May Flowers: Beauty & The Beast (1991)

may flowers

Under the heading of Better Late Than Never, let's take a look at Disney's classic Beauty & The Beast (1991). We ... or I should say you... covered it previously in the Hit Me With Your Best Shot series. I stumbled and fell down its gothic mansion steps, completely missing that spinning gala ball. (You know the one: Angela Lansbury sang the theme song in the background.) The related truth of the matter is that Belle isn't so punctual herself. She arrives at basically the last possible moment to rescue The Beast from the ancient curse. If he doesn't find true requited love before his magic flower loses its last petal, he remains a beast forever.

Halfway through the movie, Belle, against her captor's wishes, heads into the forbidden West Wing where she sees two distorted images. The first is her own face fractured into a half a dozen pieces in a broken mirror. The second is a portrait of The Beast, in his original form as the Handsome Prince Not-So Charming; hence, the curse.

 
In these two closely related nearly consecutive images, her beauty is momentarily as ravaged as his. It's a smart visual foreshadowing that they're actually soul mates, though neither of them know that yet. Belle does not jump in fear when she sees her own face splintered as many people do when surprised by a discomfiting reflection. Her curiousity is always engaged, proving a far more defining character trait of this particular heroine than fear. (She's not, as we realize fairly in the narrative, your garden variety damsel in distress.)

Moments later, distracted by a glow behind her, she finds the Beast's magical flower. In this riveting shot, my choice for the film's best as its gorgeously composed and marries color, character and narrative,  he leaps in to shield the flower from her curiousity. Curiousity may kill the cat, but the Beast is no feline; sure he's lion-like but this species is Hocusus Pocusus.

Do you realize what you could have done?

...he bellows, but are magical flowers, really that delicate? We're guessing no.

What he's really protecting is his own heart. It's the Beast and not the Beauty who is emotionally fragile. It's The Beast and not the Beauty who is emotionally rather than intellectually or physically driven, making Beauty & The Beast a wonderful twist on the traditional gender roles that Disney fairy tales spring from.

Pleasurable as that twist alone would be, the film is yet richer.

Allowing yourself to love and to be loved in return, something The Beast has yet to master, is neither a feminine nor a masculine challenge, but a human struggle. Beauty and The Beast has one of the best scores in animated musical history, but a Madonna song thrums in the background for me as the alternate and most descriptive soundtrack of The Beast's emotional journey.

You're so consumed with how much you get
You waste your time on hate and regret,
You're broken...
when you're hearts not open

Love is a bird, she needs to fly
Let all the hurt inside of you die
You're frozen...
when your hearts not open

Mmmm, if Belle can melt his heart. Mmmm, they'll never be apart.

BE OUR GUEST... AGAIN
If you missed the delicious group celebration, please visit these fine blogs which all sounded off on their favorite shots within the first animated feature to ever be nominated for Best Picture at the Oscars. The next episode of Hit Me With Your Best Shot will be on June 1st @ 9 PM EST when we celebrate the tenth anniversary of MOULIN ROUGE!

• Antagony & Ecstasy Belle and the Beast, who are rich opposites.
• The Red Headed Invasion The Beast, who is alarmingly expressive.
• Ahora 'The Provincial Life', which is most luscious.
• A Blog Next Door Belle, who wants. She wants more than she can tell.
• Film Actually Gaston, who is also a beast.
• Okinawa Assault Beauty & The Beast, which is suspiciously colourful.
• LS2GH Belle and the Beast, who see themselves as the other.
• Animation Revelation The Great Wide Somewhere, the forest to be more precise.
• Amiresque The Beast, who loves architecture. He loves it more than he can tell.
• Victim of the Time The crying or the dying, which are beautiful.
• Movies and Other Things Belle, who is no 'little wife'.
• Dial P For Popcorn Belle, who becomes an explorer.
• missemmamm Gaston, who uses antlers in all of his decorating.
• Against the Hype The Great Wide Somewhere, which has moved locales.
• Sorta That Guy Belle and the Beast, who could have danced all night.
• Cinephilia & Sass Belle and the Beast, who cozy up.
• The Entertainment Junkie The Beast, who is not as he once was.
• Serious Film The Beast, who is Prince Charming Character.
• Movies Kick Ass The crane shot, which is sweeping and magical.
• musicinephiles Belle, who moonlights as a nurse.
• Awards Nazi The Beast, who is too aggressive even in kindness

Links: Arthur Laurents, Joel Edgerton, Parker Posey, Will Smith

TV Guide A brilliant suggestion: put Parker Posey in the boss's chair in The Office. Did you see her on Parks & Recreation last night? She's dependable with hilarity, that one.
The Art of Manliness how to jump from rooftop to rooftop, like a frenzied movie hero.
Boobs Radley Imagined conversations between Scarlett Johansson and Sean Penn. Teehee.
My New Plaid Pants a big week for Joel Edgerton. A leading role in the new Kathryn Bigelow flick? Yes please.
Variety Quentin Tarantino wants Will Smith for his Django Unchained movie. In our opinion any actor would be crazy to turn Tarantino down. He nearly always finds something new or untapped in their talent. He's pure magic that way.
The Beats Within new blog on Madonna as a musician (still underappreciated). This is a really interesting interview with Guy Sigsworth who cowrote "What It Feels Like For a Girl"
Movie Morlocksk spends an evening with Terence Stamp. We love him.

Hey U Guys shows the delightful first image from a pirate movie from Aardman Animations. Hugh Grant will be voicing it matey.
THR It might be Keanu Reeves for Akira. Hollywood is just determined not to cast Japanese actors even though the property is the selling point.
Movie|Line is every Kate Hudson movie the same? Chart!
Salon looks at the best devil portrayals on film.

Finally...I meant to write about Arthur Laurents passing yesterday but this one made me sick with loss. The theater great had a hand in so many properties that are just magic (Rope, West Side Story, The Way We Were, Gypsy ... the list goes on) and he lived to be 92 years old; a long and accomplished life it was. He won Tony Awards and was twice Oscar nominated (both nominations were for the ballet drama The Turning Point) but somehow they snubbed his brilliant screenplay for The Way We Were which is only among the pinnacle achievements of its entire genre. Seriously name ten romantic weepies that are better; you can't!

His life was inspiring, too. Imagine having the guts to live as an out gay man as early as the 1950s. I didn't know where to begin -- I'd need a whole blog week. MUBI is terrific with the obituaries, always rounding up good articles to read, like this recent lengthy dishy profile from New York Magazine when the revival of West Side Story opened on Broadway.

She's Still in Love With Judas, Baby

Another couple of months, another Lady Gaga short film. Thankfully she's calmed down a smidge since the epic EPICNESS of "Born This Way" which was messy MESSYNESS.

Sometimes it's good to have a simple concept and just execute it well.

In this case its Christ & Disciples as biker gang with Gaga as the Holy Fool / Biker Chick who can't choose between her two (archetypal) men, saintly Jesus or bad boy Judas (Norman Reedus!) who is so rebellious he demands that his name be pronounced with extra syllables. Speaking of. Love the tongue-tripped lyric bridge.

In the most Biblical sense,
I am beyond repentance
Fame hooker, prostitute wench.

Video: B+ That Bit w/ the Lipstick: A+ The Break: D+ (video breaks are tired. just dance!) Song: B

P.S. TANGENT TIME:  I'm totes enjoying Gaga's reign these past couple of years but, gotta say it, really missing Madonna today. Like as in more than usual.

Maybe it's because Madge looked flawless at the Met Costume Gala. Maybe it's because this is Gaga's "Like a Prayer" no? I'm not saying that in a negative 'ripping off Madonna' way people like to assume. I'm saying that as in this is the moment where the stars feel indestructable and poke at the religious people's eternally thin skin and risk their noisy wrath while making some sort of dance-ready point about the eternal internal spiritual war that's a universal part of being human". That moment.  "Like a Prayer" is Madonna's very best song (A+) in a discography with astounding number of viable options for that title. So that's probably how the pangs of missing are so acute. Excited for her directorial effort W.E. -- when will we see it? -- but could use more music real soon. It's been so long since "Hard Candy". Just one more record as fab as "Confessions on a Dance Floor", please!? Pleaseandthanks.

P.P.S. We now return you to your normally scheduled film programming.

Links: Haynes, Malick, Madonna, Mitchell

direct this
unexamined/essentials looks at the entire career of Paul Anderson. No, not that one. The other one, the Paul W.S. Anderson one.
The Telegraph Tim Robey awaits the return of Hollywood's poet Terrence Malick with The Tree of Life and investigates his mystique.
Nick's Flick Picks encounters the first Todd Haynes project he's not totally gaga for: Mildred Pierce. I share his trepidations but like him, am definitely enjoying the details and the actressing.
La Daily Musto John Cameron Mitchell (Rabbit Hole) is even using Kickstarter now? It's a whole new world. This is for funding for an animated film.

in less auteur driven news...
Playbill Here's an interesting idea. Andrew Lloyd Webber doesn't think it will ever happen but he wants Madonna, who already played Evita in his world, for the big screen version of his Sunset Boulevard musical.
Movie|Line Remember Josh Pence, who got that SAG nomination for just his body appearing onscreen with Armie Hammer's face on it in The Social Network? Now we get his face: he's got a role in The Dark Knight Rises. Happy endings.
Twitch Film brings you the winners of the Dallas International Film Festival. Congratulates to this one we're hearing about the first time: Jess + Moss.

Cloud and "The Music Box"

Despite the egomaniacal reputations that usually fuse themselves to one-named-superstars, one of my favorite things about Madonna is how many careers she's helped bolster or even launch over the years. Whole armies of people owe their careers to her and even people who were doing all right for themselves before her involvement won new fans through her friendship or fandom or enthusiasm (Sandra Bernhard, Antonio Banderas, Alanis Morrissette, Sacha Baron Cohen, etc...) The last performer she took a shine to that I  latched onto was Daniel Cloud Campos. He had a showcased Madonna debut in the "Hung Up" video and went on to dance in other videos and on tour with her.

Now he's the writer/director/editor/actor/choreographer/dancer (whew) of the short film "The Music Box". It's ten minutes of goofy inventive cheer and a must-watch for people who love dance-heavy musicals and wish the movies would someday get another Gene Kelly (as if), someone whose joy of dance just made the audience feel all limber and gravity defiant inside.

Some people have too many talents. But we can't hate them when they're so generous and cheerful about the sharing.