Greatest Movies of the 21st Century. Did you join in the fun?

by Nathaniel R

The talk this week in US cinephile circles has been the New York Times interactive "10 Best Movies of the 21st Century". 2025 is a good time for it. Here was my ballot, done on a whim, because how else to do it really? We all know that there are more than 10 "Best" movies in any given quarter century!  Sometimes there are more than 10 "Bests" in a single film year. Nevertheless it was fun to watch friends and strangers sound off this week...

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Cannes: Maïwenn & Johnny Depp in "Jeanne Du Barry"

Elisa Giudici reporting from Cannes!

It is fascinating how carelessly Maïwenn gives her detractors such easy targets and ways to tear apart her work. She is the director, screenwriter, and lead actress of Cannes opener Jeanne Du Barry. The biopic takes place in Versailles in the years when both the old king Louis XV and the young and naive future queen Marie Antoinette walked through the halls and the gardens of the magnificent French court. The focus here though is elsewhere. The film centers on the elderly king's favorite, the low-born, sensual, and witty Jeanne. Multi-hyphenate Maïwenn shares Jeanne's giggly confidence, playing the protagonist with Johnny Depp as the aging Louis XV.

If you're thinking of Sofia Coppola’s Marie Antoinette, you’re not alone. It’s the same realm of extreme luxury, absurd etiquette, and incredible loneliness, but viewed from a different side of the royal playground... 

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Happy Bastille Day!

by Cláudio Alves

On this day, 233 years ago, revolutionaries stormed the Bastille, seizing control of the medieval fortress turned political prison, a symbol of royal authority over the people. The event is often thought of as the inciting incident of the French Revolution. This time of radical societal change, which lasted until 1799, represents one of the most critical points in human history, the endpoint to the early modern period. To mark the occasion, since 1790, France has celebrated the Fête de la Fédération, a national holiday commonly known as Bastille Day. As a self-described French Revolution nerd who's been obsessing over the subject since middle school, it's a pleasure to combine that passion with another immortal love of mine - cinema. What better way for a cinephile to celebrate the date?

So, without further ado, let's explore how filmmakers have looked at this chapter in history. There are countless approaches, of course, but I shall focus on ten examples, including THE FRENCH REVOLUTION AS...

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Comment Party: What's a movie that's famous but you (still) think vastly undervalued?

Just a question I've been thinking of today for no apparent reason. What's a movie you think is vastly underrated that also happens to be respected / famous? Usually respected and famous things aren't exactly "underappreciated", you know? I'll give you four examples off the top of my head that I would use to answer this question in that I think they're genuinely great movies, in addition to being whatever else they happen to be. 

• Bob & Carol & Ted & Alice (Paul Mazursky, 1969)
• Silkwood (Mike Nichols, 1983)
• Marie Antoinette (Sofia Coppola, 2006)
• Magic Mike (Steven Sodebergh, 2012)

What's your answer? 

Costume Design in 1938. A Discussion with Nathaniel and Cláudio

by Nathaniel R and Cláudio Alves

Holiday, The Adventures of Robin Hood, The Great Waltz

For the first time ever as a Smackdown supplement -- the 1938 event arrives tomorrow night -- we're giving you two entire additional categories: we discussed Best Picture and now we bring you Best Costume Design. 'But wait,' the Oscar experts amongst you instantly protest. 'Best Costume Design didn't exist yet in 1938. The category wasn't created until 1948!.' This is true so Cláudio and I, who are both obsessed with this particular craft, thought we'd just create it early. Which films should have been nominated for this prize back in 1938 since the category should have existed from the very first ceremony. (You can't make movies without costumes. At least not ones that hope to find MPAA favor or, in '38, approval from the Hayes Code.)

At the end of this discussion we'll each present our two ballots for "should haves" and "would haves" to reflect our own preferences and how we think The Academy might have voted...

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