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Visual Effects Oscar Semi-Finals 

"All I know is that if I had worked on A Monster Calls, I'd be pretty pissed that I didn't get in but Sully did." -The Jack

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INTERVIEWS

Maria Schrader (Stefan Zweig...)
Boo Junfeng (The Apprentice
Gianfranco Rosi (Fire At Sea)
Chris Kelly (Other People)
NWR (Neon Demon)

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Entries in running times (14)

Wednesday
Oct192016

"Silence" is Shorter, Still Possibly Golden

a new image from the film - our first look at Adam Driver

In very good news for butts of all shapes and sizes, news came this morning that Martin Scorsese's Silence is no longer going to be his longest feature film ever. That dubious honor will continue to be held by the excruciatingly long winded duo of Casino and Wolf of Wall Street. It seems that Marty and his trusted editor Thelma Schoonmaker have whittled away some 22 minutes from the earlier reported running time of 3 hours and 1 minute (or thereabouts)...

Click to read more ...

Monday
Oct032016

Still Blissing Out Over "La La Land"

Over the weekend I wrote up an Oscar preview for Towleroad - which you can consider a companion to our current Best Picture Chart and updated Oscar predictions. Here's what I wrote about La La Land, which I realize I didn't capsule review for you at TIFF: 

This musical from the young writer/director Damien Chazelle (Whiplash) won the coveted "Audience Award" at Toronto. That prize nearly always aligns with a Best Picture nomination in January. But the nomination will be the least of it - it has "winner" written all over it. La La Land is a total bliss-out, a colorful two hour romance with song and dance numbers about an aspiring actress and her jazz musician boyfriend. This is the third movie to co-star Emma Stone and Ryan Gosling and their onscreen chemistry is even better this go around and it was tremendous to begin with in Crazy Stupid Love five years back.

Here's a shocking statistic for trivia buffs: If La La Land is nominated for Best Picture it will be the first original live-action musical to do so since All That Jazz (1979). The musical nominees inbetween them were either animated  (Beauty & The Beast), adaptations of pre-existing shows (Chicago) or used pre-existing music for their songs (Moulin Rouge!). If La La Land wins it will be the first original movie musical to win the Oscar since Gigi (1958).

In addition to these general notes here are a few slighter more specific ones...

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Saturday
Aug132016

Tweetweek: Top 5 Scorsese, Olympic Spirit, Light Between Oceans

This weeks collection of short amusements features Olympians, a little Scorsese mania (it was going around for reasons we have yet to discover), an impossible dream of a Ghostbusters sequel, and my first impression of The Light Between Ocean which is out soon. It's all after the jump but we'll start with Scorsese... 

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Wednesday
Jun222016

YNMS: American Honey

Murtada here. The best thing about this lackluster summer movie season, might be the trailers for fall movies. This week sees one of our most anticipated, Andrea Arnold’s American Honey starring Shia LaBeouf, Riley Keough and introducing Sasha Lane in the lead role. The film is about a young woman who joins a travelling magazine sales crew, and their adventures as they travel the midwest, party and maybe fall in love. There’s also some law-breaking.

Let’s deep dive with a Yes, No, Maybe so after the jump..... 

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Tuesday
Dec222015

Cinematic Lumps of Coal: 15 Worst of '15

They've been naughty. So we shan't be nice. Rather than choosing the 15 worst movies (we skip a lot of stuff that looks atrocious), here are 15 matters of annoyance within the movies of 2015, whether the movies were decent or terrible. Vague/light spoilers ahead.

15 Lumps of Coal From '15
Links go to past articles about the film or reviews if they exist

15 Grab Bag of Undelights
Afew I couldn't fit in below: Chris Hemsworth's wandering accent in In The Heart of The Sea often within the same scene. Is this First Mate Australian, British, or from the Bronx?; The way Mother Malkin's (Julianne Moore) red hair stays that way when she shifts into dragon form in The Seventh Son. That was cute with Madame Mim in The Sword in the Stone but in "realistic" cgi not so much; and, the perpetual agony of trailers that take you from the beginning to the end of a movie (Room and The Revenant are the latest victims) spoiling every story beat.

14 Longwindedness
In nearly great movies (Clouds of Sils Maria 124 min), good movies (Saint Laurent 150 min.), divisive movies (I'm still making up my mind about The Revenant okay? 156 min), and arthouse curiousities (Arabian Nights, Vol II 131 min., Love 135 min.) alike the tendency in contemporary cinema is to let the camera linger here and there and everywhere and also to include entire sections that add nothing particularly new to the plot or our understanding of character or theme if narrative isn't the movie's main thrust. Don't misunderstand: a good lingering camera can be among the greatest of things but if you're running over 90 minutes please justify it with new information. Shave 10 minutes (or a lot more in some cases) off any of these movies and they're instantly improved. 

13 more after the jump...

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