Desperately Seeking Good Movie Posters

For all of you 80s film buffs, movie poster enthusiasts and/or Madonna fanatics out there, My Life as a Blog has a terrific behind the scenes retrospective of the making of the Desperately Seeking Susan poster. From someone who was directly involved at that.

Movie fanatics often like to bitch about the lack of illustration and graphic design in today's movie posters but even the photography-based movie posters, rarely are pulled from photo-shoots these days. They just do quick slapdash photoshopping of different images of the actors or blow up their faces from stills and work around that.

It's so depressing. Especially when a movie poster that's illustrated or photographed separately merely using the movie as inspiration can be so iconic and worth loving apart from the movie they're attached to.

I Could Go On Bitching.

Reid writes...

Nowadays photo shoots like these are a big deal, with limos for talent, and a gaggle of publicists and studio executives, but the only people from the movie were me and the wardrobe supervisor Melissa Stanton (who brought the jackets, costumes and accessories), Herb’s crew, and Madonna and Rosanna, who cabbed over themselves. [Why am I so sure they didn’t get cars? Because afterwards Madonna complained that she couldn’t take the subway anymore. She had only recently reached the level of fame where people hassled her on the trains...]

I've always really loved this poster and it's hilarious to read that studio executives were worried that people would think it was a lesbian movie. GASP.

Rosanna and Madonna had a peculiar relationship. On one hand they were friends and even hung out together outside of work, but on another… Madonna had a way of sucking all the air out of the room. It’s my understanding that the movie was greenlit because Rosanna, red-hot after “The Executioner’s Song” and “Baby, It’s You,” had agreed to be in it. Rosanna was unquestionably the lead and worked practically every day, while Madonna’s role was much smaller in terms of actual scenes. But there was no denying that Madonna was Madonna and she was “Susan,” in a movie called “Desperately Seeking Susan.” Once, when somebody on the street asked who was in the film, I heard Rosanna say, “Madonna.”

Madonna sounds incredibly bitchy in this article (as she often does in such anecdotal evidence) but I love her all the same. She's like an inextracticble  part of my soul.

Strike a Pose, on the Croisette.

Jose here. If The King's Speech hasn't given you enough of socialite Wallis Simpson to last you for a while -- I personally thought Eve Best's performance was the best thing in the movie and she should be getting the praise HBC is getting. But that's a whole other matter. Back to our post -- all you have to do is remember that our beloved Madonna is making an entire movie about her.

The shooting has remained pretty secretive and other than a few pictures the paparazzi have snagged (like rising star Andre Riseborough as Simpson to your left), we don't really know what the thing's looking like.

Maybe we won't have to wait much longer. Madonna has decided she wants her film to be part of the Cannes Film Festival just a few months away. French newspaper Le Parisien is reporting that the pop icon plans to have her film included in the festival's official selection.
This won't be official until festival artistic director Thierry Fremaux announces the official selection in April, so will the Queen of Pop be able to have her way this time?

The first official screening will take place next month when Madonna presents her second feature film to private distributors in Berlin. 

Madge is no newbie to the Cannes Film Festival, just a few years back she presented her documentary I Am Because We Are, which didn't seem to make a huge impression but wasn't trashed either. She had more luck with the smash documentary Truth or Dare which made a huge international ruckus at Cannes in 1991.

Madonna at Cannes in 1991 and 2008

So we'll just have to wait and see how W.E. fares with the picky Cannes audience. Will New York icon and Jury President Robert de Niro feel swept away by this very American tale? Or will W.E. be too much Wallis, too soon?