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Entries in Pedro Almodóvar (108)

Thursday
Aug252022

I'll Link to That

TODAY'S MUST READ Self-Styled Siren debunks myths surrounding John Wayne and Sacheen Littlefeather at the Oscars in March '73. Really interesting piece as it shows you how press and stars speak about charged incidents, how incredible stories get started, how they change over time, and how often they're accepted as gospel once enough time has gone by. (P.S. Personally speaking I have always disliked John Wayne but even so, I have had trouble believing this story)

More after the jump including a biography of an Almodóvar regular, funeral screenings for Batgirl, the cult of A24, Black Panther toys, and a couple of remakes. Question: why does the entire internet call all remakes (and even some sequels) reboots now? The three separate words actually do mean three separate things... 

Click to read more ...

Friday
Jul012022

Linking up that hill

Criterion Renate Reinsve (Worst Person in the World) demonstrates marvelous taste while inside the Criterion Closet
Boy Culture their delicious annual recap of Broadway Bares (lots of photos and video)
MNPP Pedro Almodóvar is making another short (after that Tilda-starring The Human Voice). This one a gay western starring Ethan Hawke and Pedro Pascal. Can't wait!

More after the jump including Dakota Johnson, The Lovely Laura Linney, Kate Bush, a new film from Andrew Haigh, and a reinvention of James Bond...

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Wednesday
Apr062022

I'll Link to That: Pedro, Liza, 'The Northman', and Anthony Bridgerton

The Guardian ranks Liza Minnelli's 20 best films. You can quibble with the order but there's so much good stuff in here; very happy to see the wildly underrated Lucky Lady make it all the way to #7
IndieWire looks at the first take reactions to The Northman (which are wildly positive as first take reactions tend to be) 
AfterEllen here's something a bit unexpected. Pioneering lesbian rockstar Melissa Etheridge has released a graphic novel AND announced a week-long event in Mexico called Etheridge Island which is aimed where she and Ani DiFranco and other artists will perform

Upcoming music biopics, You Won't Be Alone, Killing Eve, Bridgerton, Pedro Almodóvar, Mad God, and more after the jump ...

Click to read more ...

Thursday
Feb032022

Oscar Volley: Those DGA Nominees (and more) in Best Director

Our Oscar Volleys series is down to our last two categories. Here are Tim Brayton and Eric Blume to talk Best Director. (This volley was recorded before the BAFTA announcement but since those nominations are juried they probably won't have much bearing on Oscar outcomes.)

Eric Blume:  Tim, I'm thrilled to talk shop about the Best Director category. Let's start with Jane Campion, Denis Villeneuve, and Kenneth Branagh who all seem unlikely to miss.  I'm personally thrilled that Campion might ride her crest all the way to a win. Nobody else could have made The Power of the Dog work so layered and subtle, or told that story without it seeming heavy-handed, obvious, or silly. The film gives Campion the chance to do her specialty: embroiling us in a narrative and in character motivations so intensely strange yet fully human that we're transported by our own confusion and curiosity.  She has that special ability to deliver a rare grounded sense of whatthefuckery in her movies. There are moments where so much is happening psychologically, where so many meanings are transpiring simultaneously, that you can't even fully process it until it's passed you by.

I'm also a huge fan of Villeneuve, a natural-born filmmaker if there ever was one...

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Wednesday
Feb022022

Oscar Volley: Who knew that Best Original Screenplay would so divide us?

Our Oscar Volleys continue with  Eric Blume, Baby Clyde, and Gabriel Mayora with surprising confessions, hot takes, and unexpected sentiment.

Eric Blume:  I suspect we have three locks for nominations in this category: Paul Thomas Anderson for Licorice Pizza, Kenneth Branagh for Belfast, and Adam McKay for Don't Look Up!  I am a colossal fan of PTA, but it makes me sad to think he could finally win his Oscar for one of his weaker pictures.  I am mystified by the rave reaction to Licorice Pizza, which is wonderful in patches, but the screenplay is so meandering and fails to culminate in anything dramatically. Plus, it's a genre we've seen hundreds of times. PTA is able to bring his directorial dazzle to it, but as a script, it's severely undercooked.  I do think Don't Look Up! has a magnificent setup for a comedy, but the jokes are flabby and tepid, and it's not exactly razor sharp in terms of structure or dialogue.  The script just kind of lays there.  Of the three, I think Branagh's script is the strongest: it indeed does culminate in something dramatically, plus it's tight and contained, and captures the Irish humor dead-on. 

Belfast is no masterpiece, but it feels true, has some vivid characterizations, and Branagh finds a good balance between how the personal and political flow over each other.  What are your feelings on these three contenders?

Baby Clyde: I disliked Licorice Pizza immensely...

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