Oh, the long-windedness of Best Pictures!

by Nathaniel R

If THE BRUTALIST wins it will become the third longest Best Picture winner of all time.

Each Oscar chart is now up though details are not yet ironed out on some of them. We've talked about Best Actress and Best Supporting Actor as the charts went up, so now let's talk Best Picture. On the chart you can vote on your favourite daily and you can see the films ranked by all sorts of silly criteria (you're welcome to suggest other criteria) such as MPAA ratings, death count, horniness, release dates, the Bechdel Test, reviews, box office, my personal preference, and of course their running times. 

Oh the longwindedness of our current times! The average length of the Best Picture nominees this year is an astonishing 149 (2 hours and 29 minutes) which is not quite a record but close to it...

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Almost There: Grace Kelly in "Dial M for Murder" & "Rear Window"

by Cláudio Alves

This past weekend, Grace Kelly was honored on TCM, with an entire day of "Summer Under the Stars" dedicated to her filmography. Moreover, Rear Window is enjoying a brief 70th-anniversary re-release in a select few American theaters. Considering all this, it seemed fitting to explore the Monegasque Princess' work on Almost There, revisiting the superlative year she had in 1954. After all, though she won Best Actress for The Country Girl, Kelly probably accrued a fair number of votes for two other cinematic triumphs, both by the Master of Suspense. There's Alfred Hitchcock's aforementioned Rear Window and Dial M for Murder…

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Happy 100, Eva Marie Saint!

by Cláudio Alves

ON THE WATERFRONT (1954) Elia Kazan

Happy belated birthday, USA! Happy belated birthday, Caesar Salad!! And happy belated birthday, Eva Marie Saint!!!

This past Fourth of July, the Edie to Brando's Terry Malloy celebrated her one-hundredth turn 'round the sun. As a centenary, Saint is the oldest living and earliest surviving Academy Award winner, keeping our connection to Old Hollywood alive at a time when even the 1970s renegades seem to be leaving us. Reflecting on her long career, one can trace the parallel, often juxtaposed, evolution of the American film industry. And yet, Eva Marie Saint rose to stardom on a wave of innovation, revolutionary acting styles and approaches, her presence like a promise of new things to come…

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Queering the Oscars: Calamity Jane's "Secret Love"

For Pride Month Team Experience is looking at LGBTQ+ moments in Oscar history. 

by Nathaniel R

When we decided to do this series we left it up to contributors to pick their topics. Does an movie achievement qualify as queer because of an aesthetic sensibility? Because the artists involved were LGBTQ+? Because of subject matter or characters? Any of those! With Old Hollywood movies one of the most common 'qualifying' reasons -- it's all very subjective of course -- is whether or not a movie or singular element of a movie was 'adopted' by the queer community. In this regard "Secret Love," the Oscar-winning ballad from the western musical comedy Calamity Jane more than qualifies...

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Dorothy Dandridge @ 100: "Carmen Jones"

Team Experience is revisiting a few Dorothy Dandridge movies for her centennial

by Baby Clyde

Groucho Marks famously described Grace Kelly’s Best Actress win at the 1954 Oscars as ‘The greatest robbery since Brinks’. I think we can all agree that a terrible crime was committed, but Judy Garland wasn’t the only victim on the night of March 30th, 1955. Dorothy Dandridge was a sensation in Carmen Jones becoming the first Black woman to receive a Best Actress nomination. In any other year, her loss would be seen as a huge scandal but because of Judy’s legendary star turn in A Star Is Born the fact that Ms Dandridge was also deserving has been almost entirely overshadowed...

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