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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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COMMENT DU JOUR
Love Affair (1994) - as "A Year With Kate" nears its conclusion

A YEAR WITH KATE... 2 episodes left

 "A really beautiful look into the careers of one of my favorite actors, but it's made me consider the careers of so many different actors and how the great ones adapt to eras while still staying true to themselves. This is a special, lovely series. I both cannot wait for and am so sad for the end next week.-John T

 

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Entries in Madonna (72)

Thursday
Dec042014

Linkless

Whoa we're getting behind on the linkages... here ya go

The Babadook order the pop-up book so that I have someone to commiserate with when it keeps us awake at nights in 2015
NYT looks at Ava DuVernay's direction of Selma
MNPP Continually undersung TFE favorite Alessandro Nivola celebrates the shortness of his shorts and how it helped A Most Violent Year win NBR's Best Picture. Hee
The Credits on the makeup work on Wild. How to keep Reese dirty?!

Hey U Guys interviews the always welcome Judy Greer on Men Women and Children and Ant-Man
Dissolve Sundance announces its titles for 2015. I should probably go again but haven't committed yet
Carpetbagger interviews costume designer Albert Wolsky on Birdman's briefs and super suit
In Contention Kris interviews TFE's communal husband, cinematographer Bradford Young (Selma / A Most Violent Year) 
Awards Daily mad scramble of wide open Oscar year
Heat Vision Suicide Squad, which I guess is a Batman movie without Batman (isn't TV's Gotham already covering that beat), gets an all star cast: Smith, Hardy, Robbie, Jai Courtney and Jared Leto as the Joker risking Heath comparisons less than a decade later. Yikes.
Boy Culture on Madonna's much talked about new Interview photoshoot 
The Atlantic Joe Reid thanks the NYFCC for expanding rather than narrowing the Oscar conversation this year (may other orgs and associations and circles do likewise)
/Film everyone is talking about the Fantastic Four synopsis which I find incredibly strange since its the vaguest thing ever and everyone already knows it (four young people are cosmically transformed in super odd ways and have to face an enemy that was once a friend - duh!)
Variety a bunch of major screenplays are ineligible for the WGA awards this year including The Theory of Everything and Selma
Daily Mail Kathleen Turner profiled for Dumb and Dumber To

I don't look like I did 30 years ago, get over it.

Sorry Kathleen, I'll never get over you! Then or now. (Though I'll skip this type of cameo and wait for the next great stage performance)

Absolute Must Read of the Day
Garden & Gun 98 year-old two-time Oscar winner Olivia de Havilland gets sassy remembering her career and Gone With the Wind (1939). On working with some of the greatest directors of all time from George Cukor to William Wyler...

They didn’t get the performances out of me. I gave the performances to them.

Videos o' the Day
Louis Virtel details all the reasons why Madonna is the greatest celebrity of all time. And David Ehrlich countsdown his 25 favorites of the year with a neato montage with wonderful music choices

 

THE 25 BEST FILMS OF 2014: A VIDEO COUNTDOWN from david Ehrlich on Vimeo.

 

Top Ten / List Manic Season Begins
John Waters the inimitable director does his annual duty for Artforum. It's always refreshingly eclectic and this year he loves Maps to the Stars and Nymphomaniac
Washington Post from Boyhood to Under the Skin 
AV Club kicks off it's best & worst of the year with comedy albums, least essential albums (heh) and worst tv. ouch.
The Film Stage looks at the best of 2014 according to Cahiers du Cinema from Under the Skin to Love is Strange
Sight & Sound from Boyhood to Mr Turner

THE FILM EXPERIENCE's YEAR IN REVIEW begins Dec 11th
[Lee Pace doesn't believe us! ------->]
I've seen nearly all the films one has to see (but I have about 10 more I'd like to screen or rescreen before the list-making proper). We'll have a couple of days of "Cinematic Shame" beginning on the 11th to cleanse the palette and from December 14th through January 14th is when "everything is awesome" and we celebrate the Best Ofs. But, as you know it's tough to keep up 'in the season' so some lists/categories from Year In Review will obviously trickle out after the Oscar nominations on January 15th. Stay tuned!

Tuesday
Dec022014

Tweets o' the Week: Prada Reunion, Ill Juli, Flu Season

I have no idea if y'all like this now weeklyish roundup but I do so I'ma Keep On Keepin On. One fun thing that doesn't lend itself to highlighting elsewhere is reply conversations. So if you're interested in 'Bad Movies We Love' you should check out all the fun suggestions for favorite turkeys when I asked over Thanksgiving. I haven't seen several of the ones cited so I must get on that.

Anywhere here we go...

Tweets That Amused/Enlightened This Week, Non-Celebrity Division
Just for fun and with a smidge of Instagram...

 

LOL. "Starlog". Who is old enough to remember that magazine? Nathaniel asks while raising his hand sheepishly.

Best Broadway Trivia Ever

Click to read more ...

Wednesday
Nov192014

Honey, time marches on and eventually you realize it is marchin' across your blog.

Stereogum interviews musician Tunde Adebimpe, the groom from Rachel Getting Married. He says Paul Thomas Anderson (!!!) was originally going to play his part.
Dissolve the Russo brothers who did such a great job with Captain America Winter Soldier may be staying with Marvel unto infinity. And Infinity Wars
BadAss Digest kind of a dick move that DC announced a Flash movie shortly after The Flash series opened to great numbers but with a different actor. The star of CW's Arrow objects

Geek x Girls Dance off from Guardians of the Galaxy takes a detour with Lee Pace
Coming Soon Interstellar prequel comic
/Film 30 movies coming to TV from worst to best ideas
THR Madonna isn't done directing Her next project Ade: A Love Story has a writer
MNPP LMAO! Which is hotter, Andrew Garfield or...?
Film School Rejects shares 7 movie scenes where actors imitated other actors. Amusing but why no ladies?

Angelina Madness
Variety the long journey of Unbroken to screen 
In Contention Angelina Jolie premieres Unbroken, gets emotional
Vanity Fair new photos of the exquisite Jolie via Mario Testino 

The Gay
Me Says defends the gay (or lack of?) content of The Imitation Game 
Buzz Feed asks the cast of The Imitation Game to cast their own biopics 
Gay Vancouver Congratulations to Film Experience reader since way back, actor Michael Azevedo, who is premiering a short film in Canada
Towleroad Paul Bettany corrects a troll's grammar and homophobia. Paul Bettany is so perfect. I only wish he had a filmography to match. 

Today's Must Read
Steel Magnolias celebrates its 25th anniversary on November 22nd. I'm surprised at how many of these "12 Things You Didn't Know About Steel Magnolias" I didn't know. Usually those article titles are so misleading. Like this juicy anecdote implying that we could have had an all Old Hollywood version! Bette Davis wanted Shirley Maclaine's role. Can you imagine this version suggested?

Davis hadn't yet seen the play, but Elizabeth Taylor had. (Police were forced to shut down the street outside the theater because so many people were rubbernecking Taylor's arrival.) Davis wanted to play Ouiser, and she suggested Taylor for M'Lynn and Katharine Hepburn for Clairee. "It was fantastic, "Harling recalled. "If I ever write a book, it’s a complete, incredible chapter. She basically, bless her heart, wanted to show that she was up and at ‘em and doing it. There was nobody else and she was looking fabulous."

Today's Listen
If you have 50 minutes, hear David Fincher talk about the movies in this wide ranging interview from Studio 360. Have just 5 minutes?  The second listen is Hobbit Billy Boyd singing the theme song for The Hobbit: The Battle of The Five Armies. It's called "The Last Goodbye"

 

 

Wednesday
Oct082014

Linktime Stories

Cinematically Insane #DontTouchTCM when it comes to Turner Broadcasting layoffs 
Richard Kelly, of Donnie Darko directing fame, lurves Gone Girl and write a whole epic essay about it while also touching on Eyes Wide Shut and Fincher's music videos
In Contention interviews cinematographer Robert Elswit (Inherent Vice, Nightcrawler)
MNPP gives Quote of the Day to Michael B Jordan on his costumes for Fantastic Four. "snug"
Deadline Scarlett Johansson about to do an Edith Wharton miniseries that was originally supposed to be a Michelle Pfeiffer feature film in the 90s. *sniffle*

Empire first images of Mark Wahlberg, Jessica Lange and Brie Larson in The Gambler remake
Vulture the exact moment Jennifer Garner fell in love with Ben Affleck 
Antagony & Ecstacy on The Boxtrolls. Glad Tim loved it
Boston Globe Mark Wahlberg's compound is finished. Holy third nipple, is he planning to house everyone who has ever appeared in any of his movies?
IndieWire 11 things learned about PT Anderson / Inherent Vice at the recent press conference
The Dissolve interesting video about shooting sex scenes from Joe Carnahan. Starring Patrick Wilson! Who...speaking of...
The Playlist interviews Jason Reitman who talks about the initial indifference to Young Adult, his Labor Day "misfire" and the critical savaging of Men Women and Children. I haven't seen the latter film yet so I don't know if it's gotten a fair shake or not but Reitman does have a point about film criticism today:

When I talk to directors and actors, "Young Adult" is their clear favorite of my films. I don't think ten years from now people will go, "Oh wow, I didn’t realize "Labor Day" was a such a masterpiece." But what it has taught me is that I can't really gauge what a movie is in the moment. To bring it round back to ["Men, Women & Children"]: film criticism has become a tweet. The moment the movie plays, people are writing about it and there's no digestive period.  

We were right about Young Adult all along, bitches.

 

I love this bookOff Cinema
Arts.Mic on the good news on GLAAD's annual gays on TV report. But...
Slate chimes in with a a more dismissive response: why count?
Pajiba ranking Kyle Maclachlan's TV roles since Twin Peaks

<-- Encyclopedia Madonnica I backed this 20th anniversary edition of the book at Kickstarter. There's a couple more days left to back it and insure your own copy. The book meant so much to me back in the day before you could look up everything instantaneously and when there weren't elaborate comprehensive fansites to celebrities yet. Plus it was just damn fun with lots of trivia and silliness. When I first met Matthew Rettenmund (Boy Culture) here in NYC several years ago I was a wee bit starstruck because of it. And speaking of the big M...
Billboard looks back at the Bedtime Stories album for its 20th anniversary 

Finally...
Esteemed stage veteran Marian Seldes has died at 86. Her regal mischievious face appeared semi-regularly in movies and on TV but usually in tiny roles. It was the stage where she experienced her enduring glorious reign.

I unfortunately only saw her perform live once. It was Edward Albee's "The Play About the Baby" (which also starred David Burtka, pre NPH) a sort of abstract minimalist reinterpretation of "Who's Afraid of Virginia Woolf?" and she was a-maz-ing in it. One of my favorite stories about her comes from 1978's "Deathtrap" in which she co-starred with Victor Garber. The hit comic mystery became a controversial movie in 1982 (a gay kiss - GASP!) with Dyan Cannon and Christopher Reeve taking Seldes and Garber's roles for the big screen. But when the movie premiered, Marian was actually still doing it on stage. She was with the play for its whole four year run and NEVER missed a performance. Amazing.

Here are good obituaries at The New York Times and Playbill

Tuesday
Oct072014

Familiar Faces: The David Fincher Players

Up until The Social Network (2010), when a version of this article first appeared, David Fincher was, moderately, a creature of habit when it came to casting. Certain character actors would pop up in miniature roles in more than one film though only one star was a recurring lead (Brad Pitt). Since then it's been more of a free for all with (mostly) new faces in his films.

For Gone Girl it's all new faces but for three men who you'll miss if you blink:

Darin Cooper, Brett Leigh, and Lee Norris

Brett Leigh appears as a nervous intern (he was previously a Phoenix Club hazer in The Social Network); Lee Norris, best known for "One Tree Hill" and "Boy Meets World," shows up as "Officer Washington" after a gig in Zodiac; and Darin Cooper, who played one of Facebook's lawyers in The Social Network, returns as  "Moustached Man"

We hope next time Fincher finds a way to reuse these three and pulls more performers from his past, too. Why? When directors apply previous actors like favorite daubs of paint from their auteurial palettes, it adds a little magic, don't you think? It's like the films are all part of the same universe no matter how different they are. Let's investigate further with...

The David Fincher Acting Hierarchy
(Quantitatively Speaking)


4 Films. 
There's a three way tie for the top honor, each beating Brad Pitt by one film, albeit with much much smaller roles...

• Richmond Arquette 
Yes, that's the least famous member of the Arquette clan (brother to Alexis, David, Rosanna & Patricia). Fincher gives him tiny roles but some are key: he makes the dread box delivery at the end of Se7en, makes the first two kills in Zodiac and he's also in Fight Club and Benjamin Button. He recently had a fine co-leading showcase in Chad Hartigan's This is Martin Bonner.

• Christopher John Fields 
He stretches the furthest back with the director, all the way to Fincher's debut feature Alien³ (1992) where he played "Rains" one of the first victims of the acid-blooded beastie (pictured left), poor guy. He's also The Game's Detective Boyle, Fight Club's dry cleaning man and a copy editor in Zodiac. He appears to no longer be working, though.

• Bob Stephenson 
You might recognize this actor from series regular gigs on TV's Jericho or The Forgotten. He's part of the SWAT team in Se7en (pictured left), a security officer in Fight Club and a killer in both The Game and Zodiac. He recently appeared on an episode of both Agents of SHIELD and Mom.

3 Films
Much more and this man that needs no introduction...

Click to read more ...

Monday
Aug252014

The Best Film of 1989 That Wasn't

Glenn here to discuss a lil something from 1989, but first a divergence to the modern day.

Last night’s MTV Video Music Awards were like stepping into a pop culture gulag. It’s easy to get misty-eyed thinking about VMA ceremonies of years past, when the network actually showed music videos and the form felt truly like art. Despite being aware of last night’s winner, “Wrecking Ball” by Miley Cyrus the icky Terry Richardson, I don’t claim to have near enough knowledge of modern music videos to truly complain. It does seem harder to imagine Neil Young, Peter Gabriel, or Pearl Jam winning these days though, doesn’t it? Are there brilliant works that just aren’t being recognized?

It’s been some time since videos were genuine pop culture moments and the internet certainly doesn’t help. Beyoncé appears to be the only one who’s been able to recreate the buzz of sitting around to watch the premiere of a new Michael Jackson or Madonna video. Most importantly, however, formative years are no longer spent watching music videos hoping to find our new favorite song and reveling in visual genius, rather we leave that to YouTube, iTunes and Spotify while we binge-watch sitcoms on Netflix instead.

Which brings me to 1989. If it weren’t for 1989 we wouldn’t have David Fincher. The future Oscar-nominated director had successes before ’89, but his two collaborations with Madonna that year – “Oh Father” and “Express Yourself” – as well as “Vogue” a year later feel like true moments of breakthrough genius. Whenever I tell fans of David Fincher that they should thank Madonna they balk, but isn’t it kind of true?

“Express Yourself” lost the video of the year award to Neil Young’s “This Note’s For You”, but much like a lot of Madonna’s music career, time has proven that she wasn’t just a momentary flash in the pan spurred on by a public wanting what’s new and shiny. Fincher’s video took liberal inspiration from Fritz Lang’s 1927 silent sci-fi classic Metropolis and gave it a slick and sexualized make-over (before blue filters were over-used). For mine, it remains the best thing David Fincher has ever directed – although, ever the contrarian, I don’t quite know if his maturing directorial instincts are for the better. Rather I find myself getting less excited for each new Fincher film and the very insular heterosexual male worlds they appear to inhabit. Will Gone Girl will change that?

Madonna has always been obsessed with cinema, old and new. She and Fincher would prove that again most famously one year later with “Vogue” with its recreations of the Golden Age of Hollywood as well as Isaac Julien's Looking for Langston. Every cent of Express Yourself's then record-breaking $5mil budget is on screen and it’s heightened, boldly stylized aesthetic is the exact kind that Baz Luhrmann was recreating with Moulin Rouge! over a decade later. From the rain-soaked underclass below to the sensual art-deco with modern twist of Madge’s world up top, “Express Yourself” surpasses even some of the work nominated for art direction and cinematography Oscars that year. Who remembers the sets of Driving Miss Daisy, you know? In a neat twist, Tim Burton’s Batman won the former category, itself also inspired by Metropolis. And remember when they went via satellite to present awards in England? Yikes!

The overt homoeroticism. The power of the pussy. The rally cry of the woman. It’s certainly a video that informed my early years a lot, and would go on to inspire my predilection for excessively stylish cinema as well as bold interpretations of eras. The “Express Yourself” video holds up better than most films of 1989, but perhaps works best of all as a beacon not only for Fincher’s career, but as an encapsulation of where cinema could and eventually would go in the following decades from Quentin Tarantino to endless remakes and reboots. By repurposing Metropolis, everything old was new again. Something we still see the effects of today.