Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

Comments Du Jour
Michelle Pfeiffer as Janet Van Dyne

"I'm stoked that she's now part of the MCU and hopefully be given some good scenes and not be totally wasted." - Iggy

"I thought Sharon Stone had been cast in the Ant Man sequel....Pfeiffer is a surprise here. I`ve read Evangeline Lilly wanted her, Michael Douglas wanted his wife and the studio wanted Sharon" -Eder

 

What'cha Looking For?
Interviews

Emmanuelle Devos (Retrospective)
Nicholas Galitzine (Handsome Devil)
James Ivory (Maurice 4K Restoraton)
Betty Buckley (Split)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in Sally Hawkins (23)

Thursday
Jul202017

BYO YNMS x 3: Shape of Water, The Snowman, Proud Mary

Having an entirely unproductive day. (It happens). But the trailers are coming fast & furious. Are you a yes no or maybe so on three following pictures. Do tell.

THE SHAPE OF WATER

YES - Sally Hawkins. This could well be magical. 
NO - Guillermo Del Toro tends to be more of a genius in concept than in execution
MAYBE SO - Hate it when trailers show the whole movie. In some ways this feels like a demented fan fiction version of the 10 minutes near the end of Ron Howard's Splash. Is there more to it than this?

THE SNOWMAN

YES - Tomas Alfredson is a very impressive director (Let the Right One In and Tinker Tailor Soldier Spy) who is pretty great and sustaining tension for a whole running time. He's gathered his usual array of impressive craftsmen in all departments
NO - Is any single subgenre more plagued by violence against women as its ignition or more overworked than the serial killer procedural?
MAYBE SO - How's the chemistry between Fassbender and Ferguson?

PROUD MARY

 

YAAAS - Taraji P Henson deserves a star vehicle
NO - Like the Kingsman series this looks like a pornographic fetish movie about guns and how cool it is to kill people... which... given the US addiction to guns and explosions in gun massacres each year, is really starting to feel like irresponsible movie behavior.
MAYBE SO - Who knows? This teaser is very very light on anything about the movie though we hear she's an assassin. We're guessing with a conscience. the movies are very obsessed with assassins who have that pre-existing condition.

Saturday
Jun172017

Splendid Sally makes "Maudie" a delight

by Murtada

If you are a fan of Sally Hawkins then Maudie is a gift full of joy made just for you. Hawkins plays real life folk artist Maud Lewis, a smart lively woman who’s hunched with crippled hands from arthritis, as she finds solace and purpose in becoming an artist. Maud works a housekeeper for a hardened reclusive bachelor, Everett Lewis (Ethan Hawke). Of course she thaws his heart and they eventually couple up. The film is a two-hander even as Hawkins is its unquestionable center and beam of delight...

Click to read more ...

Friday
Apr212017

Best Actress - April Foolish Oscar Predix

We always save the best category for last.

The April Foolish Oscar predictions are officially complete with the BEST ACTRESS chart which has just gone up. So many talent women. So much luscious actressing to come. We cannot wait to see these performances, wherever they happen to fall on the chart. Predictions are for fun and do not indicate who we're rooting for ever -- we try not to root for anything without actually seeing the films because "may the best performance win!" and we don't know what that will be yet, now do we? This year the April Foolish crystal ball says "all previous nominees" but that's largely because it does not appear to be a year where many women who aren't previous nominees have managed to land leading roles. But we shall see. 

Answer me these questions three:

1. Which actress's double feature are you most excited to see? The busy choices are: Jessica Chastain (A Woman Walks Ahead, Molly's Game), Kate Winslet (Wonder Wheel, The Mountain Between Us), Sally Hawkins (Maudie, The Shape of Water), and Charlize Theron (Tully, Atomic Blonde). Let's leave the very busy Nicole Kidman out of this survey since the size of her roles aren't totally obvious this year.

2. Do you think Annette Bening has momentum due to that near-miss last season (those sometimes build goodwill) or do you think 20th Century Women is irrelevant to this year's prediction equation?

3. Which performance are you convinced will be great sight unseen? ...and vice versa if you're feeling irritable today.

ICYMI 
Past articles on this new Oscar race
Last year's Oscars, the full index

Tuesday
Nov152016

Kelly Macdonald and other Oscar-Less Wonders

by Kyle Stevens

I was finishing up the new season of Black Mirror --which is alternately smart and smarmy, somehow managing to exaggerate reality to the point of smugness rather than satire-- when, lo and behold, who should pop up in the finale but Kelly MacDonald. And she's magnificent in it. Not being a Boardwalk Empire watcher, I hadn't really thought about her since her spectral turn as Rowena Ravenclaw in the Harry Potter movies. Then I remembered just how good she was in No Country for Old MenGosford Park, and even Nanny McPhee. I surprised myself by starting to fantasize Oscar-winning roles for her -- as one does. 

But there are so many worthy actresses without the big award. So to get our minds off the horrors of this past week, let's retreat into some good old-fashioned actressexual playtime. Who are your top five working actresses you'd love to see win an Oscar?

Off the top of my head, and in no particular order, mine are:

  1. Annette Bening
  2. Maggie Cheung
  3. Sally Hawkins
  4. Isabelle Huppert
  5. Kelly MacDonald

CAVEAT: I've not said Viola Davis, because her status will probably change soon!

Thursday
Jul282016

Actresses We Love & the Festivals They Are Going To

Murtada here. It’s the week of fall film festivals announcements. We just heard that The Bening is going to New York. Lupita Nyong'o and Rosamund Pike are going to both London and Toronto. Let’s check in with a few others who are going to Venice, Toronto and possibly Telluride (Telluride doesn’t announce its program until its first day but if a film is announced as a Canadian Premiere at TIFF, and it hasn’t appeared at Sundance, it’s assumed to be Telluride bound).

Sally, Dakota, Rooney and more after the jump...

Click to read more ...

Wednesday
Feb182015

Best Live Action Short: Sally Hawkins Takes the Lead

Glenn here again, and as if yesterday’s look at the Best Documentary Short category didn’t prove it, there really aren’t any hard and fast rules when predicting the short categories. In live action short especially they go with serious issues, except when they don’t. They frequently go foreign, except when they don't. They're not overly thrilled with big stars or Hollywood directors, except when they are. It’s all a bit of a gamble, really. This year’s contenders, however, seem a little easier to decipher in terms of what has the potential to win and what hasn’t a hope in hell. Sorry, Butter Lamp, but I think that means you. You will always be my winner.

 

The Nominees:

Aya, dir. Oded Binnun and Mihal Brezis (40mins)
Boogaloo and Graham, dir. Michael Lennox and Ronan Blaney (14mins)
Butter Lamp (La Lampe au Beurre de Yak), dir. Hu Wei and Julien Féret (16mins)
Parvaneh, dir. Talkhon Hamzavi and Stefan Eichenberger (24mins)
The Phone Call, dir. Mat Kirkby and James Lucas (21mins)

Right now it seems pretty hard to look past The Phone Call given it stars an Oscar nominee (Sally Hawkins) and an Oscar winner (Jim Broadbent) and is emotional in ways that many will find belies its 20-minute runtime. Despite the curio factor of both doc and live action short Oscars potentially both going to films about suicide prevention hotline operators, I still feel rather confident over that prediction. It's certainly feels like a more complete film than, say, Boogaloo and Graham, which has wisps of nostalgia floating through its brief runtime and its cute children with pet chickens, but feels relatively light-weight compared to the rest (it gets to The Troubles right in its final shot, which seems like a more logical place to begin, but maybe that's just me).

I was a fan of Parvaneh about an Afghani girl in Switzerland and her friendship with a partying street kid, which feels like the most likely usurper to the throne given the Academy has shown an affinity towards films that bridge between the races. Maybe my hatred of the Israeli nominee Aya is clouding my judgement on that one, but what I do know for certain is that the best of an okay bunch is the sublime Butter Lamp, set in Tibet and focusing on a nomadic photographer who arrives in a village and who, in vignette form, has to deal with locals for whom photography isn't that common. It's wonderfully observed and it's an amazing example of how a film can thrill with restraint. I audibly gasped in the final shot despite it being so very simple. If it pulls a highly unlikely win out of the hat then I will scream with joy, but I think it's impressive festival haul (plus win at the Golden Horse Awards) will have to suffice.

Will Win: The Phone Call
Could Win: Parvaneh
Should Win: Butter Lamp