Entries in Johnny Depp (27)
Criterion Collection Pedro Almodóvar write about his experience making Tie Me Up! Tie Me Down (1990). I so love that one. So weirdly romantic in spite of its whole Stockholm Syndrome business
Natasha VC Brad Pitt before and after makeup. Hee
In Contention Tapley wonders if Eastwood's American Sniper will have an impact on Oscar with its Christmas release
The Dissolve John Lithgow has revealed that Pixar's The Good Dinosaur (which he does voice work on) has been completely reimagined
Buzzfeed investigation into 80s arcana: who deserved credit for Flashdance and didn't get it?
The Hairpin the best friends of romcom heroines, in order
The Guardian on "my favorite city in film: Blade Runner's LA
i09 Have you ever wondered how Replicants are made in Blade Runner?
Salon interesting piece on Lauren Bacall (and Bogey's) political activism which the obits have steered clear of mostly
Chiseler Bacall's recent death also prompted this look back at Humphrey Bogarts first actress wife, the now forgotten Mayo Methot
AV Club Keanu Reeves moves to television for a series called Rain about a half Japanese half American assassin but...
/Film ...there's also a TV show being developed based on Keanu's hit The Devil's Advocate in which he is not involved. Strange timing, eh?
RogerEbert.com interviews Ira Sachs on Love is Strange. That finally comes out this month. Do NOT miss it
Cinema Blend Johnny Depp to star with his teenage daughter in Kevin Smith's Yoga Hosers. I do not understand what's going on with that career. I really don't
Empire Bradley Cooper to headline a new franchise based on the "Mack Bolan" book series about a man at war with the Mafia
Towleroad Portia de Rossi surprises Ellen DeGeneres on their anniversary
Entertainment Junkie on the Emmy contest for "Best Writing in a Drama Series"
Taye Diggs dancing. That's all. That's enough.
AV Club looks back at the seminal single "Stay" from Lisa Loeb. God, I loved that one. I can't remember if it was written for Reality Bites (1994) or not but if it was Oscar made the worse choice in not nominating it
The Stuff of Nightmares
Cinema Blend Chinese movie theaters projecting audience texts onto screen.
ahem... I used to worry about keeping The Film Experience PG-13 because I knew teenagers were reading and when the site was first created you didn't want to be labeled NSFW because it shut you off from tons of traffic and search engines and so on and so on. And now I just feel like the biggest prude every day since even mainstream websites that people read at work print photo galleries of "bulges," naked celebrities, and charity events involving random civilians stripping. Case in point in the past 24...
Gawker imagining what's inside Jared Leto's pants courtesy of a quote from Alexis Arquette
Jezebel imagining what Disney Prince Charming dicks look like.
So basically I am a prude and singing "Class" from Chicago right now as I type this. But I click on all these links, so, guilty.
The New Yorker on Bob & Carol & Ted & Alice by Paul Mazursky. I love that movie so much
NYT RIP the influential filmmaker Paul Mazursky (Bob & Carol & Ted & Alice, An Unmarried Woman, Enemies: A Love Story)
THR The Academy sues the estate of art director Joseph Wright. His family auctioned off his Oscar for My Gal Sal (1942) for $79,200. (God, imagine how much an Oscar for a famous movie or actor would get!) But auctioning off Oscars is a big big no-no. AMPAS freaks out every time.
Bryan Singer tweets a treament of X-Men: Apocalypse
Daily Mail Johnny Depp on the set of Black Mass. Lots of old age makeup
X-Finity Matt Bomer implies that his Montgomery Clift biopic is on indefinite delay
The Wire Joe talks that Eric/Jason sex scene on True Blood and what a failure the show has been in terms of the gay. Co-sign every word.
The Black Maria on the Hunger Games of the 70s, Roller Ball
The Dissolve in the greatest summer blockbusters
Comics Alliance revisits Batman to look at Vicki Vale, the 1989 version of "Strong Female Character". (I totally forgot Ms Vale was an acclaimed photojournalist - not that it matters)
The 1989 model had fluffier hair than her successors, but that’s really the only significant difference. She establishes her Totally Empowered cred early, makes eyes at the hero, then gets the hell out of the way... She ends the film in the hero’s arms, fulfilling her role as reward for his victory, with nary a whisper of the professional goals that drove her to him in the first place. She is pretty and in need of rescue and almost entirely in service to the male characters’ plot and characterization—but she gets to be vaguely spunky and is slapped with a typically male career, so it’s totally okay.
I can only imagine the interviews that took place upon the release of "Batman", touting her modernity, her break with the damsels of the past, her ineffable 1989-ness.
Towleroad Adore Delano continues to hit it hard in that tiny assured-media-interest window post RuPaul's Drag Race. Party!
Clothes on Film wonders what happens to contemporary costumes when the movie wraps. Featuring The Descendants, Brick and Silver Linings Playbook
Variety Tom Hardy reunites with Inception co-star Leonardo DiCaprio for The Revenant
Tilda = Best
Tilda Swinton has proclaimed that everyone should see Julia because Tilda has great taste. She's so extraordinary in that movie and she should've won her second Oscar for it. (Sorry Oscar nominees of 2009 but you just don't compare)
I made a film with Erick Zonca called JULIA of which I am extremely proud: in the United States it had a very small release by a great little and passionate distribution company called Magnolia.. but there was only so wide they could release it.. PLEASE look for that one.. it is something else.. and I LOVE it.
Her Reddit Q&A is often hilarious. Consider this response to whether or not she's a clone of David Bowie.
The laboratory gave me strict instructions to issue no comment
I'm so proud that I've been a fan of Tilda since Edward II (1991) so she's MINE. I am so proud to have given Tilda the gold medal right here for Julia. The Film Bitch Awards are awesome. *pats self on back* Should really watch that movie again.
Amir here, with the weekend’s box office report. It’s Easter weekend and we have proof of it in the box office top ten. When was the last time three films with such strong religious overtones as Noah, God’s Not Dead and Heaven Is for Real were simultaneously in the top ten best selling pile? The latter film was the new entry this weekend and shockingly grossed more than $20m, helping itself to the third spot behind holdovers, Captain America: The Winter Soldier and Rio 2. Can you think of any film with a more unappealingly on the nose title? The 3-minute trailer is an excruciating exercise in patience in its own right but I understand I’m not the target audience. I’m sure the people who saw it in droves enjoyed it. Right? Maybe. Possibly. Fuck, seriously? Is this film for real?
01 CAPTAIN AMERICA: THE WINTER SOLDIER $26.6 (cum. $201.5) Review
02 RIO 2 $22.5 (cum. $75.3)
03 HEAVEN IS FOR REAL $21.5 (cum. $28.5)
04 TRANSCENDENCE $11.1 *new*
05 A HAUNTED HOUSE 2 $9.1 *new*
06 DRAFT DAY $5.9 (cum. $19.5)
07 DIVERGENT $5.7 (cum. $133.9) Review
08 OCULUS $5.2 (cum. $21.1)
09 NOAH $5 (cum. $93.2) Podcast & Jon Stewart on Noah - a must-see icymi
10 GOD’S NOT DEAD $4.8 (cum. $48.3)
Transcendence was a failure of epic proportions and managed a 10% return on investment, which is disastrous in any industry. This is either due to the fact that the film’s title is only subtly religious or because Johnny Depp is no longer a draw. The latter is most likely the case and I can’t help but indulge in a bit of schadenfreude. In the 11 years that have passed since Depp delivered something resembling a performance, he’s made billions of dollars and the box office returns of Dark Shadows and The Lone Ranger weren’t nearly dire enough to be considered punishment.
At the arthouse Under the Skin edged past the million dollar mark and The Grand Budapest Hotel is now a single day away from beating Moonrise Kingdom as the top grossing Wes Anderson. Only Lovers Left Alive, however, has failed to draw in audiences, though its screen average is the third best behind Heaven Is... and John Turturro’s weird, Woody Allen-starring passion project, Fading Gigolo.
I spent my weekend cozying up to some Cannes classics, but I will be out soon to catch Disneynature’s Bears, because those things look cute as buttons. What have you watched this weekend?
I didn't think I was going to have anything to say about the recently announced Fantastic Four reboot cast that I hadn't already said in previous posts. But then they forced my hand with the Jamie Bell casting. If you don't frequent mainstream click-baiting movie blogs (most of which live for superhero movie news) the news goes like so:
- Mr Fantastic, Reed Richards (stretchy scientific genius) - Miles Teller
- Invisible Girl (Mr Fantastic's wife, Sue Storm) - Kate Mara
- The Human Torch (Sue's brother) - Michael B Jordan
- The Thing, Ben Grimm (Reed's best friend) - Jamie Bell
The Wrap all time lows for unemployment for women in the movie biz. what the what now?
Veteran Fan Girl on Frozen's groundbreaking depiction of mental illness (depression) in a Disney Princess movie
Variety Johnny Depp might be our Doctor Strange. Which would be awesome news if it weren't 2014 and his eccentricities didn't yet feel like a factory-produced cans of name brand Quirk
Terry Richardson for some reason the internet seems surprised today that Jared Leto posed mostly naked for this controversial photographer. Doesn't the internet know that they're friends and this happens pretty regularly? C'mon internet, catch up
The Wire an Oscar completist's prayer: please don't nominated these movies
BuzzFeed why Emma Thompson was the best part of the Golden Globes
Awards Daily final Oscar predictions
MNPP a fun retro poster for the new horror flick Cooties
Pajiba provocatively predicts the biggest flops of 2014 from Pompeii to Transcendence to Jupiter Ascending without calling it predictions
Vulture speaking of provocations... David O. Russell really put his foot in it comparing Jennifer Lawrence's Hunger Games contract to 12 Years a Slave
...and by now you may have heard that Oscar has picked his theme!
They've announced that the 2013 Oscars (WE'RE SUPPOSED TO CALL IT BY ITS FILM YEAR. EVEN OSCAR KNOWS THIS THOUGH SOME WEBSITES DON'T!) to be held on March 2nd, 2014 will be "The Year of the Hero". This sounds like another lame ploy to win the demographic that just doesn't care about them since it's not like they're going to nominate Man of Steel or Thor or Iron Man 3 for anything (okay maybe Iron Man 3) and it's not like anyone wants them to, either! (Besides Marvel and Warner Bros) Can't it be enough that other demographics care about the Oscars?
If they mean this in a less lame way than a "please love us, fanboys!" ploy, then this is good news for Captain Phillips, which is basically the only film in the running that plays like a hero's journey. A more appropriate theme for this year in cinema might be the Year of the Survivor with Gravity, All is Lost, The Butler, Nebraska, and 12 Years a Slave and more factoring in but I guess that doesn't have as much of a kick to it since surviving is kind of exhausting and nobody producing the Oscars probably wants you to think about exhaustion until, like, the 180 minute mark on Oscar night.
Can we take a moment to shake our heads collectively at Johnny Depp, Armie Hammer and The Lone Ranger team for being sore losers? They're blaming critics and the media for the failure of the film at the box office -- as if opening weekends are determined by critics. LOL. Weirdly Armie Hammer tries to rope in World War Z to the conversation (which has a 67% critical approval rating on Rotten Tomatoes versus their 28% and a much higher audience approval rating, too)
They tried to do the same thing with ‘World War Z’,” Hammer said of the critical backlash.”It didn’t work, the movie was successful. Instead they decided to slit the jugular of our movie.”
Because this is what critics do. They think "damn, people loved that movie I trashed? I shall have my revenge next time!" and then their tiny selves morph hive-like into Mega-Critic, a ugly monstrously powerful giant beast, big enough to do battle with the beautiful innocence of the Blameless Blockbuster.
I always feel embarrassment, not schadenfreude, for stars and filmmakers when they blame everyone but themselves. It shows a complete aversion to looking inward and betrays a pampered creative life that actively works against continued evolution as an artist. When people only believe/accept adulation, they calcify. It's why so many artists become self parodies or get less interesting as they progress. I really don't think it's an age thing, though you often hear that people do their best work early in their careers. I think, rather, that it's an insular gated community problem, a result of entourages of "yes men" and belief in your own hype.