Oscar Trivia: Which films received the most nominations yet missed Best Picture?

by Nathaniel R

We love to throw random Oscar trivia at you. We love you for not even trying to dodge it! So here's a top ten for you. Here's something we were pondering the other day quite randomly: pictures that Oscar voters obviously loved but somehow skipped in the Best Picture race. This trivia is now a different game entirely given that there are so many Best Picture nominees each year. Unless Oscar returns to the days of 5 nominees, we aren't likely to see this list change ever again. But do you think any film this year might see a lot of nominations without a Best Picture bit. Anyway here is the all-timers list of such things...

The "Most-Nominated" Films That Missed Best Picture

01. Nine nominations
THEY SHOOT HORSES DON'T THEY (1969)
Director Sydney Pollack would make multiple classics in his career, among which The Way We Were (1973) and Tootsie (1982) are arguably the best loved today, and win two Oscars for Out of Africa (1985). His fifth, which preceeded those "greatest hits" catapulted him into greatness. This bleak masterpiece about a Depression-era dance marathon is still an intense watch a full half century after its debut. The performances by Jane Fonda, Susannah York, and Gig Young are sensational and the film is never less than riveting. It was nominated for 9 Oscars, more than any of the Best Picture nominees that year save Anne of a Thousand Days, but won only supporting actor for Gig Young. Perhaps it was too bleak... or those Academy members with a taste for grit and edge were all already in Midnight Cowboy's pocket that year?

02. [TIE] Eight nominations plus a non-competitive special achievement Oscar

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Q&A: The Force is With Reader Questions

by Nathaniel R

I got a little verbosely carried away whilst answering reader questions so you get two Q & A columns from your last batch of questions. Thanks for playing. This week I asked for a few Star Wars Questions but that's just three of the six questions answered here. Ready, let's go! 

TROY: Within the past year Cynthia Erivo has won a Tony, Grammy, and Daytime Emmy for her work in the recent Broadway revival of The Color Purple, making her only one step away from completing the EGOT. Which type of project do you think would giver her her best chance at winning an Oscar?

NATHANIEL: I hate to get nitpicky but technically should Daytime Emmys even count with the EGOT? If you count any old Emmy as towards the EGOT than about 100,000 people you've never heard of who have local Emmies (seriously they give those statues out like candy) are 1/4th of the way to that showbiz goal. It's only Whoopi Goldberg, Robert Lopez, and their fans that would argue that Daytime Emmys count. No shade!

Anyway my dream for Erivo is that they give her either the film version of The Color Purple musical, though I fear they'd just hand it to a bigger less worthy star (like, oh, Jennifer Hudson, who she and Danielle Brooks, the other Tony nominee from that show, both ran circles around onstage) or a film version of Caroline or Change (if they won't rehire the incredible Tonya Pinkins) as those two roles are powerhouse vehicles for a black woman with giant pipes. But any musical role would be dreamy. That voice!

 PEDRO: What is your favorite Star Wars character? And your favorite Star Wars actor?

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Feud 1.07 - Abandoned!

In the penultimate episode of the series, Bette gains creative control and Joan loses everything, while B.D. and Mamacita get out while they still can. Here's Jorge...

Feud doesn’t play favorites.  The show has done a good job (for the most part) at digging down into why these two screen legends acted the way they did towards each other. And they’ve made a point (over and over and over) that they were not as different as the world saw them; they were actually very similar, acting from the same place of desperation and clinginess to relevance.

In this week’s episode. Joan repeatedly boycotts the production of Hush, Hush… Sweet Charlotte, unable to cope with the creative control that Bette has over her as a producer. This eventually ends with her being fired from the picture, and Olivia de Havilland stepping in; the only actress willing to take her spot and also Bette's dear friend...

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Feud: Bette and Joan "Hagsploitation"

Previously on Feud: Bette and Joan 
1. "Pilot" 2. "The Other Woman" 3. "Mommie Dearest" 4. "More or Less" 5. "And the Winner Is" (Part 1) (Part 2)

By Spencer Coile  

Although initially centered on the drama that took place during the filming of What Ever Happened to Baby Jane?, Feud persists. As we enter into episode six, "Hagsploitation," both Bette and Joan have no bona fide hits on the horizon. Sure, Joan is tackling Strait Jacket and Bette has her hands full on TV (much to Joan's judgement) on Wagon Train, but in 1964, the success of Baby Jane has waned. In fact, in a scene that features vase throwing and Mamacita standing her ground, Joan laments that it had been nine months since any offer came her way. Clearly, as the title suggests, there is something more pervasive and sinister that happens in Hollywood, far more dastardly than the actual feud that persists between Bette and Joan: the exploitation of older actresses for the benefit of their audience... 

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The Furniture: Hush...Hush, Sweet Charlotte, Your House Is Listening

"The Furniture" is our weekly series on Production Design. You can click on the images to see them in much more magnified detail. Here's Daniel Walber...

 “Hush hush, sweet Charlotte,” Patti Page softly croons, “He’ll love you till he dies.” The title song of Hush...Hush, Sweet Charlotte may not be as catchy as “Chim Chim Chiree,” which took the Oscar, but it has a much creepier sort of staying power. Here’s the final verse:

“And every night after he shall die
Yes every night when he’s gone
The wind will sing you this lullaby
Sweet Charlotte was loved by John.”

The music haunts Charlotte Hollis (Bette Davis), along with everything else: her house, her family and her memories.

This Southern Gothic vibe is what separates the film from What Ever Happened to Baby Jane? Well, that and the fact that Joan Crawford walked off the set. But I will leave the offscreen drama to Ryan Murphy...

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