Hello, Gorgeous: Best Actress of 2016

A new series by Juan Carlos Ojano

This year’s group of nominees prove to be interesting with regards to their character introductions. One of them has one of the most disturbing, NSFW introductions this category has probably ever seen. Two of these films begin with a closeup of the actresses’ faces that also serve as the very first shots of their respective films. Three of the nominees are in the first scenes of their films (or four, if you count La La Land’s long take). Four of them are introduced with the key male character related to their personal journey.

All five of them are introduced in ways that strongly relate not only to how they identify themselves, but even how the people around them and their environment see them. As a group, all of the nominees’ first moments are filled with details that serve as the character's defining characteristics, even more than any other set of nominees since this series began. Are you ready?

The year is 2016. [NSFW CONTENT WARNING: Sexual violence]...

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Cannes at Home: Day 4

by Cláudio Alves

Benedetta has arrived! Going into Cannes, Paul Verhoeven's promised delirium of Baroque nunsploitation was one of the most anticipated titles in competition. As the mixed reactions pour out of the Croisette, international expectations have only increased; Unanimous praise would be disappointing for such a film. Beyond Verhoeven in the Competition lineup, Catherine Corsini also premiered her latest La Fracture. Other promising new titles outside the competition slate are Eva Husson's Mothering Sunday and Karim Aïnouz's Mariner of the Mountains. As we wait for those four gourmet prospects to be released or come to a future festival near us, we look back at these directors' past works, to find many visions of carnality, both sensual and disturbing...

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A Golden Globes Surprise

by Murtada Elfadl

The Golden Globes are always good for a surprise. Aaron Taylor Johnson winning best supporting actor for Nocturnal Animals (2016). Amy Adams winning for Big Eyes (2014) when everyone expected Emily Blunt to win because she was in a musical; Into the Woods (2014). Just last year Glenn Close winning over Lady Gaga changed the best actress race. 

But perhaps the biggest and happiest surprise was Isabelle Huppert winning best actress in a drama for Elle (2016). That year everyone thought the competition was between Emma Stone for La La Land and Natalie Portman in Jackie. And there they were in separate categories at the Globes and were each expected to win...

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Fences & Elle now on DVD and Blu-Ray

By the end of April nearly all the Oscar's favorite 2016 films will be available on Blu-Ray and DVD (La La Land is the caboose on April 25th) in case you accidentally missed any. And if you purchase them from Amazon, by clicking over from TFE we get a teensy tiny cut as an Amazon affiliate (hint hint). 

Last Week's Fresh Batch
The Eyes of My Mother - Daniel recently paid tribute to this indie horror film's award winning production design film's
Jackie - We've sung its praises plenty and interviewed Pablo Larraín, too
Moana - a favorite among the podcast team

Brand New This Week
Elle - Verhoeven and Huppert's provocative collaboration had long legs at the arthouse and we called that Oscar nomination super early. Yay
Fences - Denzel & Viola reprising their Tony winning roles in this American classic of a black family in the 1950s from August Wilson's Pittsburgh cycle. The other nine will supposedly be filmed, too, albeit for TV rather than as theatrical features. Which is a pity since Fences proved the audience is there
Collateral Beauty - I swear Chris is obsessed with this film's badness. Will it one day be a camp classic?
Passengers -Daniel looked at its Oscar nominated production design. It did look like a million dollars despite its narrative problems.

How do you think these films will age? Will you be adding any to your collection?

"Elle" Wins the César

Huppert's trophy haul from ELLE is getting crazy!This post title was originally "Elle triumphs" but that would be too emphatic a statement. Paul Verhoeven's provocative black comedy about an infamous woman who reacts strangely to a rape did win the top category, oui. But Isabelle Huppert's awards magnet fascinating star turn was its only other win in Best Actress. For the 42nd annual Césars, then, it was a spread the wealth year. Xavier Dolan's all star ensemble It's Only the End of the World, the debut feature Divines, and the acclaimed toon My Life as a Zucchini also won multiple prizes.

The winners and George Clooney's Honorary César acceptance speech are after the jump...

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