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Entries in High Life (5)

Monday
Apr152019

New Podcast: High Life, Sauvage, and Mary Kay Place in Diane

by Murtada Elfadl and Nathaniel R

 

Index (50 minutes)
00:01 Claire Denis' High Life starring Robert Pattinson, Juliette Binoche, and the Fuck Box
16:00 A gay hustler movie from France Sauvage/Wild
24:10 Mary Kay Place is Diane in Kent Jones' intimate narrative debut starring a slew of underutilized older actresses
34:50 What we've been seeing on Broadway as the Tony nominations approach
44:44 Coming Soon & miscellaneous silliness since Murtada wants to know if Cate Blanchett is in Avengers: Endgame)

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Sauvage Diane

Sunday
Apr072019

What did you see this weekend?

What did you see this weekend?

Weekend Box Office (Estimates)
April 5th-7th 
🔺 = new or expanded theater counts
W I D E
PLATFORM / LIMITED
1 🔺 Shazam!  $53.4 on 4217 screens *NEW*
1 🔺  The Mustang $771k (cum. $2) on 350 screens 
2 🔺 Pet Sematary  $25 on 3585 screens *NEW* 
2  No Manches Frida 2 $415k (cum. $8.7) on 275 screens 
3 Dumbo  $18.2 on 4259 screens (cum. $76.2) BEST OF TIM BURTON
3 🔺  The Aftermath $375k (cum. $1.1) on 344 screens   REVIEW

Click to read more ...

Wednesday
Oct032018

NYFF: Claire Denis and the "High Life"

Jason Adams here reporting from the New York Film Festival...

We're all dying. That's the grand rule of everything that we do all we can to distract ourselves from. It might seem like some of us are dying faster than others from the position we're standing in at any precise moment, but time is, as the saying goes, relative. We're all of us on track to stardust, circling the drain of a black hole out here, hair stiff on end.

Leave it to Claire Denis to dream-weave a perverse space opera all about that stuff, then. Who else, really? High Life on its gorgeous scuffed up Rothko painting of a surface has all sorts of distractions from that central mission statement - Horny convicts in outer space! Juliette Binoche's infinite ponytail! Something called a "Fuck Box!" - that a smaller-minded filmmaker would've gotten caught up on...

Click to read more ...

Monday
Oct012018

You Are My Link

E News First look at Tom Hanks as Mr Rogers in You Are My Friend
Variety Hugh Jackman getting the celebratory treatment at the Santa Barbara Film Festival, which has become such an Oscar stop to promote contenders, especially in the lead acting categories
Film Comment Nick Davis, brilliant as ever, looking at some artful highlights from TIFF including Claire Denis High Life, Julianne Moore as Gloria Bell, and Rithy Panh's Graves Without A Name, a follow up to his earlier Oscar nominated doc

after the jump White Boy RickA Simple Favor, Alita Battle Angel, Sixteen Candles, Michelle Williams in Venom and Lee Pace as thirst trap...

Click to read more ...

Wednesday
Feb102016

The Grace of Keanu Reeves 

TODAY'S MUST READ ELSEWHERE
Our sometimes contributor Angelica Bastien wrote a great piece for Bright Wall / Dark Room called "The Grace of Keanu Reeves" in which she argues against the common dismissals of his acting ability. As a longtime fan of Keanu (Point Break/Private Idaho being the peak era of devotion) this was a joy to read.

One of her greatest points deals with "the crossroads of virile and vulnerable, territory previously charted by actors as legendary as Montgomery Clift, James Dean, and Paul Newman. But there's a difference.

These actors often seem to fight against the lustful gaze of the camera, while Keanu supplants himself to it. Where they seem cynical, disinterested, or too wounded as a romantic lead, Keanu is utterly open.

In "Point Break," he’s a hotshot with a gun and a badge. But he’s also an object of lust for the camera (and audience), with a disarmingly open smile. Furthermore, without the help of a woman—the short-haired pixie vixen surfer Tyler (Lori Petty)—he wouldn’t be able to integrate himself into the gang of robbers/surfers led by Bodhi (Patrick Swayze). This artful dynamic—a woman of greater skill guiding a passive man into a world beyond his imagination—develops even further in "The Matrix" (1999). Some of this, of course, exists on a plot level. But Keanu tends to let his scene partners take the lead, becoming almost a tabula rasa on which they (and we) can project our ideas of what it means to be a hero, a man, a modern action star. 

Do check it out. And share your feelings about Keanu in the comments. This article brought the guilt down that I have yet to see John Wick (2014).