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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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GILLIAN FLYNN - our new thriller overlord
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Considering I wasn't actually a big fan of the books, you've gotten me excited about the movies. Love me some Charlize! -Jacques

I don't think Dark Places is going anywhere....Amy Adams turned down this movie for Big Eyes.❞ -seesaw

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Thursday
Jul102014

"Outstanding Main Title Design," An Undersung Emmy Category

If you're a carbon based life form, chances are you feel a certain amount of affection for the opening notes and images of the main title designs of certain TV series. These things have a way of seeping into our DNA.

I cannot watch True Blood's titles, for example, without singing along "...I wanna do bad things to you ♫" and it would probably take my Emmy award if the Outstanding Main Title Design were handed out only once every 10 years. Unfortunately it has been ripped off ever since and now every remotely creepy TV series aims for a mix of slow-mo vs sped up montage of religious, violent, and sensual grotesquerie from American Horror Storyto Penny Dreadful. But True Blood's titles were the perfect marriage of everything that makes that show that show. It's actually even BETTER than the show itself.  True Blood lost this category in its year to the adorable pop up multiple identities of The United States of Tara

My other favorite main title of a current series is Game of Thrones. I don't watch the show for reasons I've long since overshared but I think the opening titles are refreshingly original, a masterwork even. For what it's worth Game of Thrones won this Emmy in 2011 (Trivia Alert: David Fincher's two-time Oscar winning editor Angus Wall, who we've interviewed in the past, was the creative director!).

Even in the YouTube/Gif era when we are all accustomed to obsessing over the tiniest mnemonics of our favorite things, this category is rarely remarked upon. So let's discuss this year's nominees after the jump

THE NOMINEES THIS YEAR? Stroke the kitty to continue...

Click to read more ...

Tuesday
Jul012014

Happy Olivia de Havilland Day!

A very happy 98th birthday to the woman who collected Oscars and cats as if she were personally flirting with me before I was born.

Thank you for Maid Marian, cousin Melanie Hamilton, heiress Catherine Sloper, identical twins Terry & Ruth, Miriam who hushed sweet Charlotte, Virginia in that snake pit... and many more.

Your summer Centennial party is just around the corner in 2016!

 

Thursday
Jun192014

Only Linker Left Alive

Screen Crush Top Secret the making of an 80s comedy classic 
The Playlist celebrates Chinatown's 40th Anniversary 
MNPP David Oyelowo twelve times 
The Wire a rumor roundup on Doctor Strange and what's going on

The Movie Scene takes a different tack on those "halfway mark" lists that are starting round the web, merely ranking the films that were new to him this year on DVD... classics mixed with brand new things. I've never been able to compare different eras well in terms of "rank" - give me year to year contests or decade lists but otherwise... too tough! 
Row Three I haven't listened to this yet but I love the concept: a podcast devoted to one movie soundtrack an episode with a new person interviewed about what the soundtrack meant to their life. This episode is Dirty Dancing
/bent Lupita Nyong'o on the cover of Vogue for July. Only the second African (though some African-American entertainers have made the cover) 
The Wire remembers the Broadway-to-screen adaptations prior to Jersey Boys which brought the stage actors to the screen. As you can see this practice has decidedly mixed results - when it works it's magic but when the people are way too old for the roles on the big screen... 

first official image of Jamie Dornan in 50 Shades of Grey (2015)

Great Question
The Guardian is doubtful that 50 Shades of Grey could do it but with a history of horny films asks 'what could bring the erotic thriller, a long dead genre that peaked in popularity with Fatal Attraction (1987), back to the cinemas?'

Off Cinema
Gayest of All Time "Kitty Bro Five" -'Dat Be Cute' is right!
Pitchfork MoMA will host a Björk retrospective next year
Autostraddle every character from Orange is the New Black as they appeared on guest stints in Law & Order -- as much as I blame that show for so much that is wrong with television, I recognize it kept food on the table for countless thespians
Mr Dan Zak true life story that inspired the nun's arc on OITNB

Finally...
Our 'Halfway Mark' articles are coming up in a week or two surveying the year in progress but Indie Wire started early and polled critics about the best of the year thus far (I always forget to vote on these things). Grand Budapest Hotel, Under the Skin, Only Lovers Left Alive, and Ida are the top four. Their combined domestic gross is $65 million OR what Fault In Our Stars and 300:Rise of an Empire earned in their first week. (Le sigh)

Monday
May262014

Wet Hot Linky Monday

Things That Are Not Cannes-Related
Vanity Fair Leonardo DiCaprio in space: the auction! I love it whenever Katey Rich's inner Titanic fangirl comes out.
Coming Soon Wet Hot American Summer to be a series on Netflix now. And, much better news: its now middle aged original cast members will all be playing high school versions of themselves. Love it. Can't wait to see Paul Rudd's sloppy french-kissing again. That movie is such a scream
Playbill oooh, here's a fun unexpected list. Ten artists that are a Tony Award short of the EGOT  from Kate Winslet through Julie Andrews and on to um... Martin Scorsese?

Comics Alliance on how Quicksilver, not a major fan favorite superhero, was suddenly a hot property with two major motion pictures in the space of a year
Star-Ledger interviews Dan Callahan on that Vanessa Redgrave book we told you about a couple of weeks ago
Playbill Jim Parsons on coming out and how The Normal Heart affected his life
Vanity Fair Emma Thompson gives her usual great interview promoting her new comedy with Pierce Brosnan The Love Punch

I’d rather have root canal treatment FOR THE REST OF MY LIFE than join Twitter"

Cannes -Cannes-Cannes
though everyone's flown home
Notebook Miriam Bale on her Cannes experience, David Cronenberg's Map to the Stars and Jean Luc-Godard
In Contention best and worst of the fest 
Critic Wire averages out the grades for this year's slates at Cannes. Highest grades go to Leviathan, Foxcatcher, The Tribe, Whiplash, Two Days One Night, Force Majeure, Wild Tales, Tu Dors Nicole and A Hard Day (the last two of which I haven't previously heard a peep about online.) 
The Telegraph Leila Hatami (A Separation) had to apologize for a public kiss on the cheek at Cannes which angered some Iranians. This world is madness and so wretched to women time and again.
Variety the 7 biggest surprises at Cannes Parties from Leonardo DiCaprio (all business even when peeing) to Lindsay Lohan getting kicked off a yet (um... how does the latter qualify as a 'surprise'?)

And the sales...
The Tribe the tough Ukranian picture The Tribe (the one in sign language without subtitles) has three major European countries nailed down (+ Japan) for distribution. Will we get it in the US? Pretty please? 
The Wonders, the Grand Jury Prix winner is also selling briskly to multiple markets

And a final P.S. on the sales. Sony Pictures Classics who got three of the buzziest Sundance titles early this year were also buying at Cannes. I guess they want a handful of Oscars and not just to dominate the foreign film and documentary again. At this writing here's their upcoming slate:

  • Land Ho! - Sundance comic hit about two old pals vacationin in Iceland [July, review]
  • Magic in the Moonlight - the latest from Woody Allen, which we just discussed [July]
  • Love is Strange - if it's handled delicately and smartly and the critics rally it could be a dark horse Oscar player. Either way, it's going to become a classic down the road. [August, review]
  • Whiplash - Sundance and Cannes hit a father and son drama with Miles Teller as a drummer with a tough dad [October]
  • Foxcatcher - a good bet for multiple Oscar noms but is it too chilly to win statues? [November, review]
  • Mr Turner - this handsome art biopic could be a major player for Mike Leigh [December, review]
  • Infinitely Polar Bear - their only purchase that baffled me at Sundance. But it's got recognizable stars [Opens TBA, reviewed]
  • The Salt of the Earth - buzzy Cannes documentary [Opens TBA]
  • Red Army -another Cannes doc about the Soviet Union hockey team during the Cold War [Opens TBA]
  • Jimmy's Hall - the new Ken Loach from Cannes [Opens TBA]
  • Saint Laurent - YSL biopic from Cannes [Opens TBA]
  • Wild Tales - the Argentinian comedy won major raves at Cannes [Opens TBA]
  • Leviathan - this Russian film from the director of The Return and Elena was expected to win big at Cannes had to settle for Screenplay. I always worry when these things happen post-buy that the distributor will then put them on the backburner. Hope that isn't the case here. [Opens TBA]

Today's Watch
Mutant super powers aren't just for human anymore. Kittens!

 

Sunday
Mar162014

Recommended Instant Watch: "Pit Stop" 

Just a heads up that one of last year's best festival titles is playing on Netflix Instant Watch. Yen Tan's Pit Stop unfortunately never saw theatrical release but it won a few festival prizes along its way including from my jury at the Nashville Film Festival (Best Screenplay) and we've mentioned it a couple of times her via Glenn at New Fest and my interview with Yen Tan at Towleroad.

The romantic drama follows two lonely gay men in rural Texas named Gabe and Ernesto (Bill Heck and Marcus DeAnda) who are both struggling to move on with their lives after painful breakups. Their paths occasionally cross but they aren't aware of each other -- it's not exactly a visible or social gay community -- until the final act of the movie.  

If you've ever seen Yen Tan's Ciao (2008), which has a much different plot but a similar romantic trajectory, you know that he favors slow simmers to boiling drama. Those types of films are always easier sits in movie theaters when you're less distracted by other screens but I'm hoping people give it a shot for home viewing because by the end its generated strong and cumulative emotions. And bonus points, most of the actors are very good (indie darling Amy Seimetz is typically fine as Gabe's ex-wife). All that and it contains one of the hottest yet modest and emotionally moving sex scenes in recent years.

Plus this cut from Ernesto to Gabe, both cuddling with their pets, made my heart melt.

The cut is actually in reverse but I had to lead with the cat.