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Entries in Dreamgirls (9)

Thursday
Dec292016

Modern musicals and the supporting actresses we give Oscars to

by Jorge Molina

During the 85th Academy Awards, there was a somewhat arbitrary musical tribute to three modern musicals in between Seth MacFarlane's sexist monologue and Jennifer Lawrence's fall: Chicago, Dreamgirls, and Les Misérables. Besides being the soundtrack of my college experience, I noticed that all three had one thing in common: they had all won Oscars for their Supporting Actresses.

This threw me into a rabbit hole of IMDb pages, Wikipedia charts, and showtune playlists to look into the historic relation between movie musicals, supporting actresses, and the Academy Awards. If I’d put this much effort into my thesis, I might have graduated in time...

Click to read more ...

Monday
Dec262016

The Furniture: Fame Flattens Your Dreamgirls, Boys

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

 This probably goes without saying, but movie musicals tend not to take place in the real world. Gene Kelly doesn’t just serenade French children in An American in Paris, he leads the cast through a dream ballet of wild abstraction. The oddness of public singing is often just the door to an even more fantastical world. Even those about actual musicians, who need no special excuse to croon, often break free from realism.

In this context, Dreamgirls is a bit of an odd duck. Director Bill Condon tries to split the difference. Some of the songs are entirely within the context of a real performance, while others incorporate non-musician characters and non-realistic settings. The back and forth can be a bit confounding...

Click to read more ...

Thursday
Dec152016

"Dreamgirls" at 10

by Chris Feil

With La La Land, isn't it great to have a musical out in front again this Oscar race, especially one that brings such joy (sideyeing you specifically, Les Miz)? And as Nathaniel pointed out, that shouldn't be taken for granted.

Ten years ago, Dreamgirls was a more traditional genre high, and ulitmately taught us not to get too comfortable with a musical's Oscar chances after it landed that year's highest nomination tally but missed Best Picture and Director. But maybe that miss resulted from voters tiring of a campaign that started a full year before release, and not from the quality of the film.

Click to read more ...

Friday
May012015

You're Gonna Love May !

(that's the cast of Signature's CABARET playing in DC later this month
including ever crushworthy Wesley Taylor from Smash)

 

On a scale of 1 to 10 how happy are you that May has arrived? I think I'm at a 15. Feeling very optimistic. You?

Wednesday
Dec242014

Quick Links Over Coffee. And "LISTEN!" It's the Critical Decision

Jude Law drinking coffee back in the dayWhoa! Off to such a late start today.
 

HAPPY CHRISTMAS EVE

Here are a few links for you to enjoy while I drink my lunch (aka coffee) and prepare a few posts... posting continues through the holidays so if you're having a Blue Christmas, please know that we're here for you in the comments section / posting form with reviews coming up for Selma & Into the Woods. If you'll be offline for most of the holiday week, collect your belated gifts when you return. The Oscar stuff, year in review collections, chatty interviews and podcast, and silly polls will all still be here when you return. (Just click on that  "pages" thing once you run out of the freshly baked articles at the bottom and you'll get to the day old stuff and so on. Only a few of the articles have expiration dates, you know.

Mic I somehow missed all the hubbub about Shiloh "John" Jolie-Pitt but agree that the Spawn of Our Most Beloved Celebrity-Celebrity Couple On the Planet looks spiffy in a suit.
Vanity Fair David Fincher wants to make a movie about music videos? YES PLEASE. The man for the job obviously.
In Contention Katherine Waterston (Inherent Vice) is joining the Jobs biopic... you'd think this movie would scare people away after all those Sony emails
Pajiba chooses the most exhiliarating TV characters of 2014
The Daily Beast Idris Elba wanted for next James Bond maybe.
Mediate I love how upset this is making idiots like Rush Limbaugh. Hee.
Film Stage What would you add to their list of Cinematography bests this year? 
Cut Print Film asked you to reconsider Shia Labeouf. I have been!
Vox 30 best tv shows of year 

Ah, and thanks to Arjan Writes for pointing out Jennifer Hudson doing a playful impromptu take on Beyoncé's "Listen" when she visited a radio station just the other day if you need a dash of Christmas 2006 in your Christmas 2014... and who doesn't?

(Critics List Navel Gazing / Blog Tracking Decisions after Jennifer sings!)

 

Click to read more ...

Sunday
Dec212014

Stage Door: "Side Show" Brings Out the Auteur in Bill Condon

Jose here. Last week as I sat in the audience for Side Show on Broadway, I was suddenly struck by the fact that beyond the show’s obvious brilliance and many charms, I was also witnessing the apotheosis of Bill Condon as a true auteur of screen and stage. Now bear with me as I make my points...

Condon is perhaps best known for his work as a screenwriter, his adaptation of Chicago having earned him an Academy Award nomination, and his meticulous work in Gods and Monsters having won him an Oscar for the Best Adapted Screenplay of 1998. Some of his other notable projects have included writing and directing Kinsey, Dreamgirls and also the last two installments of The Twilight Saga. If you take all of his important works and analyze them, it’s clear that in bringing Side Show back to Broadway, he has finally found the one project where he finds all of his obsessions unified.

Click to read more ...

Saturday
Jan262013

One Night Only ♪

Have you heard that The Academy is going to honor the renaissance of the movie musical with tributes to Chicago, Dreamgirls and Les Miz during the ceremony on February 24th? I'm never been that big on amorphous "tributes" which usually come in the form of sloppy montages at the expense of time celebrating either specific grand careers (lifetime achievements) or actual nominees. And I can't quite see what the through line is between those three pictures (as opposed to any other modern musicals). But you know I love musicals. Still... this makes precious little sense to me, not when you have a decent current lineup of Original Song nominees you could focus on for once. And not when you're only focusing on three films, two of which had little to do with the musical genres resuscitation.

It's a Musical Diva Throwdown

Everyone knows (or should come to understand) that it was the one-two-three-four punch of Disney's resurrection (The Little Mermaid + Beauty & The Beast) + Dancer in the Dark + Moulin Rouge! +  Hedwig and the Angry Inch from 1989-2001 that reopened the musical floodgates artistically and reminded everyone "ohmygod... look what this versatile genre can do!!!". Chicago (2002) then was the behemoth that came charging down that road that had been pre-paved for it by stronger films, despite how grandly entertaining it was, to claim the trophy for the whole genre.

At any rate the strangest exclusion from their planned tribute is surely Moulin Rouge! which had, if you'll recall, just as many nominations as both Les Miz and Dreamgirls (I guess 8 is the magic number for non-BP winning popular musicals), starred people who are still very much in the cultural conversation, and is already widely regarded as part of the new canon. That's something that none of the three films Oscar is planning to rehonor on the ceremony can quite claim... no, not even Chicago.