Oscar Can You Link Me?

Big Screen 
The Advocate Barbra Streisand to sing at the Oscars for the first time in 36 years - she'll do "The Way We Were" over the in memoriam segment. There sure are going to be a lot of musical performances on Oscar night. 
Variety Jessica Chastain to star in new screen version of Miss Julie. Chastain being cast is something isn't exactly news (she's everywhere) but LIV ULLMAN is directing this oft-filmed Strindbergh tale.
Gawker Rich Juzwiack on the mainstream appropriation of "shade" and Paris is Burning (That documentary on NYC's ball culture is still one of the largest blights on Oscar's documentary branch. It was critically raved at the time and is still must-see viewing 20+ years later but Oscar ignored it)

The New York Times  on the still heated atmosphere of all Les Miz conversations. Stanley Fish wonders if it's the film's lack of irony that so enrages people?
Empire Will our dream of seeing Viola Davis & Denzel Washington reprise their Tony roles in Fences onscreen come true? It turns out Denzel is planning to direct a film version. If he doesn't bring Viola along, I'm going to freak.
CHUD The Muppets... Again is already shooting. Here's a synopsis and cast list
The Carpetbagger on Spielberg's ACE prize from the editors in Hollywood 
Guardian Charlize Theron will co-star in the Seth McFarlane comedy A Million Ways to Die in the West which is said to be an homage to Blazing Saddles.
The Playlist first pic of Tilda Swinton and Tom Hiddleston (god, what a pairing) in Only Lovers Left Alive  

Hey Look.... Jodie Foster in Elysium

Coming Soon ...the movie's title refers to a pristine space station. She plays a government official out to protect the wealthiest citizens from their dirty Earth-bound counterparts who wish to emigrate. (The last time Jodie did sci-fi it turned out well, I think, don't you? Love Contact.) 

Small Screen 
A Blog Next Door says goodbye to 30 Rock with an encyclopedic memory of the show. What will we do on Thursdays now? I always want to go to there.
BuzzFeed 'How Smash became TV's biggest train wreck.' If you're a Smash obsessive this is a must-read... though it's more than a shade shady. The biggest shocker for me was hearing that Steven Spielberg wanted to replace Megan Hilty!!! Good God, are his eyes and ears working? She's the single best thing on the show by an embarrassing margin.

Jodie is Single. And Singular.

Jodie Foster broke the internet. That’s what happens when you are globally famous, drunk, accompanied by a persona non grata (one Mel Gibson) and come out as a gay person… again… sort of. Jodie was being honored with the annual Cecil B Demille award, a lifetime achievement prize earned at the  young age of 50 (we’ve been celebrating her birthday lately right here) and her acceptance speech won the night’s most important intangentiable prize “Most Talked About”.

Why? Because it mattered.

Watching this storied actress battle with her past self and its direct conflict with The Way Things Are Now was amazing live television. We were watching deeply personal internal backstory play out as a public Living History right there on the television, intoxicated and intoxicating.

more after the jump

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Jodie Foster at 17

Our Jodie Foster 50th Anniversary Celebration continues...

Her answer is priceless

Michael C here to pass along this clip I discovered while researching the estimable Ms. Foster. Nowadays child stardom is commonly seen as the first stage in an inevitable downward trajectory of substance abuse and self-destruction so it's a bit jarring to watch this footage of Jodie Foster interviewed at age seventeen.

It's a rare thing to hear a movie star – or a politician for that matter – of any age speak with such poise and thoughtfulness. To listen to it after having lived through the E! News and TMZ takeover of celebrity reporting makes it seem positively alien. I love the way she keeps gently steering fluff questions toward substantive answers, like when she responds to a question about a potential boyfriend with an observation about the phoniness of fawning celebrity praise.

I imagine many young stars that meet with similar success so early in life receive a shock when they discover the world is not going to unroll at their feet in all their future endeavors.

Yet here we find the young Jodie Foster already tempering her big ambitions with the knowledge that there will be surely be failures along the way. Agents of up and coming celebrities should play clips like this for their clients to study. 

Jodie Foster in "Alice Doesn't Live Here Anymore"

For Jodie Foster Week I invited guests to talk about favorite Foster films. Here is one of my favorite authors Manuel Muñoz ("What You see in the Dark," "The Faith Healer of Olive Avenue") on a pre-Taxi Driver Scorsese/Foster collaboration. - Nathaniel R]

Coming up with another word for “precocious” is hard, since its precision begs no real qualification. The word bothers me a little as a go-to choice to describe Jodie Foster’s brief appearance in 1974’s Alice Doesn’t Live Here Anymore. What are we seeing in her portrayal of a girl who dislikes her real name (Doris) so much that she ditches it in favor of another (Audrey)? I thought my pleasure in rewatching Alice would come in getting to see Foster in that vulnerable adolescence where few of us had learned to mask, moderate, or amplify our sexual identities. How much more apparent would this be on camera, especially when we, as viewers, sometimes willingly blur the lines between performer and performance?

I’m happy to come away from Alice seeing Doris/Audrey as more than a thinly written tomboy role... [More]

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Playing Dress-Up: Jodie Foster in "Bugsy Malone"

[For Jodie Foster week, I invited a few guests to write about pivotal Jodie Foster movies for them. Here is Susan Posnock, who you may remember as a regular on Awards Daily a few years back. - Nathaniel R]

With Jodi Foster turning the big 5-0 tomorrow, Nathaniel asked if I would come out of my semi-retirement from film writing to help celebrate the actresses’ oeuvre. He offered up a number of films to reflect on, but the one I immediately thought of – despite the fact that I hadn’t seen it in about 30 years – was Bugsy Malone.

Long before the Internet, DVDs and even videos, I remember catching the film as often as I could (and my parents would allow) on HBO. In addition to Foster in a relatively small part, as tough-talking gangster’s moll Tallulah, it starred then-unknown Scott Baio in the titular role. Watching it this week I was struck by how completely odd it is – something I didn't pick up on as a kid. But as an adult, its unique flavors stand out. [More...]

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