Joan Crawford's long road to Oscar

by Cláudio Alves

I make no secret that I'm a Joan Crawford fan. After all, I've already waxed poetic about the star's stellar 1947 and her turn in What Ever Happened to Baby Jane?. However, I've never written about Crawford's career pre-Oscar win. Since we're celebrating 75 years since that victory, it feels like an appropriate time to examine the actress' long road to Oscar, the misconceptions about her legacy, the complexities of her contemporary popularity. If you want to read more about the 18th Academy Awards, check out Baby Clyde's wonderful overview of the ceremony and the race for gold. Now, it's time to focus solely on that year's Best Actress champion…

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Joan Crawford on Criterion

Please welcome guest contributor David Rush...

Our Dancing Daughters

If an actress is to remain a star for six decades, she must expect some fluctuations in her career trajectory. This was most certainly the case for Joan Crawford, whose cinematic legacy – rather overshadowed in the years after her death for reasons we are all more than aware of – is currently showcased on The Criterion Channel.

The first two decades of Crawford’s stardom saw her go from strength to strength: her breakthrough role opposite Lon Chaney in The Unknown (1927); a series of flapper delights in Our Dancing Daughters (1928), Our Modern Maidens (1929) and Our Blushing Brides (1930); a key supporting role in Best Picture winner Grand Hotel (1932); her numerous popular collaborations with Clark Gable; and most importantly, the rags-to-riches vehicles that held particular appeal for aspirant young women during the Great Depression...

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