Hello, Gorgeous: Best Actress of 2017

A new series by Juan Carlos Ojano

This year’s slate of nominees showcase five performers strategically placed within the vision of their respective films right from their introductions. Whether introduced in a scene with actual spatial detail that immediately relates to the core of their characters or configured within the film’s style and tone in a more general sense, none of our first glimpses of them are deficient in meaning and purpose. It is probably not a coincidence that most of these performances appear in Best Picture nominees (and the one that didn’t probably came close too), a rarity in the Best Actress category.

Are you ready? The year is 2017...

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Peter Dinklage Is Made for Romance

by Cláudio Alves

Rebecca Miller's new film, She Came to Me, is a bit of a mess, stitching themes and storylines, wild tonal swerves, and overwrought ideas that don't fit together all that well. This fate's especially disappointing because the project seemed ripe with promise and potential. Most of all, it looked like an excellent opportunity for Hollywood to embrace actor Peter Dinklage as a romantic figure. Though he reached peak fame by playing Tyrion Lannister in Game of Thrones, a performance of wit and projected stratagem, it can be argued that his best calling card is an ability to illustrate the heart's amorous yearnings…

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Showbiz History: Matt Dillon endures, Reality Bites opens, and Three Billboards peaks

6 random things that happened on this day, February 18th, in showbiz history...

1928 Sonja Henie wins her first of three consecutive gold medals in women's figure skating (a feat that's never been equalled in women's figure skating). Hollywood comes calling in the mid 30s (back when they used to make movie stars of famous athletes -- see also Buster Crabbe, Esther Williams, and Johnny Weismuller) and she headlines several hit films, starring with One in a Million in 1936...

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Fargo: Kindness in an Unkind World

by Cláudio Alves

With Frances McDormand back in the Oscar conversation thanks to Chloe Zhao's Nomadland, I'm reminded of some discussions I had when Three Billboards Outside Ebbing Missouri was making its way through the festival circuit. On first viewing, I was more charmed by the movie than many of my friends and colleagues (subsequent re-watches killed that initial goodwill), finding myself defending some of the picture's elements to its impassioned detractors. Three years later, there's still a critique of Frances McDormand's second Oscar-winning performance that infuriates me, even though I'm no big fan of her turn as Mildred Hayes. 

According to people whose opinions I respect, McDormand was doing the same thing she always does. More alarmingly, I was told that the actress was just repeating her first Oscar-winning performance in Fargo. Whatever one may think about this thespian's pair of Academy Award-winning works, they are different, diametrically opposed even. In many ways, Mildred is the antithesis of Marge Gunderson…

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Tweetweek: Turkish cats, Billboards legacy, Kidman repurposed

Tee hee. The Best Picture nominees are still very much in the air in this week's tweet collection after the jump. Subjects include but are not limited to: Black Panther, Lady Bird, Best Picture time frames, and a visual reminders of what Three Billboards is good for. Plus a visual reminder why the cat documentary Kedi had such wonderful "characters"... 

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