"Come to the Stable" and Tennis Nuns

by Nick Taylor

Today is the 75th anniversary of Come to the Stable, which has to rank among the most inoffensive, featherweight films to earn seven nominations from Thee Academy Awards. The story of two nuns, Sister Margaret (Loretta Young) and Sister Scholastica (Celeste Holm), who travel all the way from France to a wintry New England township so they can build a hospital. “Why do they go all the way to New England” you might ask, but who cares!

Specific details about why things happen are not the draw of Come to the Stable. A musician/landlord named Bob does not want the nuns to build their new hospital on a hill he owns for some reason, which doesn’t stop them from securing a plot of land and importing two dozen of their Sisters from France. At one point the nuns sneak into a gangster’s suite and successfully convince him to sell the aforementioned plot of land after they trade stories about serving in World War II. In short, every obstacle to Sister Margaret and Sister Scholastica getting what they want proves powerless in the face of their somewhat savvy, utterly guileless embodiments of faith. However, there is one enemy the women cannot pray away, one barrier they must overcome with strength, vigor, and attention. That barrier’s name, you might ask? She’s called tennis . . . .

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And the runner up is... Rosalind Russell? Joan Crawford? Susan Hayward?

I had the pleasure of joining Kevin Jacobsen on his great podcast series "And the Runner Up Is..." for a fourth time. Kevin opted to assign me 1947 when I asked for this decade. So listen in to hear us talk about the following lineup which has two great performances, one coaster nomination, a bullet dodged, and one of my mother's favourites from her childhood.

• Joan Crawford, Possessed
• Susan Hayward, Smash-Up: The Story of a Woman
• Dorothy McGuire, Gentleman's Agreement
• Rosalind Russell, Mourning Becomes Electra 
• ★ Loretta Young, The Farmer's Daughter

Which of those performances do you love?

Showbiz History: Emmys repeating Oscars, Divine's passing, Bigelow's win.

6 random things that happened on this day, March 7th, in showbiz history

Loretta Young, the first actress to chase an Oscar with an Emmy.

1946 The 18th Academy Awards are held honoring the films of 1945 with The Lost Weekend taking Best Picture. We'll discuss this Oscar night later today given that it's the 75th anniversary. 

1955 The 7th annual Primetime Emmys are held. Loretta Young becomes the first Best Actress Oscar winner to then win a Best Actress Emmy prize for a continuing series. Only one other actress ever did this with Shirley Booth following her the next decade (Sally Field would make this a three person list except she actually won an Emmy before her Oscars and subsequent Best Actress Drama series Emmy). In those days TV and Movies were very separate showbiz forms and once you started doing television on the regular, the movie offers dried up. It's different nowadays though not completely; almost everyone who wins the Oscar first and then an Emmy wins the latter for a miniseries or one-off appearance of some kind...

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Showbiz History: Mohican's Opening, Cary's Outing, Audrey's Marriage

7 random things that happened on this day, September 25th, in showbiz history...

1936 Another reminder that inappropriate racial casting has been with us always and not just for the common and commonly excoriated practices of yellowface or blackface. Ramona opened on this day in movie theaters, a romantic drama starring Loretta Young as a girl who doesn't know she's bi-racial and Don Ameche as the Native American hired hand that she falls for. 

1953 The Actress, a movie about future Oscar winner Ruth Gordon (Rosemary's Baby) WRITTEN BY Ruth Gordon (with Jean Simmons playing her) opens in movie theaters. Spencer Tracy will win the Golden Globe for his performance as her father.

Audrey Hepburn, Last of the Mohicans, Chevy Chase vs Cary Grant and more after the jump...

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Almost There: Cary Grant in "The Bishop's Wife"

by Cláudio Alves

Movie stars are not like us. Most people look perfectly banal when observed through camera lenses, but the stars are ravishing. When one appears, all eyes go to them, as if their mere presence is a gravitational hold. They are glamourous and awe-inspiring, terminally charming, and even more alluring. Idealized beyond humanity, those icons of the silver screen are the green light for which Jay Gatsby reached.

No matter the other sins of Old Hollywood, they were an exemplary movie star factory. The studios often knew just how to showcase the great stars to maximize their appeal. Or at least the finished product often suggests so. For a fascinating example of all of this look no further than Cary Grant in the 1947 Best Picture-nominee The Bishop's Wife…

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