SAG Awards - a brisk bellwether for Oscar night

by Nathaniel R

Did you watch the SAG Awards last night? Apart from one surprising win on the television side (an inebriated, honest Pedro Pascal for The Last of Us) it was a night of frontrunners, continuing to run so far front that their competitors are all well out of focus. Honestly at this point, all the suspense of Oscar season has entirely dissipated (but we'll get to that soon). Given the lack of interesting narrative curlicues and detours and the same faces delivering the same kinds of speeches, the highlight for yours truly was in the presenters.

The grandest entertainment came in the form of a fashionable reunion for the stars of The Devil Wears Prada...

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Hello, Gorgeous: Best Actress of 2016

A new series by Juan Carlos Ojano

This year’s group of nominees prove to be interesting with regards to their character introductions. One of them has one of the most disturbing, NSFW introductions this category has probably ever seen. Two of these films begin with a closeup of the actresses’ faces that also serve as the very first shots of their respective films. Three of the nominees are in the first scenes of their films (or four, if you count La La Land’s long take). Four of them are introduced with the key male character related to their personal journey.

All five of them are introduced in ways that strongly relate not only to how they identify themselves, but even how the people around them and their environment see them. As a group, all of the nominees’ first moments are filled with details that serve as the character's defining characteristics, even more than any other set of nominees since this series began. Are you ready?

The year is 2016. [NSFW CONTENT WARNING: Sexual violence]...

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Hello, Gorgeous: Best Actress of 2017

A new series by Juan Carlos Ojano

This year’s slate of nominees showcase five performers strategically placed within the vision of their respective films right from their introductions. Whether introduced in a scene with actual spatial detail that immediately relates to the core of their characters or configured within the film’s style and tone in a more general sense, none of our first glimpses of them are deficient in meaning and purpose. It is probably not a coincidence that most of these performances appear in Best Picture nominees (and the one that didn’t probably came close too), a rarity in the Best Actress category.

Are you ready? The year is 2017...

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Grammy Nominations: Taylor, SZA, Meryl Streep (!), and "Barbie"

by Nathaniel R

The Grammys are not a focus here at TFE (pick your lane!) but we do like to sound off at least a bit when the nominations are announced. Our primary excuse is that there are some categories that overlap with the acting arts (film, tv, stage). But before we get to those a quick look at the big four categories. The nominees for the top prizes at the 66th Grammys are...

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Almost There: Emily Blunt in "The Devil Wears Prada"

by Cláudio Alves

After over 100 write-ups about performers that came close to Oscar glory but failed to secure a nomination, it's time to discuss Emily Blunt in the Almost There series. Perpetually snubbed, the English actress has been part of the awards conversation since the mid-00s, but the Academy refuses to pay her any attention to this day. Even when her projects are otherwise embraced, Blunt's name is never there on Oscar nomination morning. Though this is her first time in this series, it's certainly not her last. There were at least five other occasions when she was in serious contention for Hollywood's most coveted trophy– going as far as winning the SAG and nabbing nods for all the important precursors. Since there's no better place to start than the beginning, let's delve into Blunt's first brush with Oscar buzz.

Back in 2006, The Devil Wears Prada was a smash hit with audiences and critics alike. Playing a character with her first name, Emily Blunt proved herself a comedic scene-stealer. And just like that, a star was born…

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