiction of racial themes in America has always been the province of white directors, whether it’s something as spectacularly diabolical as D.W. Griffith’s The Birth of a Nation or the antebellum revenge of Quentin Tarantino’s Django Unchained. These great-man movies tend to reflect the aspirations and identities of the people who make them, which is how so many stories ostensibly about black life wind up with white interpolators. DuVernay understands the fraught, imbalanced legacy a film like this pulls her into, and she’s been as fair as she needs to be. This is not a film that undermines or questions Johnson’s ultimate contributions to the improvement of black life in this country. (It very easily could have mentioned the two decades in Congress he spent opposing civil rights legislation.) Inasmuch as there are villains, they are Wallace, Hoover, and Selma’s sheriff, Jim Clark. But because this isn’t Johnson’s story, those accustomed to seeing the president as hero (or protagonist) ultimately seem dismayed by how little of the president there is here.

The bold is mine, not Morris's. People who are angry about Lyndon B Johnson's depiction really ought to look beyond the myth and think about reality. And once they do, rather than be disappointed, they should be as generous as DuVernay is who depicts him as an imperfect man who makes a great progressive decision which changes history.