Entries in American Hustle (33)
The MTV Movie Award Nominations arrive hot on the heels of the Oscar ceremony. This awards show happens on April 13th. MTV, even moreso than the Globes is all about nominating big stars they think we'll give them ratings even if they stick out like sore thumbs in their category. That's why I have to admit shock that 12 Years a Slave shows up repeatedly in their nominations.
I thought it far too sober, artistic, and adult for the awards show that kept holding the Twilight franchise up as some kind of pinnacle of filmmaking. It's hard to consider them being nominated for the same prize, much less existing in the same universe. Gravity, which weirdly isn't up for "Movie of the Year" would have been a far more MTV like choice. Honestly I can't figure it.
In some way this is a bit more like the MTV Movie Awards of yore which would give prizes to Wes Anderson before he even had a fanbase to speak of. But maybe it's all merely a happy accident that two of the most Oscar nominated movies of the year (American Hustle, Wolf of Wall Street) are also "fun" and so MTV responds in kind.
MOVIE OF THE YEAR
• “12 Years a Slave” (Fox Searchlight Pictures)
• “American Hustle” (Columbia Pictures)
• “The Hobbit: The Desolation of Smaug” (Warner Bros. Pictures)
• “The Hunger Games: Catching Fire” (Lionsgate)
• “The Wolf of Wall Street” (Paramount Pictures)
Hello, lovelies. Beau here, gone for far too long, with something that I've been racking my brain over for the better part of two months.
Much has already been said about American Hustle, on this site and throughout the internet in general, and the film has taken on a kind of love-it-or-hate-it reputation that makes it seem even more controversial than Scorsese's touted lightning rod, The Wolf of Wall Street. Whereas that film is richly deserving of its many dissenting opinions, the criticisms being levied at Hustle tend to direct themselves at its lightness, so to speak. A puff pastry strutting about in sequins. Indeed, the general consensus for a long period of time was that the film was too light to be considered a threat for the Oscar for Best Picture. Its themes of survival are dwarfed by Gravity, a film where said theme is made literal and considerable. Themes of deception are dwarfed by the hedonists of Wolf of Wall Street. Jennifer Lawrence's show-stopping performance in particular has become a source of contention, with mentions of miscasting, ageism, an inconsistent accent all to blame.
And while I have my own reservations about the film, there has been one particular element of the picture that's been thrashing about in my head, one performance that I can't seem to lay my finger on entirely. It evades me, like a crook whose face I know and can identify, but who always seems just out of my grasp. [More...]
I sent Anne Marie to the FIDM Museum to check out this year's costume design exhibit. Here's her report. (I'm seething with jealousy right now!) -Nathaniel
The advantage to being a cinephile in Los Angeles is that there’s a wealth of Oscars-related activities around this time to check out. Costume lovers, rejoice! The Fashion Institute of Design & Merchandising Museum has launched the 22nd Annual Art Of Motion Picture Costume Design. Here are 7 things you’ll see if you get a chance to go:
1) Sydney’s physics-defying gown from American Hustle - Which is, upon closer inspection, almost see-through. Kudos to Amy Adams and Michael Wilkinson (Oscar-nominated) for pulling off Sydney’s daring looks, which seem all the more daunting to flaunt in person. (There just must have been so much boob-tape.) It's impossible to tell the period pieces from the original creations, which is more than can be said for...
2) Jay Gatsby’s surprisingly striking pink suit - Away from the noisy CGI of Baz Lurhman’s anachronistic adaptation, I was shocked to realize that this suit is dapper as hell. The color is absolutely beautiful, not the alternately washed-out-or-bubblegum pink it had seemed to be in the film. DiCaprio should ask Catherine Martin (nominated for The Great Gatsby) to design his Oscars tux, because otherwise I guarantee he won’t look nearly so good.
JA from MNPP here with this week's edition of everybody's new favorite fun-time activity Beauty Vs. Beast, wherein we pit a movie's good and bad guys against each other in a death-match of public opinion. First things first let us congratulate the winner of last week's inaugural poll - Rebecca's diabolical Mrs. Danvers pretty much shoved The Second Mrs. de Winter right out the window at the starting line and never looked back. We do love our maleficently repressed domestics. Viva Team Danvers!
And so on to this week's face off. I don't know if you guys are aware of this, but the Academy Awards are coming up in less than two weeks. Did you know that? I know! It's nutso bonkers. So in the spirit of the season let's do some Oscar-themed showdowns til then. And what better place to start than with the cinematic ode to financial slash follicle excess which translated into similar nomination generosity - David O. Russell's American Hustle, which really when you come down to it is just a series of show-downs itself between actors being looney-tunes all up on each other. And with that spark of gladatorial excess let's make this week a two-fer, lads versus ladies style.
You've got one week to vote, and we'll be back with the winners and a brand new round next Monday! And please do make your cases for these folks in the comments...
Have you voted on the polls yet? I feel like you haven't voted on the polls yet. Supporting Actress and Supporting Actor, in particular, have been bereft of your attention. While you're there check out the new "how'd they get nominated?" analysis on both of those categories
Did "Katniss" help Jennifer Lawrence win a nomination for "Rosalyn" and how much did "Plunging Necklines" factor into each of the American Hustle nominations? The percentages are cooked up in my very own science oven. They're 100% accurate!
16 Days - Irene Sharaff's 16 nominations
17 Days - Looking back at The English Patient, Sal Mineo... and 1917?
18 Days - Meryl Streep's 18th nomination
19 Days - Julianne Moore's awards history
20 Days - Flashback '93 Oscars: Age of Innocence, Farewell My Concubine, The Piano
21 Days - What's your favorite Billy Wilder?
The Ace Eddie Award is given by Hollywood's film editor's guild. It was a very good year for music, since three of the big winners (20 Feet From Stardom, Frozen, and Behind the Candelabra) are musicals or in bed with the genre somehow. But that's not the big story.
The big surprise has to be the win for Captain Phillips which was up against both Gravity and 12 Years A Slave, the two presumed frontrunners for the Best Picture Oscar. What a tight race this year is bringing us and BEST EDITING, when it's announced on Oscar night, will not tell us who's winning Best Picture. It's oft repeated that it's nearly impossible to win Best Picture without an Editing nomination. But it's VERY possible to lose Editing and still win Best Picture. In fact, nearly half of modern Best Pictures do lose that statue...