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DIETRICH in BLONDE VENUS (1932) or MOROCCO (1930)
"BEST SHOT" 

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Entries in Vivien Leigh (15)

Friday
May272016

Girls Gone Wild -- Favorite Bad Girl Oscar Winners

Kieran, here. We've been celebrating Girls Gone Wild this month at The Film Experience. If you haven't already done so, make sure to check out Team Experience's wonderful relay-style Thelma & Louise 25th anniversary retrospective. 

As the month comes to a close, it felt fitting to take a look back at some of the Best Oscar-winning "bad girl" star turns. Here are 11 of the juiciest...

Honorable Mention:

Cristal Connors in Showgirls (Gina Gershon)

Should have been nominated. Very possibly should have won. Haters be damned.

Top Ten Oscar Winning Bad Girl Roles

10. Addie Loggins in Paper Moon (Tatum O'Neal - Best Supporting Actress 1973)

A charismatic yet unsentimental child performance that perfectly nails the tone of its film. The only complaint is that she wasn't promoted to lead Actress where (judging by that roster) she very well could have contended.

9. Barbara Grahame in I Want to Live! (Susan Hayward - Best Actress 1958)

Delightfully over-the-top and melodramatic. Barbara refuses to wear a nightgown while in prison for murder. She wants to "sleep raw!" 

Click to read more ...

Monday
May022016

The Furniture: That Hamilton Woman's High Ceilings

It's another episode of "The Furniture," Daniel Walber's new series

75 years ago, the United Kingdom was standing nearly alone against the growing might of Nazi Germany. It remained unclear whether the United States would enter the war. And so, from within Hollywood, Alexander Korda set out to help sway American public opinion toward the Union Jack.

That Hamilton Woman was released on April 30th, 1941. Its propagandistic portrayal of Lord Horatio Nelson and his victory over Napoleon’s navy nearly got Korda into very real legal trouble as a foreign agent. His appearance before the Senate Foreign Relations Committee was scheduled for December 12th, but the attack on Pearl Harbor saved the director’s skin. Three quarters of a century later, its reputation rests not on its patriotism, but on its lush melodrama. It continues to enchant as a ravishing portrait of adulterous romance, art imitating the lives of stars Laurence Olivier and Vivien Leigh. He’s Nelson, she the titular Emma, Lady Hamilton who stole his heart and paid the price. [More...]

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Saturday
Apr232016

Last Chance: Anna Karenina, Lost in Translation, Shivers, and Big Trouble

Public Service Announcement for Happy Streaming! The following list of movies are available on streaming only until the end of this month. This is not, alas, a comprehensive list (good luck with that -- even the official press releases and specialty "what's leaving" sites are never entirely comprehensive / accurate). But here are 10 titles + that caught our eye and they'll be gone when May strolls in. Now's the time if you have any desire to watch them. To help whet your appetite or kill it, depending, here is our playful yet highly unscientific practice of freezing the movies entirely at random to see what image/quote comes up. Please to discuss the titles.

Ahhh, taxation without representation, brother. Nothing's free in this world you lucky first day motherfucker."

Training Day (2001) Netflix
"I love my life," it's Denzel's second Oscar. 

Travolta, Newman, Witherspoon, and Jodie Foster after the jump...

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Sunday
May172015

Happy 75th Waterloo Bridge

Today is the 75th anniversary of Vivien Leigh's favorite from her own filmography Waterloo Bridge (1940). You shoud definitely see it if you only know Scarlett & Blanche

 

Monday
Dec152014

Beauty vs Beast: Miss Scarlett Decides

Fiddle-dee-dee y'all it's Jason from MNPP here with today's sweeping Southern epic edition of "Beauty vs Beast." Yes indeedy today is the 75th anniversary of the biggest movie that ever was and probably ever will be - David O. Selznick's Gone With the Wind (if any movie's ownership belongs to its producer, it's this one) premiered in Atlanta on this day in 1939. Three hundred thousand people lined the streets surrounding the Loews Grand Theater, the cap of three days worth of festivities which brought over a million people to the city. Most of the stars attended, save Leslie Howard who'd returned to England because of WWII, as well as Hattie McDaniel and the other black actors in the film who would've been segegrated from the rest of the cast thanks to Jim Crow. (A situation echoed several months later when McDaniel had to make her way from the back of the room to accept her Oscar.)

The film immediately smashed every record in sight - it sold just about half as many tickets as there were people in the United States, and adjusted for inflation its box office in today's dollars sits at something like three and a half billion dollars. It was a hit!

There were several character iterations I could've gone with for today's competition, but it seemed to me to face Viven Leigh's towering performance as Scarlett O'Hara off against anybody (Melanie, imagine!) would've flounced and trounced any ol' nobody in her way, so instead let's make like we're Scarlett herself and stricken with a crisis of suitors! A beau-tastrophe! Whomever shall we choose?

 

You've got seven days to vote, which should just give you about enough time to re-watch the first half of the movie up to the Intermission, so get to it.

PREVIOUSLY We took on 2014's blood-soaked war of the sexes with David Fincher's Gone Girl last week, pitting Ben Affleck's full-frontal assault as Nick in one corner opposite Rosamund Pike's icy cool girl Amazing Amy in the other - sure enough Amy kept her nickname tight in her calclating grasp, making off with over 70% of the vote. Said Mareko:

"Cool Girl is fun. Cool Girl is game. Cool Girl is hot. Cool Girl never gets angry at her man."

Thursday
Sep182014

"If she thought anybody would take after her..."

..she'd walk down the street naked."

[continues sewing...]

Click to read more ...

Wednesday
Aug272014

Gone With The Wind's Glorious Ensemble

Entr'acte After last week's screening of the first half of the gargantuan Gone With the Wind. I realized that three fourths of my memories of the movie come from its first half. What would this screening of Act 2 reveal? We return now to wind-swept Georgia and the tale of the most famous of southern belles, Scarlett O'Hara.

Scarlett summed up: Surrounded in Rhett's wealth and love (the future) but still focused on her self and past girlish ideals (Ashley Wilkes in her hand). Perpetually vain and unhappy.

Part 2 The first act of GWTW is, largely, a Civil War film albeit one that's told brilliantly off the battlefield. The second act shifts gears to Reconstruction. While the South is being rebuilt, Scarlett is doing her own life remodelling. It's now a romantic melodrama, but pleasantly also a rich ensemble film as each character comes into sharper focus (Hattie McDaniel's Mammy and Olivia de Havilland's Melanie in particular - both superb)

Ashley Wilkes, simpleton that he is, still doesn't get Scarlett, assessing her strength like so: 

You never have trouble facing reality."

Oh, Ashley! Our semi-delusional Southern Belle is still continually fantasizing about you, a man she can't have and wouldn't want if she had him, while denying her love for the one she has and does actually want... in her own way. All the way she's hoping to recapture or clinging to her obsession of former glories of the Old South: Tara with its lush lands and easy wealth, the cheap labor force (ahem), and even her girlish waistline which alarming grows to a (GASP!) 20" and she cannot figure why. 'Childbirth? Fiddle-dee-dee!'

If Ashley Wilkes, who idolizes Scarlett, were choosing Part 2's Best Shot, I know just what he'd choose.

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