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Entries in 1938 (26)

Thursday
Sep032020

1938: Mary Astor in "Listen, Darling", "Paradise for Three", and "There's Always a Woman"

Before each Smackdown, Nick Taylor considers alternates to Oscar's Best Supporting Actress roster...

Thank you to everyone who recommended performances from 1938 to look into! And a big thanks, especially, to joel6, whose suggestion inspired today's write-up. 

Mary Astor made five movies in 1938. Three of them - Listen, Darling, Paradise for Three, and There’s Always a Woman - are still relatively easy to track down online. One of these missing titles, Woman Against Woman, barely seems to exist anymore. I also couldn’t find No Time to Marry anywhere, which is a shame since it sounds like an actual leading role. But the three titles one can easily find all provide a snapshot of this endlessly talented actress doing her thing across a wide range of genres and archetypes...

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Thursday
Aug272020

1938: Doris Nolan in "Holiday"

Before each Smackdown, Nick Taylor highlights alternates to the Oscar nominations for Best Supporting Actress... 

I’ve written about a lot of movies for this series that have meant a great deal to me, both because I love them and because they are very, very good. With only three events left in this current Smackdown season, I think I can safely guess that I will not be writing about a film that has touched me quite as dearly as Holiday has. Along with being an indisputable peak in classical Hollywood filmmaking, in the romantic comedy genre, in the careers of its directors and its leading couple, the film is also a deceptively sharp ensemble feature. To say any performer matches the heights Katharine Hepburn and Cary Grant reach would be hard to argue, but to call Doris Nolan's savvy, multifaceted supporting turn as the character who kicks the whole plot into motion a sterling achievement all its own is a claim I'd be very happy to make...

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Wednesday
Aug262020

The Furniture: Fantasies of Castle and Forest in The Adventures of Robin Hood

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Eleven films were nominated for Best Production Design in 1938. And a number of them would be a great subject for a column, from lavish period pieces set in France (Marie Antoinette and If I Were King) to screwball comedies about class (Holiday and Merrily We Live). And four musicals.

Yet it’s hard to look past The Adventures of Robin Hood, which won. Warner Bros' first big budget Technicolor feature drops Errol Flynn and Olivia de Havilland into a lavish, colorful fantasy of Medieval England. Happily, it’s worth quite a bit more than its price tag. Its primary virtue is playfulness...

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Saturday
Aug222020

What's streaming from 1938 and which films should we write about?

We'll be celebrating 1938 in between regular programming for the next few weeks as we approach the next Supporting Actress Smackdown (September 14th). But before you do your own '38 movie explorations, hit the Smackdown titles first so you can vote on the big event! They are: 

• The Great Waltz - just $1.99 to rent 
This nutso musical bio received 3 Oscar noms, winning for cinematography
• Jezebel - just $1.99 to rent 
This problematic Southern Belle drama is the one that lifted Bette Davis from exciting new talent to superstar (and won her her second Oscar). 5 Oscar noms, winning both Actress categories
• Merrily We Live - free (with ads) on Tubi 
Screwball comedy about a wealthy family taking in hobos. 5 Oscar noms
• Of Human Hearts - $2.99 to rent 
Drama about a preacher's family. Supporting Actress was the only nomination
• You Can't Take It With You - $3.99 to rent 
Frank Capra comedy. 7 Oscar nominations, winning Picture / Director

And you know what to do after you've screened them VOTE before the morning of Sunday, September 13th.

As you undoubtedly know if you're reading TFE, streaming services aren't particularly kind to films that are more than 20 years old. What's available is utterly random and it disappears suddenly and without warning -- for instance Hulu just decimated their once pretty ok "classics" section (which included our very favourite 1938 film, Bringing Up Baby) between when we began drafting this post a month or so ago and now. Now that section includes only 19 films, half of which are now from the 1980s or later. (They did this just when we had gotten used to telling people that they are way better than Netflix for anything pre 2000s and turned us into liars. AAARRRRRGH.)  Anyway, we've done the legwork for you and prepared a list of titles that are currently streaming for free (provided you have certain subscriptions of course) from this particular cinematic year. Let us know in the comments which you're most interested in discussing. This will come as a shocker but we're actually way ahead of the curve this month and have already finished screening all 5 Smackdown titles and most of the 10 Best Picture nominees, too... WUT?

TEN 1938 MOVIES THAT ARE FREE TO STREAM

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Wednesday
Aug052020

Comment Party: Against-type casting... pro or con?

by Nathaniel R

Mo: He came slammin' into my shop...
Freddie: Who struck the first blow?
Whitey: The first blow -- what are you kidding? -- there was only one blow. 

Do you enjoy against-type casting? I couldn't stop thinking of this practice while watching Boys Town (1938) the other night to fill in a notable Best Actor gap (Spencer Tracy won the Oscar as do-gooder Father Flanagan who started the titular home for abandoned / delinquent boys). In the film Mickey Rooney's "Whitey" tests Father Flanagan's theory that 'there are no bad boys' and his tough guy shtick feels very over the top especially coming from a teen star who was then best known for boisterous enthusiasm in comedy and song and dance.  But then a funny thing happened. Halfway through the picture, while still bristling against this relentless posturing, it suddenly worked for the movie; OF COURSE Father Flanagan is right and Whitey's tough guy callousness is a performance. This little jerk acts tough but he's actually a softie beneath the sneering.

Do you like watching actors playing the opposite of their typical persona, whether or not they succeed? What's your go to example of this sort of thing.