Sundance: "The Most Beautiful Boy in the World" review

by Jason Adams

"In all the world there is no impurity so impure as old age." -- Death in Venice

The director Luchino Visconti was 64-years-young when he directed his rumination on youth and beauty seen from the opposite end of life. Death in Venice saw Dirk Bogarde vacationing in a plague-riddled seaside hotel where a teen-boy called Tadzio (Björn Andrésen) suddenly sends his overheated brain reeling across platonically idyllic places. And now here 50 years later, premiering at Sundance, comes the documentary The Most Beautiful Boy in the World, which turns around and gives us Tadzio's perspective looking back. The sun doesn't shine as brightly from that direction...

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Showbiz History: "Roots" takes America by storm and Tom Cruise nabs a "Magnolia" win

7 random things that happened on this day, January 23rd, in showbiz history

1962 François Truffaut's new wave classic Jules et Jim is released in France and Canada. It makes it to the US a couple of months later though it's not immediately embraced in the US. In the UK it's a different story and the film receives two BAFTA nominations: Best Film and Best Foreign Actress... 

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Horror Actressing: Natalie Portman in "Black Swan"

by Jason Adams

We're in between seasons of our "Great Moments in Horror Actressing" series, taking the post-Halloween holidays off, but I decided to spring out from under my self-appointed mothballs to celebrate this week's 10th anniversary of Darren Aronofsky's le grande trash Black Swan -- to spring out, to do a lustily precise pirouette, and to plunk down some love here for Natalie Portman's spectacular and much-deserved Oscar-winning turn as the prima ballerina Nina Sayers, our favorite sweet girl slash toe-crunching psycho.

Over this past weekend I randomly ended up re-watching two seemingly disparate horror films that you might not immediately sense a sister-bond between... 

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The Film Bitch Awards Begin!

For those of you who haven't been around these parts forever, the title of our annual prizes is a bit tongue-in-cheek. We rarely feel bitchy about movies but instead live to praise them. The name comes from a roommate in college who, after hearing Nathaniel freak out when seeing a credit on the television and launch into feverish praise for an actor he'd never heard of said "you are such a film bitch"... the name stuck. This is our 20th year (gulp). Just to get us started each page is in tba form but we're ready to go with 3 appetizers (LINKS FIXED) for the 40 (!) categories...

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Alternative Best Costume Design Ballots

by Cláudio Alves

The Best Costume Design category at the Oscars tends to be a place where one can find idiosyncratic choices. While it's true the Academy has a taste for the extravagant and period-looking, the Costume Branch is usually unafraid of celebrating films otherwise ignored. That's how we get such wonderful nods like those for Bright Star's Regency fashions, I Am Love's early aughts glamour, Jane Eyre 's Victorian severity, and Mirror Mirror's fairytale lunacy.

This year, for the first time in the category's history, all five nominees are Best Picture contenders. The arguable quality of the designs aside, this is a sad state of affairs that makes the usually cool Best Costume Design category look tediously similar to all the others. In an attempt to right the Academy's wrongs and offer a more varied look at 2019's achievements in film Costume Design, here's an alternative set of nominees, none of which were shortlisted by the Academy...

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