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Entries in Sally Field (32)

Friday
May052017

Links: Born Sexy Yesterday, Acting as Self-Actualization, and More...

Pajiba gird your loins - Dan Stevens is in everything
Tracking Board Diane Keaton, Jane Fonda, and Candice Bergen to co-star in a comedy about a book club reading 50 Shades of Grey? This could be awesome or terrible...or both. Whichever way it turns out, we're there!
Coming Soon Focus has acquired the new Jason Reitman / Charlize Theron collaboration Tully but we'll have to remove it from the Oscar charts. It's not coming until Spring 2018 now

AV Club NBC greenlights its first two series of the new year, one of them that used to be called Drama High (and sounds like it has potential) is now called Rise. Why does Hollywood love to go from specific to generic titles? Are their studies that show that generic titles do better or is it fear of specificity?
/Film the first cast photo of Marvel's The Inhumans has been released and boy is it underwhelming. I've always loved Medusa but you really shouldn't be able to tell that it's such an obvious and stiff looking wig since the character is so tied up in her hair! I mean, couldn't they have gotten RuPaul's wig designers to do it if they wanted something both outlandish and real looking?

Tony Season
Theater Mania hoping to dominate the original play Tonys next year, Harry Potter and the Cursed Child has announced an opening for the tail end of eligibility in 2018
Playbill did you know that Audrey Hepburn won her Tony Award the same WEEK as her Oscar? Isn't that crazy? She won the Oscar for Roman Holiday on March 25th, 1954 and then the Tony for Ondine on March 28th!
Deadline Amélie, a New Musical, based on the Oscar nominated French classic, is the first casualty of the Tony nominations, announcing its Broadway closing date for May 21st after a short run and zero nominations.
Broadway World Despite a disappointing Tony showing (2 nominations) Anastasia, based on the 90s animated movie musical, announces a world tour. It helps to have that known "brand" going in. (Charlie and the Chocolate Factory, which was savaged by critics and received zero Tony nominations, is still doing well and the box office and is already working on the tour)
THR Tony nominee anecdotes including Laurie Metcalf on the proposed Roseanna revival and Sally Field discussing the release she felt when she found her calling as a young girl:

It isn't something that I just decided one day or backed into it one day. I found a stage when I was 12 when I was lucky enough to be in a school that still had a theater arts department. And something inside of me changed, woke up, I could hear my own voice for the first time when I was onstage, and then when I would get offstage I had to be all the things that little girls in the '50s had to be, and all of that went back in the box. But when I got onstage I could be all the things I wasn't allowed to be anywhere else, so I could hear my own self.

Love ya Sally!

Exit Video
Got 18 minutes? That might seem like a lot but this video essay really is compelling. It names a sci-fi fantasy trope that I haven't personally seen named before but which is as familiar as they come. He calls it "Born Sexy Yesterday" and it's all about the way genre fiction infantilizes women so that men are their natural superior.

At the very least it will make you rethink mermaid and sexy android movies, The Fifth Element and Splash a little bit. 

Tuesday
Apr042017

Prime for April - Screengrab Roulette

As we do, we've frozen random new to Amazon Prime titles and grabbed the first screengrab that popped up. Though they're leaning heavily on 1990s titles at the moment, their quality of offerings is far outpacing whatever B pictures Netflix has been licensing of late. Comment Party: Which will you be watching and which of the "new" streaming titles would you most want to read a write-up on this month? I'll obey your consensus command. 

Okay on to the random screengrabs.

Every morning the ground is soaked with blood. The workers believe I brought this terror since it didn't begin until my arrival. Whatever I try they seem to know. All the deaths are on me. 

The Ghost and the Darkness (1996)
Yes, yes, great Vilmos Zsigmond cinematography, a sound Oscar, and killer lions and but on a scale of 1-100 how kissable were Val Kilmer's lips in his prime? My vote: 118.

[no dialogue]

Sliver (1993)
Remember when wealthy perv Billy Baldwin was spying on all his tenants including sexy Sharon Stone who caught on to him? The 90s were THE decade for erotic thrillers, which have gone completely out of fashion, just like romantic comedies. 

more after the jump...

Click to read more ...

Friday
Mar172017

Stage Door: Sally Field in The Glass Menagerie

by Dancin' Dan

This is not your parents' Glass Menagerie.

It's not uncommon for theatrical "reinventions" to take place nowadays. Ivo van Howe has made it into a cottage industry of sorts, creating an intimate, visceral A View From the Bridge and a raw, elemental The Crucible in recent years. Sam Gold is of the same cloth. He made his name with an audacious revival of Look Back in Anger at the Roudabout in 2012, won the Tony in 2015 for his sensitive in-the-round staging of the musical Fun Home, and most recently directed a searing Othello with David Oyelowo and Daniel Craig off Broadway at the New York Theater Workshop.

But all those pieces benefit from a stripped back, in-some-cases radical rethinking. Tennessee Williams's memory play is a much more delicate thing, announcing as narrator Tom Wingfield does right at the start that this is a subjective work of art, a piece of memory that may or may not represent what actually happened. Productions of it generally take after the play's quietest character, the "crippled" Laura - they are generally fragile, gossamer things, as light and airy as a thought or memory hanging in the air in front of us...

Click to read more ...

Friday
Sep022016

Tweetweek at the ballet with a wacky neighbor and frosted pop tarts

Two Tweets that are consuming most parts of my brain at the moment...  

 

Babs getting verklempt over Hathaway is too camp for even me.

I mean. Between those two tweets who can we think of anything else now? Okay we'll try after the jump with tweets on tv feminism, Sully anticipation, Sally Field's range, and finding Mr Darcy...

Click to read more ...

Wednesday
Aug242016

1984: Year of the Heroic Farm Wife

As we look back at 1984, please welcome new contributor John Guerin to talk about a famous Oscar triple...

In 1984, 60% of the Best Actress category was farm wives

In May 1985, after scoring Oscar nominations for playing distressed farmwives in Country and The River, Jessica Lange and Sissy Spacek testified before the U.S. House of Representatives and urged senators to help aid farmers during a devastating agricultural crisis. After a toxic combination of faulty economic policies, mounting debts, high interest rates, and a declining Midwest population, American farmers were experiencing financial hardship unseen since the Great Depression. Both Country and The River offer visions of farm families under such pressures, pitting family and community against unyielding forces of nature and government.

Can you remember the last time an actress testified before Congress after starring in a politically-minded film?

Click to read more ...

Monday
Jun132016

Beauty vs Beast: Spaceman Blues

Jason from MNPP here - it's time for another "Beauty vs Beast" y'all! Today's we're talking Pixar because of two reasons -- first off their sequel Finding Dory is out this weekend, prepped to splash magic across the summer box office. And next off it's the 63rd birthday of Tim Allen today, whose greatest role (give or take a Galaxy Quest) came divorced from his physical being, his essence siphoned into Pixar's patented pixels and then tossed into the greatest toy box there ever was with 1995's Toy Story. Can you imagine a world with Buzz Lightyear or Woody the well-meaning cotton-stuffed cowpoke? I thought not. But try to remember that once upon a time they were more at each other's throats than anything else, and then take your sides...

PREVIOUSLY Last week we stormed onto the primary-color-coated set of the soap opera satire Soapdish, maneuvered ourselves between the divas and dimbulbs, and asked you to choose between the Queen Bee and the Crazy Bitch - well with 60% of the vote once again Celeste Talbert (Sally Field) has made her way to that podium. Said Sawyer:

"'What am I, 70, David? Why don't you just put me in a walker? Buy a goddamn walker and put me in it!' #celesteforever"

Monday
Jun062016

Beauty vs Beast: The Sun Also Sets

Jason from MNPP here with this week's edition of "Beauty vs Beast" - I think I must have had fever of the brain (to the lay-person that's called Kopfgeschlagen) last week because somehow I didn't take advantage of the 25th anniversary of one of my most favorite comedies of ever, Michael Hoffmann's Soapdish, the fizzy slapstick tale of backstage shenanigans at a daytime soap opera full of narcissistic psychopaths. Somewhere in the late 90s I wore out my VHS I watched this movie so many times - Soapdish is one you could stand me in front of a crowd, tell me to go, and I could perform the entire thing from start to finish, from crawdad butts to Tawny the Tweety-Bird Couturie.

The cast is to a tee in top form - even semi-cameos like Carrie Fisher's classic bitch Betsy Faye Sharon leave impressions so sharp I can summon up their character-names on command. But it's the poisonous rivalry between show queen Celeste Talbert (Sally Field) and "Nurse Nan" Montana Moorehead (Cathy Moriarty) that gives this Soap its eternal dishiness...

PREVIOUSLY With what could turn out to be her final X-Men movie we took the opportunity to say goodbye to Jennifer Lawrence's two blockbuster turns, and Katniss carried the day to the tune of about 80% of your vote - said Tom:

"I thought she was quite good in First Class (and looked great in that mod costuming). But it seems that her heart was always more focused on Katniss than Mystique. She openly expressed that she doesn't really wish to return to the role. She never seemed bored as Katniss, a complaint often lodged at her in regards to her X-Men performance."

Sunday
Apr102016

Box Office: Melissa Shows Batman Who is 'Boss' (and Other Female Hit Stories)

To keep ourselves entertained, we like to spin the box office charts so it's not just "copy/paste" from week to week. So let's look at the box office top ten through the lens of current movies with female leads. Melissa McCarthy (in a photo finish for #1 with superheroes) and Helen Mirren keep proving their box office consistency over and over again, don't they? We're also happy to see Sally Field doing so well in what could have been a blink and you'll miss it VOD movie. Field's already outperformed last year's senior female sleeper indie hits Grandma and I'll See You In My Dreams.

But the 10 female names below make up such an odd odd sorority you must admit...

TOP TEN FEMALE LEAD MOVIES THIS WEEKEND
01 The Boss (Melissa McCarthy) $23.4 NEW Melissa McCarthy
03 Zootopia (Ginnifer Goodwin) $14.3 (cum. $296) 
04 My Big Fat Greek Wedding 2 (Nia Vardalos) $6.4 (cum. $46.7)
06 Miracles From Heaven (Jennifer Garner) $4.8 (cum. $53.8)
07 Gods Not Dead 2 (Melissa Joan Hart) $ 4.3(cum. $14.1) 
08 Divergent: Allegiant (Shailene Woodley) $3.6 (cum. $61.8) 
09 10 Cloverfield Lane (Mary Elizabeth Winstead) $3  (cum. $67.9)
10 Eye in the Sky (Helen Mirren) $2.8 (cum. $10.4) 
13 Hello My Name is Doris (Sally Field) $1.6  (cum. $9.3) 
21 Whiskey Tango Foxtrot (Tina Fey) $.2 (cum. $22.7) 

As for the films we aren't including in this spun chart, Batman v Superman: Birth of Manic Depressive Anti-Heroes  at #2 is still a ginormous money-devourer even if with $296.6 domestically and $780 globally it's underperforming given it's behemoth budget and its launch pad to dozens of other proposed movies (there's already a huge crack in the foundation? Yikes). Meanwhile the latest stop on Jake Gyllenhaal's 'look what i can do on screen -- anything!' tour flopped coming in 15th for the weekend atnearly 900 screens. While it's true that Jake runs circles around his movie Demolition the fact that his starpower alone couldn't wallop what looks like the most unpleasant movie-watching experience of all time (Hardcore Henry took $5 million finishing at #5 for the week) is just f***in' depressing.

This is why we can't have nice things.

 

 

Anyway -- What did you see this weekend?
I mean, other than WITNESS (1985) on Netflix which you surely watched for Tuesday Night's Best Shot. (Can't wait for this one since that movie is such a beauty.) I personally couldn't take in any movies people have heard of because I'm cramming for my upcoming "New Directors" jury duty at the Nashville International Film Festival which kicks off this weekend.