Review: Song to Song

By Eric Blume

It’s difficult to review Song to Song, the latest film from Terrence Malick, because based on the standards of cinema (plot, characters, structure, acting, etc.), it’s a pretty terrible movie.  But with this film, Malick continues his journey to discover some sort of new cinematic language and style that has a weird beauty all its own.

The story, such as it is, revolves around three people in the music business (played by Michael Fassbender, Rooney Mara, and Ryan Gosling).  They go in and out of relationships with each other and a few other folks (notably Natalie Portman, Cate Blanchett, and Bond girl Berenice Marlohe).  Malick gives you no real sense of time, so it’s never 100% clear what happens when exactly.  But there are many, many scenes with those five people running their hands over each others’ bodies while voiceover proclaims banalities about sex and connection...   

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Thoughts I Had... the "Song to Song" Poster

Chris here, with a look at the next Terrence Malick flick. Last his other films of the past decade, this year's Song to Song has been long promised and long in the can, and is suposedly related to last year's Knight of Cups (both of which shot back-to-back). This Austin rock and roll based film is another starry dive we know little about - however this time we'll find out soon when it debuts next month at SXSW Fest and releases in the following weeks. The trailer will be here soon, but we now have a vibrant poster to ruminate over. Some thoughts...

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Tree of Life Revisited

This weekend a friend of mine invited me to join him for a screening at BAM of Terence Malick's The Tree of Life with a live orchestra. 'But that's only for silent films,' I thought. I said yes right away more to spend time with my friend than to see the film again which I had very much admired but not quite loved in 2011.

Seeing it again five years later proved unexpectedly rewarding. Perhaps it was the huge screen - the first time I'd seen it was on a tiny arthouse screen in Manhattan. Perhaps it was the live accompaniment of a huge orchestra and choir but it felt newly electric...

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Actresses We Love & the Festivals They Are Going To

Murtada here. It’s the week of fall film festivals announcements. We just heard that The Bening is going to New York. Lupita Nyong'o and Rosamund Pike are going to both London and Toronto. Let’s check in with a few others who are going to Venice, Toronto and possibly Telluride (Telluride doesn’t announce its program until its first day but if a film is announced as a Canadian Premiere at TIFF, and it hasn’t appeared at Sundance, it’s assumed to be Telluride bound).

Sally, Dakota, Rooney and more after the jump...

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Malick Goes to IMAX

Leave it to Terrence Malick to always keep us guessing when his next film will drop. Recently we got word that his long-rumored documentary Voyage of Time would finally be dropping this fall and on massive IMAX screens to boot - before the star filled Weightless that he shot back-to-back with this year's Knight of Cups. Like his movies, I guess the release schedules and post-production meander as well.

But even without Weightless's star power, Voyage will pack wattage of its own. Ennio Morricone will be scoring the film, reuniting him with the director after almost forty years since they collaborated on Days of Heaven. And there may not be recognizable faces on screen among the eyepopping visuals, but Brad Pitt narrates (Cate Blanchett is set to narrate the extended, non-IMAX version that is also rumored).

If you have your doubts about another Mallick meditation on existance, consider that this version will be running at a swift forty minutes. Without a narrative to distract from the auteur's transfixing visuals (albeit this time without Emmanuel Lubezki behind the camera), this one should give us precisely what we want from him without the frustrations of his recent work. Check out the just released trailer and imagine it on a huge IMAX screen:

Voyage of Time opens in IMAX on October 7. What other Mallick film would you see in IMAX?

Doc Corner: Documentaries at the Box Office in 2016

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we look at the medium's flatlining box office is a sign of 2016's roster of documentaries.

Looking at Nathaniel’s listing of the highest grossing documentaries list of the year so far and I was – to put it mildly – a bit bummed out. Not surprised, of course.

Certainly, the comfort of one’s home is a perfectly fine place to view many of these films, and a necessary advancement given the general downturn in boutique and arthouse cinema-going. But as a lover of movies, going to the movies, and writing about movies, it is frustrating and a worry that no documentaries other than Michael Moore’s disappointing Where to Invade Next and the Christian-themed Patterns of Evidence have made any sort of impact at the box office (and even then, Moore’s film is a dramatic slide from even his most recent film Capitalism: A Love Story at $14m) in four months of the new year.

The reason the doc box office figures particularly worried me was because the first quarter of the year is peak opportunity to take advantage of a quiet marketplace...

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Knight of Cups Top 5

Manuel here with a short list about Terrence Malick’s most recent outing. Knight of Cups will sit alongside Tree of Life and To the Wonder in what we might call the director’s spiritual trilogy and however you felt about those last two outings will color how you see his latest. Since the film is a roving set of overlapping and interlocking duets—we follow Christian Bale’s Rick, a successful Hollywood writer through Los Angeles and Las Vegas as he has dalliances with beautiful women and deals with the demons that afflict all troubled artists—I figured I’d pick out 5 pairs of Malick collaborators that truly shine in this dreamy poem of a film.

Consider it our version of praising the parts while remaining underwhelmed (or just ill-equipped) to praise the sum...

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Interview: Chivo on The Revenant, Great Auteurs, and Instagram Spying

For a man who's won two consecutive Oscars and could well make history with a third in as many years, Emmanuel Lubezki is a surprisingly humble fellow. The Mexican cinematographer, better known these days as "Chivo" since everyone is familiar with extraordinary gift and using his nickname now, shakes off my initial gushing as we meet. He is quick to cite assistants and crew members and focus pullers for the magic. But I press on. I really want to know hear how it feels for him to be a legend in his field, a two time Oscar winner and someone who's name is spoken with a certain reverence. He shakes this off, too, adamantly but graciously "I don't know what you're talking about! I don't feel that at all. But thank you!"

Some of his innocence about the kind of reviews he regularly receives could be chalked up to how completely immersed he gets in each picture. His work isn't over when a film wraps since post production can also be lengthy with different prints for IMAX and such. He's been inside The Revenant for a year. 

 I'm just coming out of the cave where I've been, I'm just starting to come back to life. 

Our interview is after the jump...

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