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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Entries in Sandra Bullock (41)


The Best Part of That 'Our Brand Is Crisis' Trailer

Glenn here, asking if you have watched the trailer for Our Brand is Crisis? It's the new Sandra Bullock movie that was meant to be the new George Clooney movie that, somewhat infamously, came to be after the gender was flipped on the lead character. Bullock plays a political strategist who gets hired to spearhead the campaign of a contender in the 2002 Bolivian government elections and finds herself battling against both rival Billy Bob Thornton and the native language. What a predicament!

The film is based on a 2005 documentary of the same name and is directed by David Gordon Green who, let's be honest, is peculiar. His whole career is made up of peculiar choices so we'll go with it for now.

The trailer is... interesting. It certainly presents as being in the same vein as Argo, a movie that is quite largely name-checked, albeit perhaps a bit more overtly comedic in tone. It's also got more than a hint of the "nice white lady" routine that made Bullock's 2009 Oscar-winning vehicle The Blind Side such a lightning rod. It is great to see the likes of Anthony Mackie and Ann Dowd with such (apparently) prominent roles, although I would have preferred more than just a passing glance of my beloved Scoot McNairy (he's there at the one-minute mark).

Consider this another BYOYNMS (remember, we introduced that new blog acronym last week) and pipe up in the comments about what you think.

I did, however, want to make mention of what is clearly the best moment in the trailer. It comes right at the start and actually made me scream with glee. Can you pick it by watching the trailer?

Why yes, they have used an old screenshot of The Net to represent Bullock's character in the '90s as a whiz! The Net! The 1995 Irwin Winkler-directed cyberspace thriller starring Sandra Bullock that is, just quietly, one of the most pleasurable of guilty pleasures. Mozart's Ghost, man! Pi! Praetorian! Mainframes and the world wibe web! I'd recognize that shot of Bullock frantically reaching for her floppy disc as she hacks anywhere.

How deliciously ridiculous. We should all see Our Brand is Crisis just because they were inspired enough to include that in the trailer.


Best Actress Fall Film Calendar

Manuel here to help you sort out your actressexual film calendar with some key release dates. The following list is prompted by the news that Sandra Bullock’s political drama, Our Brand is Crisis is set for an October release date. Based on the 2005 documentary of the same name, the film was written by Peter Straughan (Tinker Tailor Soldier Spy) and was directed by David Gordon Green and features TFE favorite Ann Dowd in the all star ensemble.

With that, our growing list of “Fall films featuring a recent Best Actress Oscar winner that might find their way into awards season” ballooned to an even twelve and well, it's time to share. Yes, some of these will be longshots (word is not good on Dark Places, though hopefully some critics and voters remember Charlize's work in Mad Max Fury Road) but it’s exhilarating to see so many juicy and high profile actress-centered projects coming our way!

In chronological order after the jump... 

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Top Ten: Oscar at the Oscars

"Fashion is about dressing according to what's fashionable. Style is more about being yourself."
- Oscar de la Renta

here. Legendary designer Oscar de la Renta passed away yesterday at the age of 82. In a career that spanned decades, he became a champion for the curvy female shape, similar to those he had seen growing up in Santo Domingo, Dominican Republic. In what can only be described as an Almodóvar-ian experience, he spoke many times of how he grew up in a matriarchy, "I was surrounded by sisters. My childhood was all women", all of whom helped inspire him as he seeked a career in design under the wing of Spanish icon Cristóbal Balenciaga. By the mid-60's, de la Renta had become a favorite of Jackie O. and as his fashion empire grew, it became known for its devotion to old-style glamour. As gowns became narrower and more modest, de la Renta's remained opulent. It's no wonder he was always a fixture during awards season. Many actresses wore his curve-hugging, Spanish-influenced designs throughout the years, and recently he gave us some truly memorable moments at the Academy Awards, which is why to celebrate his work, we are doing the Ten Best Oscar de la Renta looks at the Oscars.

See the glamorous looks after the jump!

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Gone for a Swim




Sandra at the Top

Yesterday Forbes published their annual list of the top-grossing actresses of the year. They figure in gross earnings and endorsement deals and everything. The list is as follows: 10. Kristen Stewart 9. Natalie Portman 8. Amy Adams 7. Scarlett Johansson 6. Cameron Diaz 5. Angelina Jolie 4. Gwyneth Paltrow 3. Jennifer Aniston 2. Jennifer Lawrence 1. Sandra Bullock. So here's Matthew Eng chasing our very tiny recent Sandra fest with this climactic love letter. - Nathaniel

Sandra at the Spike Awards this summer with two of her most important co-stars Hugh Grant and Keanu Reeves

I don’t particularly get people who don’t like Sandra Bullock.

Yes, the 82nd Best Actress statuette deserves to be sitting comfortably somewhere on Gabourey Sidibe’s mantelpiece and yes, The Blind Side is a pretty foul piece of limo-liberal fabling. Yes, she is a performer of some obvious limitations that are strikingly evident in even her strongest comedic performances. And yes, she has given us All About Steve and The Proposal and the Miss Congenialitys and Two Weeks Notice and all those other “duds” we love to roll our eyes at in public almost as much as we love to sheepishly watch them in private whenever they pop up on FX or Lifetime or HBO.

I’m more than happy to make couch potato time for Two Weeks Notice, a funny/frisky valentine to New York that’s patently flawed but genuinely sentimental, and even The Proposal, a ridiculous container of rom-com contrivances that would make Kate Hudson cringe, but which has plenty of good moments to spare. No, I haven’t yet laid an eye on All About Steve, which is likely for the better, but I do own While You Were Sleeping and Miss Congeniality, and I’ve sat through the latter’s sequel, um, three, maybe four times.

Why am I glued to these movies when I still have so many unseen Bergmans? [more...]

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Tim's Toons: The voice of Sandra Bullock

Tim here. The mission statement of this column is “something to do with animation” (I suck at writing mission statements), which would seemingly preclude me from taking part in Celebrating Sandra Week here at the Film Experience.

But wait! As it turns out, there was exactly one time that Sandra Bullock voiced an animated character, in 1998’s The Prince of Egypt (as opposed to Gravity, where she was the only thing onscreen that wasn’t animated).

An adaptation of the Biblical story of Exodus, this was only the second film ever released by DreamWorks Animation (after 16 years, it remains one of their best). It was also the second DreamWorks film to favor a voice cast chosen for marquee value over skills in voice acting, building on a tradition that the studio would proudly continue for the rest of its existence. And in this case, it continues the longstanding Hollywood habit of populating stories from Hebraic scripture almost exclusive with non-Jews: Jeff Goldblum is the sole Jewish lead in a film whose voice cast includes Val Kilmer, Michelle Pfeiffer, Patrick Stewart, and Ralph Fiennes (the latter two aren’t playing ancient Hebrews, at least), alongside Bullock, one of the most famous subjects of the “Is she Jewish? I guess not” game of all time.

More to the point, that list of people includes nobody other than Stewart and Goldblum whose voice is so obviously distinctive that they’d necessarily make sense to put into an animated movie, but that’s DreamWorks for you. Among such company, Bullock doesn’t stand out as particularly grating or out-of-place (apologies to Nathaniel, but Pfeiffer pretty effortlessly takes Worst in Show, as far as that goes). In fact, watching the film for the first time with a particular ear for Bullock’s work, I’d go so far as to call her one of thebest members of the cast. Compared to Kilmer’s generic mid-Americanisms in the lead role, it doesn’t take all that much for anybody to stand out in the cast, of course, but Bullock is especially noteworthy in that she has the exact same liability as Kilmer – a voice carefully trained to sound like it comes from absolutely nowhere in particular, but probably Ohio-ish – and still manages to shade her line readings just enough to suggest a kind of formal pre-modern attitude, something that none of the other Americans in the cast ever really manage.

That being said, she has hardly any time to make an impression, with a role whose brevity is matched only by Helen Mirren’s (so, not an actressexual-friendly movie, basically). Bullock’s own unenthusiastic description from the officially sanctioned making-of featurette of 1998 is that her character, Moses’s biological sister Miram, “is sort of the believer, the one who holds on to the faith… She helps her brother cross over, and see where he came from.” And if that sounds like a stock character who gets nothing interesting to do, that’s because it’s exactly what she is (she’s also the lead singer of the Oscar-nominated song “When You Believe”, but Bullock didn’t do her own singing).

Still, she puts some heart into it, and a lot of earnestness, and it’s enough to put the character over as a real personality, even if she’s a bit one-note in her “Moses! Are you gonna lead the chosen people yet?” characterization.

It’s more then Goldblum doing Goldblum in ancient Egypt can claim. It’s a lot more than Martin Short and Steve Martin doing nothing at all but cashing checks can claim. The problem with the DreamWorks casting trend (that has since infected virtually all animated filmmaking in America, not just that studio) is that movie stars typically look more interesting than they sound, as true for the bulk of The Prince of Egypt as anything in the Shreks or the abysmal casting of Brad Pitt as the white-breadiest Sinbad in film history. And by all rights, it should apply to Bullock as much as anybody; but she pushes herself just enough to make sure that doesn’t happen. It’s a largely unimaginative performance of a role that means only a little bit to the movie as a whole, but she manages to make a real impression, and given what she was working with, that’s a real, if small triumph.

more Sandra | more from Tim


Sandra and The Kiss

We're celebrating Sandra Bullock as she hits 50. Here's Matthew Eng on her most infamous awards show moment - Editor 

I'm not sure why exactly the Critics' Choice Movie Awards need to exist, except as another obvious precursor ceremony for glorified Oscar season star-baiting with ridiculous genre-segregated acting categories (so glad we all got to rightfully recognize Evangeline Lilly in The Hobbit as a nominee for Best Actress in an Action Movie!) and a prime airtime on the CW, and whose only (only!) difference from the Teen Choice Awards is that the former hands out actual trophies, whereas the latter gives out surfboards.

That being said, I remain eternally grateful to this over-bloated awards pageant for providing us with perhaps the single greatest, or at least most-rewatchable moment of the 2009 Oscar season five years back: the Meryl-Sandra kiss...

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