Thoughts I Had... While Watching the "Interstellar" Teaser
Presented in the order I had them without self-censorship... you do the same in the comments!
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Presented in the order I had them without self-censorship... you do the same in the comments!
It’s Tim, here to wish all of the U.S. readers of the Film Experience a Happy Independence Day, and to everyone else, "Happy Thursday!"
This particular holiday isn’t one commemorated in movies as much as many others – the odd scene here or there, but rarely an entire film dedicated to the themes and meanings behind the day. In order to save everyone from watching the classic but overfamiliar Yankee Doodle Dandy or 1776 – or the Roland Emmerich / Dean Devlin explode-o-rama Independence Day, if that’s the way you roll – or the miserable direct-to-video slasher movie Uncle Sam, if that’s how you roll, and for that you have my sympathy – I thought I’d put together a little list of a few films about America, in its many different forms, that might make for somewhat more novel viewing than seeing James Cagney speak-singing George M. Cohan songs for the 20th time.
(Though if you haven’t seen the film, for God’s sake do it, he’s a dancing genius!) Four great movies about America below the jump...
Until only very recently Terrence Malick, born in the North but raised in the Southwest, was something like a ghost of the cinema. Gone but not forgotten but still not numbered amongst the living. Or he was, at the least, something like an Auteurist Brigadoon, emerging from the ether once every hundred years before vanishing again. But ever since The Tree of Life (2011) he's been working non-stop. I've no idea what changed for the man but the cinematic landscape is all the better for it. Or at least the prettier for it. The man does consecrate the natural world with his camera.
To date Malick has made six features. How many have you seen?
His filmmography may jump to nine in no time. He has three movies that are supposedly done filming: Voyage of Time with narration by Brad Pitt & Emma Thompson; Knight of Cups with Christian Bale, Cate Blanchett and Natalie Portman; and something still Untitled that used to be known as Lawless with those same three actors and more. I sometimes suspect that the latter two are the same movie and the shroud of secrecy that covers the Malick Mystique has only confused and multipied it in the minds of movie websites everywhere.
Anyway, back to the now. Will you see To the Wonder despite the uncharacteristically negative reviews? And are those reviews worrisome since he's working at such an uncharacteristic Woody/Clint clip these days?
Glenn here with another look at one of my favourite bi-products of the Oscar season. They’re the nominations that we sometimes forget about (unless it’s Norbit – we all remember that one!), but which forever brand a movie as “Oscar nominated”. Sometimes they’re the result of one aspect of a film sucking up all the energy in the room, and sometimes they’re the result of a prickly film finding an appreciative consensus in one category. Oh sure, all of the films below probably deserve the sort of Oscar haul that will greet Les Mis, Lincoln, or Argo, but receiving just one makes for fun statistics and even more fun list making! Let’s count down the best films of the last 20 years to receive just one nomination* on Oscar morning, and take a look at the films of 2012 that could very well reap a similar fate in 37 days.
*We’re going to exclude films that competed only in the animated/foreign/documentary categories since the Academy assigns them a ghetto for reason.
Honourable Mentions: I couldn’t go further without mentioning Tarsem Singh’s The Cell (Best Makeup, 2000) and David Fincher’s Se7en (Best Editing, 1995) since these two audaciously constructed classics of the serial killer subgenre are such bold choices for the Academy in their respective categories. They make a particularly disturbing double feature, too. You’ll be disgusted at the world for weeks!
The Best Single Nominee Films of the Past Twenty Years
10. Monster (Lead Actress, 2003)
I’m most definitely on Team Nick Davis when it comes to this captivating portrayal of an unravelling American life. Told as if through hazy, overly orchestrated memory pieces, Patty Jenkins’ film about Aileen Wuornos arguably deserved more credit than just for Charlize Theron’s pulverising central portrayal. A makeup nomination was the least the Academy could have done.
And in 2012: Now that tsunami disaster drama The Impossible has been nixed from the visual effects category, surely its only strong shot at a nomination is for star Naomi Watts. Will the Academy recognise the desperate plight of a white woman in danger? Probably.
Nine more achievements and their possible mirrors this year are after the jump...
Hey Everyone. Amir here to preview the Toronto International Film Festival. There's less than a month to go before opening night. Those of you who follow the festival’s news regularly probably know that yesterday marked the completion of most of the festival’s strands, so we can officially start salivating all over the program book. Making a “Most Anticipated Films” list is a fool’s errand; TIFF’s lineup is so vast that the list would basically equate to everything that’s left to be screened in 2012 and then some. Titles like The Master, Anna Karenina, Argo (the latter of which I'm anticipating and dreading) and Cloud Atlas will feature on everyone’s list. There are also Cannes leftovers such as Rust & Bone, Reality, No and The Paperboy to be excited for, but I’m dedicating this list, to the pleasure of discovery which is the lifeblood of festivals.
Last year Nathaniel made a similar list of sixteen potential gems in advance of the festival. Some of those were films I would not have watched had he not suggested them, and I’m glad to say that one of them ended up not only as my top film of the festival, but the best film I saw all year. Here’s hoping we can strike gold again with any of these:
12. A Liar’s Biography/The Suicide Shop
Yes, I hate "ties" as much as you when it comes to list-making but I wanted to round things out with an animated film and couldn’t decide between them. We've got a 3D fictionalized telling of Graham Chapman’s life through the perspective of the Monty Python gang or a Patrice Leconte musical about a family who help people take their own lives. Can you blame me for the indecision ?!?
The Midnight Madness program is the one I’ve attended the least over the years, mostly because I see too many films in a day to have the energy at midnight. Yet this omnibus film seems like the perfect campy end to a festival day. Twenty-six directors from all over the world (including Ti West and Ben Wheatley) give us twenty-six alphabet inspired ways to die in a horror film.
10. Barbara
Barbara already screened at Berlinale to terrific reactions, but given that it has no Canadian distributor I’m watching. Director Christian Petzold netted a Silver Bear in Berlin and Nina Hoss, terrific in his last two films, returns to star in a third consecutive. The 80s-set story concerns a scientist forced to stay in a rural hospital as punishment by the East German government.
Isabelle Huppert, Terrence Malick, and Seven (or more) Pyschopaths after the jump.