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Entries in Charlize Theron (40)

Saturday
Jan102015

Who you gonna call? Linkbusters

Vanity Fair Melissa McCarthy and other funny ladies in talks for Ghostbusters reboot. I'm rooting for Jillian Bell myself who is mentioned. Yay.
Buzzfeed a definitive ranking of Disney Prince butts - as great as it sounds though I'd place Prince Phillip higher because my imagination works (I love that former Prince BD Wong even replied to his ranking on Twitter)
Vulture let us all worship Charlize Theron who has demanded (and been given) equal pay to her male co-star for The Huntsman. It's not like people went to the first movie for Hemsworth...Insane. Sexism by the numbers.
The Film Grapevine Birdman and the unexpected virtue of Contrivance
A Socialite Life Andrew Garfield and Emma Stone photobomb someone actually trying to take a photo of them

Slate on why Wes Anderson movies have never been popular with the Academy Awards before (presumably) now. Fairly good reasoning
MNPP Wet Hot American Summer will become a Netflix series and the original cast is all returning
RogerEbert.com on the women in Selma: the unsung heroines of the movement
THR Samuel Goldwyn Jr dies 
Theater Mania The Color Purple is coming back to Broadway (already?) with Jennifer Hudson as Shug 

Good Long Reads
IndieWire great piece on the definitions of patriotism and exceedingly pro-gun messaging of American Sniper. Please do not let this film be nominated for Best Picture. It's just not what we need right now...especially given how many people have been killed by guns lately in the States...and still no gun reform.
Grantland Wesley Morris on Selma. Love this sprawling, provocative review / thinkpiece. I've been totally appalled and confused myself at the way the media has latched on to the Lyndon B Johnson depiction but Morris makes a great point here that helps clarify, for me, the anger and nitpicking:

A quick survey of film history suggests that the depiction of racial themes in America has always been the province of white directors, whether it’s something as spectacularly diabolical as D.W. Griffith’s The Birth of a Nation or the antebellum revenge of Quentin Tarantino’s Django Unchained. These great-man movies tend to reflect the aspirations and identities of the people who make them, which is how so many stories ostensibly about black life wind up with white interpolators. DuVernay understands the fraught, imbalanced legacy a film like this pulls her into, and she’s been as fair as she needs to be. This is not a film that undermines or questions Johnson’s ultimate contributions to the improvement of black life in this country. (It very easily could have mentioned the two decades in Congress he spent opposing civil rights legislation.) Inasmuch as there are villains, they are Wallace, Hoover, and Selma’s sheriff, Jim Clark. But because this isn’t Johnson’s story, those accustomed to seeing the president as hero (or protagonist) ultimately seem dismayed by how little of the president there is here.

The bold is mine, not Morris's. People who are angry about Lyndon B Johnson's depiction really ought to look beyond the myth and think about reality. And once they do, rather than be disappointed, they should be as generous as DuVernay is who depicts him as an imperfect man who makes a great progressive decision which changes history.

Monday
Aug182014

Coming Soon? More from the Author of "Gone Girl"

On a trip to Los Angeles last year I met longtime reader Margaret de Larios who, as it turns out, turned our own Anne Marie of "A Year With Kate" fame on to the blog originally. Margaret wanted to sound off on a topic I was very intrigued by so here she is to talk about the mysteriously silent upcoming movie "Dark Places". Say hello! - Editor


In just under two months, Gone Girl will likely be taking cineplexes by storm. The movie's marketing team is not of a mind to let us forget it, slowly rolling out new posters and trailers as well as sending David Fincher out to stoke internet buzz by playing coy about a possible new ending.

But what about the other Gillian Flynn movie, Dark Places?

Because there is another Gillian Flynn movie. And a TV series in development. And a project with HBO. And an original screenplay. And two new impending novels. Gillian Flynn is about to be everywhere and I, for one, plan to welcome our new thriller overlord.  Her work is creepy and uncomfortable and gripping in the best way. It also, significantly, happens to feature a wealth of meaty, nasty female roles. This could portend some long-needed mitigation of the True Detective Problem (or the Hannibal problem or the Breaking Bad problem or the-- well, you get the gist) and be a boon to lovers of actressing everywhere... as long as we finally get to see them produced.

Gone Girl is in the bag and Flynn's every development deal makes news, so whither Dark Places with Charlize Theron? [More...]

Click to read more ...

Tuesday
Aug122014

Beauty vs Beast: All About the Blonde

JA from MNPP here. At this point it feels more than a little cliche to call Alfred Hitchcock your favorite film-maker. Tomorrow is his 115th birthday and it feels like we've spent at least double that amount of time writing about and reacting to how great, twisted, funny, pervy and technically masterful he was. Hitch is often the gateway drug, the little puff of movie marijuana that leads true cineastes on to the hard stuff.

I'll always come back to my first taste. It was the sweetest, the purest, and it still sends that shiver down my spine. I remember the first time I realized that movies, Movies, these are the thing I love, laying on my cousin's floor watching a camera sweep across across a boxy Manhattan backyard filled with windows into another world, stories in shorthand of life on top of life, all at once. It was everything. It still is everything.

So let's pay our respects by devoting this week's "Beauty vs Beast" to the man who made me interested in the ambiguities of the "good" guys and the "bad" guys in the first place, and let's do it with the movie that finally tossed Citizen Kane down the staircase.

 

You only have six days to vote this week since we're running a day behind (sorry about the delay) so get to it - bleach yourself, slide into a gray dress, wander through a redwood forest or some neon green light, do whatever it takes - just pick and make your case in the comments!

PREVIOUSLY Last week we were talking about the blonde presuasion as well - Charlize Theron and Patrick Wilson faced off again in a Young Adult redux. Wilson's Buddy might be the nice guy, willing to clean up baby burps and all that, but he never stood a chance against mean girl-woman Mavis. CMG put is succinctly:

"Mavis. Buddy is blind and seems dumb. The end."

Monday
Aug042014

Beauty vs Beast: The Monster From Mini Apple

JA from MNPP here, and I think we've got some Charlize Theron fans up in here, correct? While we ache away on our insides for Mad Max: Fury Road to get here (May seems so far away) let's give her one of her very own "Beauty vs. Beast" tributes to pass the time.

I contemplated going the Snow White route but that seemed kinda obvious so the best Charlize movie instead. Jason Retiman's 2011 too-cool-for-Oscar flick Young Adult is endlessly rewatchable... as long as you get off on cringing through your laughter and watching a wonderful actress wield her beauty like a weapon.

One that cuts both ways - watching Mavis be stripped of her beautification accoutrement (those sad silicone inserts) becomes a perverse sort of deglamming that would have made Aileen Wuornos blush. And Patrick Wilson's no slouch - he always gets taken for granted as the premiere amiable suburban object, but Buddy's a sharp portrait of a dude who's never had to give too much thought to things having a whole lot of thought smashed his way in way too short a time.

 

You have one week to cast your vote for the prom king or the prom queen and let us know why in the comments - and give Charlize your birthday wishes while you're at it!

PREVIOUSLY Even though we tried to bribe you a little bit by showing off Tom Hanks' surprisingly fabulous gams, you were having none of it on the occasion of Turner & Hooch's 25th anniversary - slobbery though he may have been it's just a general rule that you're never gonna beat an adorable doggy. Hooch bounded away with just short of 70% of the vote; said Henry:

"As a cat person, I would ordinarily choose the human......but my fourth (or was it fifth) husband was a neatnik. I'll take slobbery over Felix Ungernesseryness any day."

Tuesday
Jul012014

Say What? Mad Charlize

We asked you to add a caption or dialogue to these new stills from Mad Max: Fury Road (more here if you're interested) starring Tom Hardy , Charlize Theron and Nicholas Hoult. It's time to announce the winners who may choose the next banner theme up top

PIC 1

Pic 2

Click to read more ...

Wednesday
Jun042014

Review: A Million Ways to Die in the West

Howdy, y'all! Here's Dancin' Dan with a contrarian opinion on last weekend's 'other' new release, which was not greeted so kindly. - editor.

Seth MacFarlane's A Million Ways to Die in the West is not Ted. That much should be obvious. It does not include a talking teddy bear and takes place in the Old West. But it bears repeating: A Million Ways to Die in the West is not Ted.

Frankly, I hate even making the comparison, but I kept doing so all throughout MacFarlane's seriously funny send-up of Old Hollywood Westerns. Right from the opening moments, it's a step up from Ted's television-quality visuals: Cinematographer Michael Barrett sends us soaring through Monument Valley, site of many of the greatest Westerns ever made, and Joel McNeely concocts a perfect old-fashioned Wild West score. But what really makes the difference here is the humor. For the most part, it's less foul-mouthed than Ted, except when it comes to Sarah Silverman's prostitute Ruth, who giddily talks about all the things she does with her male clients but not with her fiancée Edward (Giovanni Ribisi).

Click to read more ...