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Entries in Pedro Almodóvar (64)

Sunday
May282017

Cannes Awards & Closing Ceremony

We've reached la fin.

The 70th annual Cannes Film Festival opened 11 days ago and today the jurors and a smattering of the leading lights of this year's edition of the prestigious festival are walking the red carpet one last time in the South of France to name the winners of the Palme d'Or, Best Actress, Camera d'Or (for new directors) and more. If you've fallen behind in Cannes-watching, here's our surely inaccurate predictions to one of the world's most unpredictable awards, the first round of awardage including the Palme Dog, reasons to be excited about the Queer Palme winner and of course a few rounds of fashion (with one massive fashiongasm to follow).

Opening ceremony highlights, Oscar hints, and a winners list after the jump...

Click to read more ...

Thursday
May252017

Tweetweek: Alien Riffs, Huppert Meme, and Cannes Mania

Tweet of the Week...

Get it? Oh reader, I LOL'ed and LOL'ed. Cannes fun follows after the jump but first some non-Cannes thoughts and amusements featuring Twin Peaks, Rooney Mara, Reservoir Dogs and more... 

Click to read more ...

Wednesday
May172017

Cannes Day 1: The Netflix Battle and "Ishmael's Ghost"

by Nathaniel R

Maren Ade, Will Smith, Agnes Jaoui, and Pedro Almodóvar at the Jury Press Conference today

Though we aren't in the South of France we'll try to keep an eye on the proceedings across the pond there these next two weeks. If you're relatively new to movie obsessing (We keep hoping more young people will tune in to TFE. We used to attract baby cinephiles... not sure where they congregate now!) Vox has a terrific heavily expository overview of why Cannes is so important, how to pronounce it ("can" not "cans" or "cahn"), why so many famous people go, why everyone is so dressed up, and some other myths and mysteries that surround the festival.

Jury Press Conference & the Netflix Divide
Because juicy click-bait headlines drive traffic most websites are framing the Jury Press Conference as a bloody war between the president Pedro Almodóvar and his most famous juror Will Smith. They may well eventually come to artistic blows in jury deliberations (who knows) but this is already grossly overstated. They merely have different feelings about Netflix, a famous "disruptor" as a company. Will Smith is very pro Netflix (basically because he has kids who like it). Almodóvar is very pro theatrical exhibition, because you know, he's a filmmaker who cares about movies. That's about the extent of the "war"...

Click to read more ...

Tuesday
May162017

Here it comes...

The 70th annual Cannes Film Festival begins in just one day -- the official website even has a countdown clock which says 1: 3:56:0 as I publish this-- with Pedro Almodóvar presiding over the jury and Nicole Kidman starring in not one, not two, not three, but four debuting projects. One a scale of 1-100 how much do you wish your were flying to the south of France right about now?

Monday
May152017

Pedro Party: What Have I Done To Deserve This? & Volver

It's a Pedro Party. We're celebrating Almodóvar each day as we count down to Cannes 2017. Here's Daniel Crooke.

Women hold the universe together according to the peacock-feathered films of Pedro Almodóvar, and never more earthily or elegant than in his mirrored portraits of multitasking matriarchs putting out the fires of the men around them: 1984’s What Have I Done To Deserve This? and 2006’s Volver. Both domestic dramas with a hint of the supernatural, they showcase a pair of imperfect pragmatists – respectively, Gloria (Carmen Maura) and Raimunda (Penelope Cruz) – caught in the crucible of their everyday lives with no signs of slowing down, spinning an interminable amount of plates only to wash them straight after so they can serve their families dinner on time. While their inattentive lazybones husbands bark orders from the couch and fail to see the strength beyond their busts – no matter, as they’ll soon both be dead– Gloria and Raimunda are the breadwinners, juggling odd jobs and managing the affairs of family and friends to simply keep the lights on.

Strikingly feminist with an emphasis on the superhuman virtues of intergenerational sisterhood, What Have I Done To Deserve This? and Volver display two working women hustling on the verge with no time for a nervous breakdown...

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Monday
May152017

The Furniture: Decorating Obsession in "The Skin I Live In"

It's a Pedro Party! Our Almodóvar week is extending a couple of days. You can click on the images from this production design feature to see them in magnified detail. Here's Daniel Walber...

El Cigarral is a mysterious, hidden estate that lurks on the outskirts of Toledo, Spain. Its gates are perpetually locked and its secrets are not easily pried loose. Its owner, Robert Ledgard (Antonio Banderas), keeps the outside world at a distance.

That said, more people manage to break in than he might like. It’s inevitable, at least in movies like these. Almodovar’s The Skin I Live In is part of a long tradition that winds its way from The Island of Lost Souls through Eyes Without a Face. And this house, which seems to be accessible only under cover of night or in disguise, is among the most dramatically conceived in the entire genre...

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