Through Her Lens: 2013 (The 86th Oscars)

A series by Juan Carlos Ojano. Introduction / Explanation

Steve McQueen became the first Black director to helm a Best Picture winner for 12 Years a Slave (2013), telling the harrowing story of African-American freeman Solomon Northup who was kidnapped in 1841 and was sold to slavery. McQueen also became the first Black producer to receive a Best Picture award. Meanwhile, the film’s biggest competition was Gravity, a science fiction-thriller film set in space. Winning seven Oscars, the film was directed by Alfonso Cuarón, becoming the first Latin American to win the Best Director Oscar.

While having these two films as frontrunners is a win for representation at the Oscars,  female directors were still left out of the conversation for majority of the awards season.  Out of the 289 films included in the Reminder List of Eligible Films in 2013 (86th Academy Awards), only 32* (11.1%) were directed/co-directed by women...

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Cannes at Home: Day 5 – A Tale of Two Victors

by Cláudio Alves

The fourth day of Main Competition screenings saw the premiere of two films by former Palme d'Or winners. First up, Swedish auteur Ruben Östlund returned to the Croisette after taking the festival's top honor with The Square. Triangle of Sadness is the director's first film since then, perchance indicating a newfound obsession with geometrical titling. Reactions have skewed positive, though there are dissenting voices. Then, it was time for Cristian Mungiu to present R.M.N, this year's first major Palme contender as far as critical reception is concerned (Elisa's review). It should be noted that this is the fourth time Mungiu has presented a film in the Main Competition – all three previous projects won prizes, setting a good precedent for the Romanian master. 

Logically, when discussing these laurelled artists, the mind drifts to their victorious flicks. Today's Cannes at Home selections are The Square and 4 Months, 3 Weeks and 2 Days…

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Happy Day, Miss Moss

by Jason Adams

Today we wish a happy 38 to the actress I have come to consider (give or take a Carey Mulligan) my favorite working actress, Elisabeth Moss. At the start of quarantine I binge-watched Mad Men for the very first time (here's the Twitter thread if you missed it) which only cemented my love, which had been gaining momentum like a great big boulder rolling down a hill (there's a "gathering Moss" joke in there somewhere) over the past few years to become, now, this unstoppable force.

The top of the hill was definitely 2014-ish when the triumverate of Listen Up Phillip, The One I Love, and Queen of Earth came out swinging and knocked me out of my socks...

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100 Biggest Foreign Language Hits of 2017

Our year in review party begins. A different list each day. Here's Nathaniel R...

In the Fade didnt risk release in 2017 after all, hoping for Oscar favor to buoy its release in 2018Time for an annual look back at subtitled fare in cinemas. As with last year's list India, China, Mexico, and South Korea dominate with a smattering of other countries faring much less well in the American marketplace. Much of that is due, we think, to dedicated distributors focusing specifically on one market like FIP, China Lion and WellGo. Some of the movies we though might be big deals this year like Chile's Oscar nominee A Fantastic Woman opted for Oscar qualifying release only and Germany's Oscar finalist In the Fade starring Diane Kruger (pictured left) opted to sneak out at the last second to qualify for all Oscars though it did not receive nominations, buried in that post Christmas glut of tiny releases.

For the purposes of this list we skipped documentaries and animated films to keep the list more focused (and avoid arguments about dubbed versions or whatnot) but please to know that had we kept them in the wonderful Turkish street cat documentary Kedi would be in the top ten right here. This list is otherwise, as carefully as we could manage, accurate though we're happy to take corrections should we have missed something.

TOP 100 FOREIGN LANGUAGE FILMS FOR 2017
Listed By US Box Office Gross only  - FINAL TOTALS | Title links to reviews

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9 Foreign Film Finalists for the Oscar Race

by Nathaniel R

"The Wound" from South Africa might be the biggest surprise on the finalist list.The Academy's foreign film nominating committees have whittled down the 92 contenders to 9. If you've forgotten or never heard the procedure it involves multiple volunteers watching a certain number of entries to be eliglble to vote on them. The top six films advance from those ballots and the executive committee chooses another three which makes the 9 finalists. Then a final committee watches the nine finalists and votes to determine the five nominations. We correctly predicted 7 of the 9 finalist (you can peak here though we'll be updating that chart to reflect the official standings shortly)

A Fantastic Woman directed by Sebastián Lelio for Chile
In the Fade directed by Fatih Akin for Germany
On Body and Soul Ildikó Enyedi for Hungary
Foxtrot directed by Samuel Maoz for Israel
The Insult directed by Ziad Doueiri for Lebanon
Loveless directed by Andrey Zvyagintsev for Russia
Félicité directed by Alain Gomis for Senegal
The Wound directed by John Trengove for South Africa
The Square directed by Ruben Östlund for Sweden MORE AFTER THE JUMP...

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