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Entries in Passengers (10)

Wednesday
Mar152017

Fences & Elle now on DVD and Blu-Ray

By the end of April nearly all the Oscar's favorite 2016 films will be available on Blu-Ray and DVD (La La Land is the caboose on April 25th) in case you accidentally missed any. And if you purchase them from Amazon, by clicking over from TFE we get a teensy tiny cut as an Amazon affiliate (hint hint). 

Last Week's Fresh Batch
The Eyes of My Mother - Daniel recently paid tribute to this indie horror film's award winning production design film's
Jackie - We've sung its praises plenty and interviewed Pablo Larraín, too
Moana - a favorite among the podcast team

Brand New This Week
Elle - Verhoeven and Huppert's provocative collaboration had long legs at the arthouse and we called that Oscar nomination super early. Yay
Fences - Denzel & Viola reprising their Tony winning roles in this American classic of a black family in the 1950s from August Wilson's Pittsburgh cycle. The other nine will supposedly be filmed, too, albeit for TV rather than as theatrical features. Which is a pity since Fences proved the audience is there
Collateral Beauty - I swear Chris is obsessed with this film's badness. Will it one day be a camp classic?
Passengers -Daniel looked at its Oscar nominated production design. It did look like a million dollars despite its narrative problems.

How do you think these films will age? Will you be adding any to your collection?

Monday
Feb132017

The Furniture: Lost in Space and Time with "Passengers" and "Arrival"

"The Furniture" is our weekly series on Production Design. This is the second of two columns discussing this year's Oscar nominees. Here's Daniel Walber...

On the surface, Arrival and Passengers appear to be the most similar of this year’s Best Production Design nominees. They’re both science fiction films set in the near future. Yet the similarities end there. Passengers is set entirely on an extravagant, colorful spaceship. Arrival splits its scenes between the interior of a minimalist UFO and densely packed military tents.

There is also one more essential difference...

Click to read more ...

Wednesday
Jan252017

Two silly questions about dressing up and playing house with the Oscar contenders

Okay, one final round of question for Team Experience about the Oscar nominations. We've talked about people who didn't make the list and the nominations that delighted us. Now, two burning questions inspired by the Production Design and Costume nominations.

Which production design nominated picture would you most want to live inside?

GLENN: Hail, Caesar!, but only if Tilda Swinton and I find ourselves running around movie studio backlots set to a zippy orchestral soundtrack. I might just sneakily pop into Passengers' robot bar for a drink when we're done.

DAVID: The moment I saw the ridiculously giant Ingrid Bergman wall in La La Land is the moment I knew that film was definitely on my wavelength...

Click to read more ...

Thursday
Jan052017

Art Director's Guild Nominations

The Art Director's Guild can give us a taste of what's to come for Oscar but that's the reductive way of looking at it. By having multiple categories they give us a much better sense of what these craftsmen thought of the work done in any given film year... or at least told us which screeners they caught up with. Instead of 5 annual nominees like the Oscars, they have 15. Or in this year's case 16 titles (there was a tie in "period film").

MIDNIGHT IN PARIS won a surprise Academy nomination for Production Design (without an ADG nomination). Might CAFE SOCIETY (which *has* an ADG nomination) make the Oscar list despite a current low profile?

Which will go on to Oscar? (I'll have to rethink our chart which has four films which didn't score with the ADG in the top ten though one of them, The Handmaiden, still feels possible as a nomination since foreign films don't generally show up at guild awards before their Oscar nods) Oscar eventual lineup is remarkably similar from year to year in terms of how it pulls from the ADG nominations. For example, here is this decade thus far: 

2015: Oscar chose 3 from ADG's period pieces, 1 each from their contemporary and fantasy selections
2014: Oscar chose 2 from ADG's period pieces, 2 film from fantasy, none from contemporary. They filled the remaining spot with a film ADG had not selected (Mr Turner)
2013: Oscar chose 3 from ADG's period pieces, 1 each from their contemporary and fantasy selections
2012: Oscar chose 3 from ADG's period pieces, 2 from fantasy, none from contemporary.
2011: Oscar chose 2 from ADG's period pieces, 1 from fantasy, none from contemporary, and 2 films the ADG had not selected (Midnight in Paris & War Horse)
2010: Oscar chose 2 from ADG's period pieces, 3 from fantasy, none from contemporary.

The safest bet is that they'll do the same as usual this year with a 3,1,1 split for ADG's Period, Fantasy, and Contemporary fields. All the nominations are after the jump...

Click to read more ...

Tuesday
Dec272016

Cinematic Shame... with a "Stay Positive!" Twist

Year in Review. Every day a new wrap-up. Tonight, the "worst" of the year... 

Since we are absolutely determined to make 2017 the greatest year it could possibly be despite oppressive circumstances, let this post serve as last call for excessive negativity. Get it all out of your system in the comments, mkay? We'll also put a positive spin on these dubious "awards" for ungreat things at the movie theaters this year... 

WORST OPENING SCENE(S)
Hacksaw Ridge begins with such overworked hokey cartoonish Americana and Andrew Garfield plays his eventual pacifist hero as such a Forrest Gump style village idiot that it's something of a miracle that the movie becomes a surprisingly watchable war drama thereafter.

Even Garfield manages to turn his initially quite awful (sorry) performance around in the final hour of the film. I personally haven't seen a decent / good movie start so much like it was a terrible movie since Juno, have you?

WORST MIDDLE
Suicide Squad is so inept that it never gets past character introductions. Criticisms that it was just a movie trailer with a real movie running time proved to have deadlier aim than Will Smith's Deadshot.

Best Acting in Bad Movies, and other "Honors" after the jump.... 

Click to read more ...

Saturday
Dec172016

Tweetweek: Nick in New Zealand, Amy in OscarLand and More...

Before you click ahead to see this week's collection of tweeted amusements, take a moment to appreciate the perfection of this visual postcard from our podcast mate Nick Davis. He's on vacation in New Zealand doing Holly doing The Piano on THE beach where it happened. His all time favorite film so I mean. It couldn't be more perfect, except that he neglected to contact Janet Patterson about a hoop skirt. After the jump Babs, Florence Foster Jenkins, Passengers, Jackie, Natalie Portman and more...

Click to read more ...

Friday
Dec162016

Oscar's Visual Effects Race, Round Two

The Academy has spoken and they've axed half of the semi-finalist for visual effects so we're down to just 10 films competing for the five nominations. It's the only bad news Deadpool has received all week after great showings at the Globe and Critics Choice and the only good news Passengers has gotten considering its excoriating reviews. The list is now like so...

But nothing has changed really since this race is surely a battle to the finish between Doctor Strange and The Jungle Book. One assumes the disturbing CGI humans in Rogue One won't help it win.