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The Film Experience™ was created by Nathaniel R. "Like it" on facebook!

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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FOXCATCHER & GONE GIRL teasers...

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Entries in Oscars (13) (313)

Tuesday
Apr082014

"Poor Ivy”: August: Osage County’s Underappreciated MVP

Here's Andrew to celebrate the release of last year's embattled August: Osage County newly arrived on DVD. Significant spoilers ahead.

Each year there's at least one film which wins middling to good reviews and manages Oscar nods but is promptly forgotten as soon as it's released. August: Osage County was 2013's victim of that unfortunate annual tradition. Sure, it earned those two acting nominations it seemed assured early on but no one was particularly interested in talking about any aspect of August: Osage County, but for its Oscar belly-flop elsewhere and the Oscar queen at the centre. Perhaps, it was an automated response to Meryl Streep usually being at the centre of films with little else to offer than her star turn (The Iron Lady, Julie & Julia, Music of the Heart, etcetera). It's a shame because the former awards’ hopeful had so much more to celebrate than just the fire-breathing matriarch in the middle.

The strongest asset was undoubtedly that excellent cast. Aside from Streep and Roberts, only a few players picked up significant praise and even then the one most deserving was the one afforded hardly any attention: Julianne Nicholson as middle-child Ivy.

Click to read more ...

Thursday
Apr032014

DVD Review: The Great Beauty

Tim here. The recent release of Paolo Sorrentino’s The Great Beauty on a DVD/Blu-Ray combo from the Criterion Collection means that most of us in North American finally have our first decent chance to see the most recent winner of the Best Foreign Language Film Oscar. And by “decent chance”, I mean two things: one is that if you live outside of any of the usual big urban centers that get little foreign releases, The Great Beauty hasn’t been remotely near your home before now. The other is that even if you live in one of those places, The Great Beauty isn’t likely to have played in any of the best & shiniest multiplexes, but in the dogged little art theaters that don’t have the money to do much besides show movies in a more or less tolerable environment. Where I live in Chicago, for example, the film played in the biggest art house that’s long on well-preserved atmosphere from the golden age of movie theaters, and which boasts just about the crappiest projection and tinniest speakers of any commercial venue.

That’s no way at all to see a movie as heavily invested in surface-level appeal as The Great Beauty, so that’s one cause for celebration all by itself. Now we have a chance to see Luca Bigazzi’s cinematography in crisp, retina-searing high definition, allowing all the rich, lurid colors of the production design and costume to glow right off the screen.

Click to read more ...

Tuesday
Mar112014

'The World is Round, People!' But Can It Spin a Little Differently?

Blue Jasmine was one of Woody Allen's biggest hits, earning $94 million globallyGeena Davis and I have been harping on gender disparity in film for ever and I've also spent a lot of time on its sister problem: ageism focused on women. But in the past couple of years it feels like the conversation has finally reached the mainstream. 

Every website, even the most misogynist-friendly, now knows what the Bechdel Test is and that the majority of movies still fail it even though it's super easy to pass. Cate Blanchett's Oscar speech got a lot of attention and Kevin B Lee recently had a major cinemetrics piece in the New York Times about women's limited screen time and now, as The Wrap reports, a new study out of San Diego State's Center for the Study of Women in Television and Film shows how bad the problem is not just in lead roles (only 13% of the films in the top 100 of last year) but in ageist double standards (women over 40 account for only 30% of female roles while 55% of male roles are for the over 40 set) and in racial representation (73% of all female roles are for caucasian women).

All of this despite the fact that Cate's Oscar speech was total righteous truth-telling. [More...]

Click to read more ...

Sunday
Mar092014

And The Podcast Goes To... The Oscars

Season Finale
Nathaniel R, Katey Rich, Nick Davis, and Joe Reid discuss Oscar night in detail, with lots of commentary on all the stars and a few reader questions to help guide us 

00:00 Introductions & the musical performances
05:00 Liza Minnelli, Ellen DeGeneres, presenters & "relevancy"
15:00 The Selfie & how Oscar treats its own history
24:00 Our own standing ovations for Amy Adams, Cate Blanchett and more...
37:00 Reader Questions: creative casting, snubs, selfie swaps
53:00 Matthew McConaughey's speech & Randomness
1:00:00 What we did after the Oscars 

Suggested Supplement Reading:
Joe on the "2013" Oscars, Katey talking to the Make-up winners, Vanity Fair's Leonardo DiCaprio piecethose Acceptance Speeches, Jennifer Lawrence's Bestie's Diary and Nathaniel's Oscar Wrap / TFE Funding Drive.

You can listen to the podcast at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments... which of our ballots most closely resembles yours?Hunger, Shame, I Heart Huckabees, Taxi Driver, King of Comedy, Goodfellas, Cape Fear, Children of Men, Y Tu Mama Tambíen, 

Oscar Nite Finale

Friday
Mar072014

Oscar Coverage. It's a Wrap!

Still so cold. Perhaps a tropical vacation post Oscar? Whew. We made it through another season (but for one last podcast - see below). Kisses. Hugs. No-Doz. Please stay with us throughout the year as 2014 WILL be our best yet.

2013 was a breakthrough year starting with a spot on CNNi, joining the Gurus of Gold, doing TIFF (and then Sundance) and the Critics Choice event officially, and the best year yet for ad sales. But a breakthrough is not, unfortunately, quite the same thing as 'making it'.

I recently made a tough life choice to make writing my sole income  -- yes, believe it or not, I've been juggling a second career for most of the 8 years that The Film Experience has been a daily endeavor (TFE existed before 2005 but that was before all sites needed daily content to stay competitive - the speed of content has increased exponentially all over the web). But now I'm just writing about the movies. Juggling the two became more and more difficult and right here is where the passion lies. To help me prove that it wasn't the worst decision of my life: read, share, link, tweet articles you like, donate, or best yet subscribe (see "Keep TFE Strong" in your right hand sidebar) and for the price of a cup of coffee each month (or more if you're flush) you can make sure a roof stays over my head. I feel enormous gratitude that people read at all much less so many of you. I'm particularly grateful to those who are already subscribing but just 300 hundred more of you and things get substantially easier (i.e. [cue Pet Shop Boys/Destiny's Child/] i love you you pay my rent ♫! / Can you pay my telephone bills? Do you pay my automo* bills? ♫ / )  

Complete Oscar Week Coverage 


PODCAST !? GOT ANY QUESTIONS FOR US? As an addendum to all of this and for the Season Finale, Katey, Nick, and Joe join Nathaniel for the final podcast of the season. (The podcast will be on hiatus until mid to late April but I think you'll love next season even more)

P.S. BRAD PITT HAS AN OSCAR NOW. xo

 

* I do not actually have automo' bills. I take the subway