Star Wars: Charting Queen Amidala's Style

by Cláudio Alves

You never forget your first, or so they say. In this case, it's one's first costume obsession. Mine, to be precise. It came to be in 1999 when I was five years old, and my dad took me to see Star Wars: Episode I – The Phantom Menace. Like many men of his generation, he was a fan of George Lucas's space fantasy, eager to share that love with his kid. It started with the original trilogy on VHS tapes and then came the movie event of the season. Though many hated the prequel, we two didn't share that feeling. Indeed, little Cláudio was besotted.

Sure, the lightsaber duels were memorable and the score was stirring, the CGI was out of this world and Ewan McGregor left such an impression I went as Obi-wan Kenobi to the following year's Carnival. But what most shook me was Queen Amidala, played by Natalie Portman bedecked in Trisha Biggar's costumes…

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Nathaniel's Ballot - Best Actress and Best Actor

by Nathaniel R

Natalie Portman in "May December" © Netflix

Time is up. Argh! We previously talked supporting actors, supporting actresses, and limited roles. Herewith the MOVIE STAR categories in the Film Bitch Awards. We saw surprisingly eye to eye with Oscar voters this year on the men if not quite the women. The 24 actors in this post are not, of course, the only praise-worthy performances this year. People will be angry that two of the actual Oscar nominees don't make my top dozen but I have to answer to my own opinion, else why have personal awards? What follows is a list of twelve performances each for Best Actress and Best Actor that resonated most with yours truly. Though, as per usual, Best Actress was far more competitive and five plus strong female performances were left on the cutting room floor.

After the jump the semi-finalists, finalists, and nominees in both categories...

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Almost There: Charles Melton in "May December"

by Cláudio Alves

Apologies for the delay in what was supposed to be the Almost There series' glorious return. Since the Oscars are less than one week away, let's see if I can get things back on schedule, starting with a look at one of the season's most disappointing "snubs." When May December premiered in Cannes, many singled out Charles Melton's performance, starting a narrative with great potential. Here was a Riverdale heartthrob making his way into the big leagues, proving he could go toe to toe with such awards-winning stars as Natalie Portman and Julianne Moore. Sadly, not long after a Gotham victory, Melton's campaign lost steam, victim of his film's failure to secure industry support, and he ended outside of AMPAS' Best Supporting Actor ballot…

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Hello, Gorgeous: Best Actress of 2016

A new series by Juan Carlos Ojano

This year’s group of nominees prove to be interesting with regards to their character introductions. One of them has one of the most disturbing, NSFW introductions this category has probably ever seen. Two of these films begin with a closeup of the actresses’ faces that also serve as the very first shots of their respective films. Three of the nominees are in the first scenes of their films (or four, if you count La La Land’s long take). Four of them are introduced with the key male character related to their personal journey.

All five of them are introduced in ways that strongly relate not only to how they identify themselves, but even how the people around them and their environment see them. As a group, all of the nominees’ first moments are filled with details that serve as the character's defining characteristics, even more than any other set of nominees since this series began. Are you ready?

The year is 2016. [NSFW CONTENT WARNING: Sexual violence]...

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Oscar Volley: Who's Really Safe in Best Actress?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Eurocheese and Nick Taylor to talk Best Actress . . . .

Lily Gladstone is coming on strong for KILLERS OF THE FLOWER MOON . . . .

EUROCHEESE: Hi Nick! So excited to discuss the award we all care about most here at The Film Experience - Best Actress. This year has given us a deep bench of competitors, making this feel like a category where we could see a curve ball or two.

Maybe it's best to get the obvious out of the way first - Lily Gladstone's subtle, moving work in Killers of the Flower Moon steals the film from her veteran costars, and Emma Stone's risky, inventive performance is the heart of Poor Things. I don't see the Actress field without them, and I expect one of them will most likely run away with the Oscar. Which one of them takes it? I don't think that's clear yet. I don't put any stock in LA Critics' Supporting mention for Gladstone though - these are our sure things.

NICK: Hi Euro! I’m so excited to discuss this category with you again. I remember we did the pre-nomination volley for last year’s Best Actress contenders. There were so many fun performances to talk about, and in the end I got maybe 3/5 of my predicted lineup right. This year looks similarly crowded, though who knows if another To Leslie is lying in wait . . . .

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