Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

Comment(s) Du Jour
Best Actress in Miniseries

"A big factor is "are the voters watching the entire season of these shows?" From my bubble everyone watched Big Little Lies and Feud in its entirety - and in real time." - Ellsworth

"I want Kidman to win and I think she probably will unless vote splitting costs her." -Matt

"What excites me most about this category is that the Emmys, unlike the Globes, don't necessarily care who the biggest name is" - Jakey

What'cha Looking For?
Interviews

 

Jerome Reybaud Director
(4 Days in France)
Emmanuelle Devos Actress
(Retrospective)
Nicholas Galitzine Actor
(Handsome Devil)
James Ivory Director
(Maurice Restoraton)
Betty Buckley Actress
(Split)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in Emmanuel Lubezki (28)

Tuesday
Mar212017

Review: Song to Song

By Eric Blume

It’s difficult to review Song to Song, the latest film from Terrence Malick, because based on the standards of cinema (plot, characters, structure, acting, etc.), it’s a pretty terrible movie.  But with this film, Malick continues his journey to discover some sort of new cinematic language and style that has a weird beauty all its own.

The story, such as it is, revolves around three people in the music business (played by Michael Fassbender, Rooney Mara, and Ryan Gosling).  They go in and out of relationships with each other and a few other folks (notably Natalie Portman, Cate Blanchett, and Bond girl Berenice Marlohe).  Malick gives you no real sense of time, so it’s never 100% clear what happens when exactly.  But there are many, many scenes with those five people running their hands over each others’ bodies while voiceover proclaims banalities about sex and connection...   

Click to read more ...

Monday
Dec262016

10th Anniversary: Children of Men

David here on the tenth anniversary of a modern masterpiece...

Watching Children of Men at the end of this particular year is an almost surreal experience, because P.D. James’s dystopian vision of the world seems even more feasible than ever. It’s hard to not feel like the new president elect is leading us to a world like the one we glimpse on the video screens, where all cities the world over have been devastated by riot and ruin. It’s hard to not see the xenophobia of the Brexit referendum result in the end of the same video, which declares ‘Only Britain Soldiers On’, as if there’s some value to be had in a country that cages immigrants on train platforms and allows the privileged white man to shut himself off in glacial towers. “You know what it is, Theo?” says Danny Huston’s government minister of his cousin (Clive Owen), when asked how he lives contentedly shut off from the devolution outside. “I just don’t think about it."

Click to read more ...

Monday
Nov212016

Tree of Life Revisited

This weekend a friend of mine invited me to join him for a screening at BAM of Terence Malick's The Tree of Life with a live orchestra. 'But that's only for silent films,' I thought. I said yes right away more to spend time with my friend than to see the film again which I had very much admired but not quite loved in 2011.

Seeing it again five years later proved unexpectedly rewarding. Perhaps it was the huge screen - the first time I'd seen it was on a tiny arthouse screen in Manhattan. Perhaps it was the live accompaniment of a huge orchestra and choir but it felt newly electric...

Click to read more ...

Saturday
Feb202016

Undersung Works by the Oscar Nominated Cinematographers 

Jose here. The five gentlemen nominated for the Best Cinematography Oscar have amassed a more than respectable amount of accolades, they boast a collected 37 Oscar nominations between the 5 of them, with Edward Lachman being the least nominated having only two (both for his previous collaborations with Todd Haynes) and Roger Deakins being the perpetual bridesmaid with 13 career nominations and no wins (not that he needs them anyway, he has 3 BAFTAS and 3 ASC Awards to console him).

Even if these folks get nominated for awards all the time, some of their work has been received coolly by awards bodies. Unbelievable, I know. So, here are 5 “undersung” achievements by this year’s nominees...  

Click to read more ...

Monday
Feb152016

ASC and BAFTA Go Cuckoo for Chivo 


Jose here. In what turned out to be a surprise to absolutely no one, Emmanuel Lubezki managed a historical threepeat from the American Society of Cinematographers who gave him yet another award for his use of natural light in The Revenant (he also won his third straight BAFTA).

Chivo is now the ASC’s biggest winner having earned five awards (out of six nominations) since 1999 (he has only lost for Sleepy Hollow) Somewhere Roger Deakins must be thrilled Lubezki didn’t have any movies out in 2012 (technically To the Wonder came out, but it sadly went by dismissed by most groups), since that year he won his third award for Skyfall and “prevented” Chivo from winning the award every year since 2011 (the Oscar-less Deakins more than doubles Chivo’s ASC nods though, having earned 14, the highest for any ASC member).

Considering Chivo is now the hands on favorite for the Oscar (in what will be yet another rare consecutive threepeat) it might be fruitless to point out that other than for the last two years, ASC and Oscar have had quite some disagreements; since the year 2000, ASC has awarded eight cinematographers their top prize while Oscar has gone a different route. All of those winners were also nominated for the Oscar though, so it’s unlikely we’ll see a Robert Richardson upset this year since ASC went for Janusz Kaminski’s work in Bridge of Spies instead. As The Revenant keeps steamrolling its competition, I can’t help but wish for a glamorous spread of Judy the Bear in Vanity Fair or Vogue sometime soon. Photographed by Chivo of course.  

 

Thursday
Feb112016

Interview: Chivo on The Revenant, Great Auteurs, and Instagram Spying

For a man who's won two consecutive Oscars and could well make history with a third in as many years, Emmanuel Lubezki is a surprisingly humble fellow. The Mexican cinematographer, better known these days as "Chivo" since everyone is familiar with extraordinary gift and using his nickname now, shakes off my initial gushing as we meet. He is quick to cite assistants and crew members and focus pullers for the magic. But I press on. I really want to know hear how it feels for him to be a legend in his field, a two time Oscar winner and someone who's name is spoken with a certain reverence. He shakes this off, too, adamantly but graciously "I don't know what you're talking about! I don't feel that at all. But thank you!"

Some of his innocence about the kind of reviews he regularly receives could be chalked up to how completely immersed he gets in each picture. His work isn't over when a film wraps since post production can also be lengthy with different prints for IMAX and such. He's been inside The Revenant for a year. 

 I'm just coming out of the cave where I've been, I'm just starting to come back to life. 

Our interview is after the jump...

Click to read more ...