I'm having trouble leaving 1938 behind. You?

Have you listened to the 1938 Smackdown yet? Such a lively conversation about very memorable movies, for better and worse. We've embedded it again below but some of my personal favourite bits are Steven Weber's Jimmy Stewart impression, Joanna Robinson's reaction to the "twist" in Of Human Hearts, GLOW's Britney Young talking about having a very expressive face and directors asking you to tone it down, and Claudio's deep hatred of opera voices of the 1930s via The Great Waltz. 

AS A SPECIAL BONUS TREAT
I was the guest star on "And the Runner Up" Podcast this week discussing 1938 as well though our focus on that podcast was the Best Picture battle between Boys Town and You Can't Take It With You. You can listen to that here. Kevin is such a great guy and will be one of our panelists for the 1965 Smackdown in October.

1938 Articles

• The Smackdown
• Getting to Know the Five Nominees
• Best Costume Design - a Discussion
• Best Picture - a Ranking
• Adventures of Robin Hood - Production Design
• Bringing Up Baby
• Doris Nolan, Holiday
• Jean Gabin, French Superstar
• Judy Garland, Love Finds Andy Hardy
• Mary Astor, Listen Up Darling
• Myrna Loy in Test Pilot
• Norma Shearer, First Lady of MGM

We intended to do even more 1938 celebrations -- I can't stop watching movies from this year! -- but we'll have to move on to 1965 (not to mention 2020 as the film year is finally revving up). The clock keeps turning!

1938 SMACKDOWN

Smackdown '38: You can't take the great waltz with you, Jezebel!

In the Supporting Actress Smackdown series we take a particular Oscar vintage and explore it with a panel of artists and journalists. This episode goes way back to 1938. 

THE ACTRESSES & CHARACTERS
In 1938 the Academy was still evolving and the "Best Supporting Actress" category was just three years old. Still, their all time favourite type (the long-suffering wife/mom) was already showing its strength (Beulah Bondi in Of Human Hearts, noticeably that film's only nomination). Other then-popular character types like 'the vamp' (Milja Korjus in The Great Waltz) and ditzy/funny moms (Billie Burke in Merrily We Live! and Spring Byington in You Can't Take It With You) didn't stay in vogue with the Academy for as long. In 1938 we also got an historic first: Fay Bainter was the first actor to be double-nominated, competing in both Lead (White Banners) and Supporting (Jezebel) categories simultaneously, winning the latter. Will our panel agree? 

THE PANELISTS
Here to talk about these performances and movies are the actors Steven Weber and Britney Young, Joanna Robinson from Vanity Fair, and TFE's busiest duo, Cláudio Alves and your host Nathaniel R. Let's begin.

1938
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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Almost There: Myrna Loy in "Test Pilot"

by Cláudio Alves

Myrna Loy's an interesting case as far as the Oscars are concerned. She was a great star, a charming performer with a magnetic screen presence, and even appeared in more than one Best Picture winner. It's easy to imagine that such a person would be a shoo-in for an Academy Award nomination at some point in their career, but Loy was never that lucky. Of the many times she came close, we're here to discuss Test Pilot. This Victor Fleming-directed romantic drama nabbed three nods back in 1938. Among them was a Best Picture citation, though no love was shown to the movie's actors…

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Costume Design in 1938. A Discussion with Nathaniel and Cláudio

by Nathaniel R and Cláudio Alves

Holiday, The Adventures of Robin Hood, The Great Waltz

For the first time ever as a Smackdown supplement -- the 1938 event arrives tomorrow night -- we're giving you two entire additional categories: we discussed Best Picture and now we bring you Best Costume Design. 'But wait,' the Oscar experts amongst you instantly protest. 'Best Costume Design didn't exist yet in 1938. The category wasn't created until 1948!.' This is true so Cláudio and I, who are both obsessed with this particular craft, thought we'd just create it early. Which films should have been nominated for this prize back in 1938 since the category should have existed from the very first ceremony. (You can't make movies without costumes. At least not ones that hope to find MPAA favor or, in '38, approval from the Hayes Code.)

At the end of this discussion we'll each present our two ballots for "should haves" and "would haves" to reflect our own preferences and how we think The Academy might have voted...

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Norma Shearer, the First Lady of MGM

by Cláudio Alves

It's odd that so few people talk about Norma Shearer nowadays. This Academy Award-winning actress was once one of the greatest stars of moviedom, First Lady of MGM, Queen of the Lot. Her arch elegance typified the glamour of Old Hollywood, while her evolving acting style often reflected and predicted the trends of the industry. She was a phenomenon, a sensation, a diva, but her modern recognition pales in comparison to many of her contemporaries like Joan Crawford, Bette Davis, Greta Garbo, Marlene Dietrich, and others.

Since we're celebrating 1938 and that was the year when she got the last of her five or six Oscar nominations (depending on how you count her double from 1930), it's a good time to look back at the life and films of Norma Shearer…

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