Joan Crawford in '47

by Cláudio Alves

After more than a decade as one of MGM's brightest and most formidable stars, the 1940s were a turning point for Joan Crawford. While she struggled to reinvent herself during these middle years of her career, many of the actress's best movies came from this phase. She left behind a series of lackluster offerings from her original studio, finding new power when carefully choosing projects at her new home, Warner Brothers. It wasn't easy, but she triumphed, winning an Oscar for 1945's Mildred Pierce and going on to get two other Best Actress nominations. More importantly, she solidified her legacy, challenged herself as an actress, and proved to everyone she was more than a flapper or talentless glamour girl.

During this period of Crawford's filmography, 1947 was a particularly auspicious year. She broke our hearts in a romantic tragedy, impressed AMPAS with explosive neurosis, and went on to star in one of Hollywood's most interesting post-war melodramas…

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Adrian, God of Glamour

by Cláudio Alves

Born Adrian Adolph Greenberg, the designer best known as Adrian was one of the most influential costumers in Hollywood history. After working in his family business of millinery, Adrian went on to study costume design in New York and Paris and later found work dressing the starlets of Broadway. His talents soon took him to Hollywood, where he found a home from the mid-1920s to the 1940s, designing the costumes for many an MGM classic. Throughout his tenure in Tinsel Town, Adrian perfected the on and offscreen looks of such great divas as Greta Garbo, Norma Shearer, Myrna Loy, Jean Harlow, Vivien Leigh, Ingrid Bergman, Lana Turner, Judy Garland, Hedy Lamarr, and others. Among them, his most essential collaborator and muse was the one and only Joan Crawford…

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In defense of Faye Dunaway in "Mommie Dearest"

It's Mother's Day in Portugal and Mother's Day next Sunday in the US. Since we're celebrating 1981 this week, we're starting early with the biggest, meanest mother of them all!

by Cláudio Alves

In 1971, in her book titled My Way of Life, Joan Crawford, the legendary diva of Old Hollywood, said that, of all the actresses of the time, only Faye Dunaway had the talent, the class and the courage to be a movie star. Had she lived to see the younger actress play her in the infamous Mommie Dearest, Crawford would have probably revised her statement. The 1981 biopic is one of the great camp classics of all time, a prestige picture with pretensions of Oscar glory that crashed and burned most spectacularly. Dunaway herself is said to have believed she was on her way to Academy Award glory. Instead, she got a Razzie for Worst Actress...

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Beauty Break: The Celebrity Portraiture of Phil Stern

by Nathaniel R

Happy Phil Stern Centennial! "who?" you say? Phil Stern, you philistines! He's one of the great Hollywood photographers. He lived a very long life, dying just 5 years ago at 95 years young but his work was largely before our time. We grew up with Herb Ritts and Annie Liebovitz as the biggest names in celebrity photoshoots but as long as Movie Stars have existed there have been artists behind the camera helping to mythologize them. Stern was one of those idolmakers taking several amazing photos of James Dean, Charlton Heston, Liz Taylor and many other important celebrities from the 20th century. Though celebrity portraits and candids weren't his only claim to fame having also been a war photographer. 

After the jump 14 other images from Stern's vast portfolio that we adore...

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Beauty vs Beast: Why Must EVERYTHING Be a Contest?

Jason from MNPP here - I'm sure if Faye Dunaway were to come to The Film Experience and stumble upon us wishing her a happy 78th birthday here today with a Mommie Dearest themed edition of our "Beauty vs Beast" poll she'd roll her eyes in that certain way she does that makes you quake in your slippers and utter some four-letter word... and that's just why we love her. She may not love the movie that turned her knobs up to Full Camp and then snapped right off, but we do, and we always will - her stratopheric take on Joan Crawford has the stuff of myth about it, as if she squeezed heaven and hell like a wet rag and drank down every last drop right before they said "Action!" That said... Joan's a tough vote all the same! 

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PREVIOUSLY I think this is the first time this has ever happened, y'all - we ended with a tie on last week's poll! Mahershala Ali's performance in Green Book & Rami Malek's turn as Freddie Mercury in Bohemian Rhapsody came down 50/50. So I guess we'll go with the most magnaminous comment then... said lylee:

"Recognizing these were both problematic movies, I still really enjoyed them - and these performances. Fine acting by a couple of fiiine men. I pick Don because I have a soft spot for brilliant pianists and Freddie seems like he'd get exhausting after a while."