Happy Day, Miss Moss

by Jason Adams

Today we wish a happy 38 to the actress I have come to consider (give or take a Carey Mulligan) my favorite working actress, Elisabeth Moss. At the start of quarantine I binge-watched Mad Men for the very first time (here's the Twitter thread if you missed it) which only cemented my love, which had been gaining momentum like a great big boulder rolling down a hill (there's a "gathering Moss" joke in there somewhere) over the past few years to become, now, this unstoppable force.

The top of the hill was definitely 2014-ish when the triumverate of Listen Up Phillip, The One I Love, and Queen of Earth came out swinging and knocked me out of my socks...

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My Ride or Die - Elisabeth Moss

by Ginny O'Keefe

Awards season is well upon us which means lists of our favorite performances and films. For many years I’ve had a “Ride or Die” performer who I would root for throughout all of awards season hoping they would get a longshot nomination. Last year my ride or die was Toni Collette for Hereditary, a performance that was criminally unrecognized -- the snubbing of said performance will leave me bitter for years to come. Several years before my Ride or Die was Benicio Del Toro’s haunting and hurting performance for Sicario. So as you can tell, my Ride or Die basically sums up performances that have no chance of winning or even being nominated for any major awards. Nevertheless they stay in my heart throughout the Globes, the SAGS, the Independent Spirit Awards and of course the Oscars.

A few weeks ago I attended a screening of Alex Ross Perry’s Her Smell at the Aero Theatre in Santa Monica with a Q&A afterward with Elisabeth Moss and I realized less than eight minutes into Moss’ Becky Something launching herself into the scene like an unstable ball of light, that Moss was my Ride or Die this season...

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Soundtracking: The Best Musical Moments of 2019

by Chris Feil

Another year of Soundtracking has brought plenty of reflection on music in the movies. From more milquetoast musical biopics to studio musicals to pop songs reinvented through their placement into cinematic narratives, songs on film in 2019 were as ripe for dissection as ever. Let's discuss the best musical scenes of 2019.

Honorable Mentions:

- Cats' thesis: "A cat is NOT a dog, OKAY?!"

- Ash is Purest White making "YMCA" cool again

- MidSommar's creepy folk songs and Frankie Valli irony

- "Thunder Road" catharsis in Blinded By The Light

- Knives Out punctuating its middle finger finale with The Rolling Stones

- Joni Mitchell's "Blue" distilling The Last Black Man in San Francisco's melancholy...

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Chris Gives Thanks

Chris here. Thank you to all of you wonderful readers that keep TFE alive and well, year in, year out! This year, I am especially thankful for...

- my new spiritual guru, Baby Yoda.

- the reunion of Salvador and Federico in Pain and Glory.

- the funny and furious female ensemble of Parasite: So-dam Park, Yeo-jeong Cho, Hye-Jin Jang, Jeong-eun Lee, and Ji-so Jung.

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Soundtracking FYC: 5 Original Song Outsiders Worth Nominating

by Chris Feil

This year’s longlist of eligible Original Song contenders should be arriving right on schedule in a month’s time, so what better time to shed some light on a few under-the-radar favorites than the present! Conventional wisdom at this stage in the race is falling as it typically does: to big pop stars and returning songwriting champions...

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