Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
What'cha Looking For?
Subscribe

Entries in Joan Crawford (74)

Tuesday
Sep082026

Best Actress in WWII: An Alternative History

by Cláudio Alves

Greer Garson earned herself five consecutive Oscar nominations during WWII. For BLOSSMONS IN THE DUST (1941), MRS. MINIVER (1942), MADAME CURIE (1944), MRS. PARKINGTON (1944), and THE VALLEY OF DECISION (1945). She won the Best Actress trophy in 1942 for William Wyler's first Best Picture champion.

TIFF is almost upon us, so my Alternative Oscar History series will have to take a break. In the meantime, in this last post for a while, let’s look at the period between 1940 and 1945, the war Oscars and the actressing they should’ve honored.

After all, these are my picks, not the Academy’s, so don’t expect an avalanche of Greer Garson in the incoming ballots. The English star found an American home at MGM in the late 30s, just as WWII was breaking out in Europe with Hitler’s invasion of Poland, and was AMPAS’ most beloved star with five nominations and a victory to her name. In this, she edged out Bette Davis’ four nods in the same time span. Then again, though it’s impossible to talk about Hollywood in WWII without acknowledging Davis’ work in initiatives like the Hollywood Canteen, her relationship with the Academy was a rocky one. Famously, she became its first female president in January 1941, before resigning in March. I promise I won’t hold that against her in my votes. It might actually help her case, considering how little I tend to agree with Oscar’s choices…

Click to read more ...

Sunday
Aug302026

Best Actress, Pre-Code Edition: An Alternative Oscar History

by Cláudio Alves

Helen Hayes' Oscar-winning turn in THE SIN OF MADELON CLAUDET is the quintessential Pre-Code Best Actress vehicle, detailing the story of a "fallen woman" with a kind of candor that would be forbidden by July, 1934.

Last time in this alternative Oscar history, we looked at the first three seasons of the Academy Awards through my dream Best Actress quintets. They coincided with the last few years when American silent cinema was still produced stateside by the big studios in town.

The rise of the talkies meant a lot of things for the industry, drastic, often destructive changes that have been fictionalized in such Hollywood self-reflections as Singin’ in the Rain and Babylon. In terms of pure cinematic form, this transition imposed limitations aplenty, generally making movies more static, more awkward and less visually expressive. Not all of them, but a concerning number. In terms of acting technique, the advent of synchronized sound recording ignited a change of the guard that left many a former star in the past and brought thespians of the New York stage to the Hollywood soundstage and Silver Screen immortality – the ones starring in movies that haven’t been lost, of course.

It was also the start of a short period we retroactively call Pre-Code Hollywood. Let’s consider my Best Actress ballot in those years…

Click to read more ...

Monday
Oct312022

Horror Costuming: "What Ever Happened to Baby Jane?"@60

by Cláudio Alves

I had such grand plans for October. There was going to be plenty of spooky season with horror-themed write-ups and the return of my miniseries on scary movie costumes. But then COVID hit, and then the flu -- it's been a perpetual state of foggy-brained sickness. Still, it wouldn't do to let October end without one Horror Costuming post. even if I have to write the damned thing in between coughing fits. Since I already wrote about one one genre pic that won the Costume Oscar (the Eiko Ishioka-dressed Dracula) let's look at another. On its 60th anniversary, let's discuss the essential What Ever Happened to Baby Jane?, the genesis of the Grand Dame Guignol craze...

Click to read more ...

Wednesday
Apr132022

And the runner up is... Rosalind Russell? Joan Crawford? Susan Hayward?

I had the pleasure of joining Kevin Jacobsen on his great podcast series "And the Runner Up Is..." for a fourth time. Kevin opted to assign me 1947 when I asked for this decade. So listen in to hear us talk about the following lineup which has two great performances, one coaster nomination, a bullet dodged, and one of my mother's favourites from her childhood.

  • Joan Crawford, Possessed
  • Susan Hayward, Smash-Up: The Story of a Woman
  • Dorothy McGuire, Gentleman's Agreement
  • Rosalind Russell, Mourning Becomes Electra 
  • ★ Loretta Young, The Farmer's Daughter

Which of those performances do you love?

Thursday
Mar252021

😬

blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog blog... 

Click to read more ...