Almost There: Barbara Hershey in “Black Swan”

by Cláudio Alves

You may have noticed that, for the past couple of weeks, The Film Experience has been overtaken by one persistent question: Who should be the next Amy Madigan? We’ve done a team-wide vote and two readers’ polls, highlighting both men and women. At this point, you might be a tad tired of this business. On the other hand, your picks were a nice clue into what performers the readership might be thinking of and harkening for, write-up-wise. With that in mind, it feels like a good opportunity to revive the long-dormant Almost There series, where I go over performances that garnered some significant precursor support before fizzling out on Oscar nomination morning. They were close, but no cigar.

Case in point: Barbara Hershey, who scored high in both the Team Experience and The Film Experience readers' vote, and might have come close to a second Academy Award nomination for Darren Aronofsky’s Black Swan…

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Natalie Portman: Queen of Artifice

by Cláudio Alves

Some actors thrive through mimesis, reaching for realism when performing. In cinema, they bring the actuality of everyday life to the screen, psychology and material terms. Or they replicate others like straight mirrors. Since midcentury developments, that approximation of off-screen life has been standardized into what most recognize as "good acting." It's the mainstream, the rule, the de facto way of doing things. But is it the only way? I would think not and have grown to appreciate those who step outside those lines, whether deliberately, through their director's influence, or by mere accident.

When done right, embracing fakery may feel more honest and insightful than the attempt to copy - realer than real, truer than truth. All this to say, I love Natalie Portman at her most artificial and absurd…

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One For Them, One For Me - Natalie Portman's 2011

A new series by Christopher James

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.
— Martin Scorsese: A Journey

An actor’s choices immediately after winning an Oscar says a lot about their aspirations. Winning the prize presents an actor with plenty of newfound opportunities. Some will take the opportunity to get a passion project made, while others will parlay the prize into high profile franchise roles. Since her Oscar win for Black Swan (2010), Natalie Portman has flexed her chops as a writer and director while also taking roles in auteur films, such as Pablo Larraín’s Jackie. However, immediately following Black Swan, Portman had perhaps the busiest year of her career, and the most populist. Her next three films all opened within five months of each other and represented three different genres - swoony romantic comedy, raunchy bro comedy and Marvel franchise. The one commonality: They all tested Natalie Portman’s ability to make us laugh.

How did she fare?

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Horror Costuming: Black Swan (2010)

by Cláudio Alves

Unintentionally, this year's Horror Costuming miniseries has featured a lot of designers' partnerships. In both Hellraiser and The Cell, we explored how one person created a fantasy world while another cared for the mundane existence and its subtler evils. Those films showed how exemplary collaboration could produce unforgettable movie wardrobes. Now, with Black Swan, we arrive at a more disharmonious sort of alliance, one that fell apart after the fact, as the media celebrated some designers' work while ignoring the other, and the awards bodies did the reverse. It's a pity how much the controversy came to dominate conversations on the film's costumes. But, beyond the acrimony and scandal, Black Swan is a superbly designed horror movie whose costumes deserve analysis, applause, awards too…

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Horror Actressing: Natalie Portman in "Black Swan"

by Jason Adams

We're in between seasons of our "Great Moments in Horror Actressing" series, taking the post-Halloween holidays off, but I decided to spring out from under my self-appointed mothballs to celebrate this week's 10th anniversary of Darren Aronofsky's le grande trash Black Swan -- to spring out, to do a lustily precise pirouette, and to plunk down some love here for Natalie Portman's spectacular and much-deserved Oscar-winning turn as the prima ballerina Nina Sayers, our favorite sweet girl slash toe-crunching psycho.

Over this past weekend I randomly ended up re-watching two seemingly disparate horror films that you might not immediately sense a sister-bond between... 

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