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Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

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Entries in Kedi (4)

Sunday
Oct292017

Mysterious, Adorable, Purrfect "Kedi"

by Nathaniel R

As a self-confessed crazy cat lady, I'm not sure why it took me so long to see the Turkish documentary Kedi. But it's fitting that I finally saw it late last night. I didn't even realize until this morning that I had ushered in National Cat Day with the streetcats of Istanbul. Since I am not a frequent documentary-watcher (unlike Glenn) I tend to only see them when the subject matter really intrigues me or if awards season comes calling...

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Thursday
Oct052017

DOC NYC Announce Their 15 Oscar Potentials

by Glenn Dunks

Every year the mammoth New York based documentary film festival DOC NYC announces a program of films titled the “Short List”. These are films they describe as "[feeling] like worthy contenders for the Oscar short list based on festival accolades, reviews, box office”, culled from a longer list by means of “evaluating what titles appear to have momentum.”

The DOC NYC festival casts a very wide net for their selections with an annual line-up including films that have already screened in theatrical release or on television. Because of this, they’re able to claim to have played the last six winners of the Best Documentary Oscar. And in the four years since they began the Short List, the only Oscar nominee to not feature in the Short List program is Virunga. It’s an impressive statistic if not a somewhat deflating one knowing that this year’s nominees are likely somewhere to be found in this list of 15. But that's the Oscar prognastication game for you and we all love to play along so it's worth mentioning.

THE FINAL YEAR (Greg Barker)

There’s still about two months until the Academy release their own shortlist of 15 from the estimated 130 titles that will be submitted. But for now, let’s take a look at what DOC NYC are hedging their bets on...

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Sunday
Mar122017

Was King Kong a Box Office Monster?

What did you see this weekend?

check out that monster-sized beard on KONG SKULL ISLAND director Jordan Vogt-Roberts!

After catching up on TV shows like Big Little Lies and Feud, I went to Kong: Skull Island with a friend. Afterwards I eagerly read Chris's review, nodding a long at most of it. It's an easy-sit with surprising charm (mostly by way of John C Reilly's ad libbing... he seriously saves the movie from its paint-by-numbers blockbuster strategy) but wow was it disposable. Will anyone remember anything about it in a year's time?

And this to build a whole franchise on? Not too many of my audience members stayed for the stinger after the credits but that it was an enjoyable visual tease of other iconic kaiju like Godzilla, Ghidra, and Mothra. While the film opened at #1 it seems likely that Warner Bros was looking for much bigger numbers to launch a whole franchise on. The last installment of Godzilla, for example, opened to over $90 million.  Perhaps by pairing them in Kong vs Godzilla (due in 2020) they can get closer to $100? Box Office charts for the weekend and some related news items are after the jump...

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Tuesday
Feb212017

Doc Corner: The Istanbul Cats of 'Kedi'

In many ways, it’s only natural that a film like Kedi should come along. The internet loves cats, of course. Even if the internet doesn’t necessarily deserve cats. And a documentary about cats is a no-brainer of a concept (we’ll pretend Lil Bub & Friendz doesn’t exist because it is terrible). The real surprise then isn’t that Kedi exists, but that it quietly subverts any lazy reading that people would no doubt all too easily assign to it. Yes, it is the movie about street cats of Istanbul, but that’s just a hook for audiences whose attentions are being torn this way and that. The truth is that Ceyda Torun’s elegant and enchanting Kedi is so much more.

Even if it was just about the cats – what cats they are! In what can only be described as a particularly unique set of casting, Torun’s film shuffles across the city with vignettes about a collection of individual moggies, following them around as they roam the streets, finding food, fighting, hunting, battling for attention from humans who aren’t so much owners as casual caretakers, and thieving fish from markets and ports.

But, as I said, Kedi is much less interested in just being a film about cats. Rather it is a film that uses cats as a platform to dive into the history of a city, its people, its culture, and questioning what our relationship with cats says about us.

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