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Entries in Sally Field (18)

Thursday
Nov222012

THR Actress Roundtable - Part 1

Live Blogged via Tape Delay! Woot 

I've embedded the whole hour at the bottom of this post. Please to enjoy.

00:01 Photoshoots. We begin with a lot of hand to throat or chest or hair gesturing. And... pose! This year's models in order of first solo shot in the montage: Marion Cotillard, Sally Field, Naomi Watts, and Amy Adams, Anne Hathaway and Helen Hunt . Weirdly Rachel Weisz does not get a solo shot. Don't they negotiate every second of these things: "AGENT!!!"

00:38 One thing that's immediately clear about this latest edition of the Hollywood Reporter Actress Roundtable -- now one of the best Oscar traditions -- is that they're upping their game. The camera work is more expressive, and the spacious well designed interior with white couches is less corporate bland than I remember and more conducive to the group therapy session that follows. Psssh, it is so group therapy!. I mean they start with a question about fear and move straight into rock bottom trauma of careers the "should I give up?" moment before the big break. 

00:43 Helen Hunt's "I'm thinking about the question" face is hilarious. PONDERING in all caps. [Lots more after the jump.]

Click to read more ...

Tuesday
Nov132012

Lincoln, Sky Fall, Oscar Rumble... ♫ 

... we will stand tall... and face it all together ♩

NEW PODCAST 
Let Oscar season begin. In the latest tightest hottest edition of the podcast, Nick (Nick's Flick Picks), Joe (Low Resolution) and Katey (Cinema Blend) join me, Nathaniel, to talk four new movies: Steven Spielberg's Oscar buzzing Lincoln, box office devouring Skyfall, utterly baffling Holy Motors and the wildly uneven Flight

We also take a moment to pay homage to Jodie Foster and each of our favorite performances by her on the week of her 50th birthday and before the Golden Globes shower her with praise via the Cecil B DeMille award.

You can download the podcast on iTunes or listen right here at the bottom of the post. But, as always, the podcast isn't complete without your voice. Talk back to us in the comments!

 

Lincoln, Bond, Jodie, Denzel

Monday
Nov052012

My Fair Linky

The Poison Pen on the shifting gaze of cinema, objectifying men and, specifically, Gene Kelly's ass
Stale Popcorn Nicole Kidman goes totally 'My Fair Lady' for the races in Australia
The Advocate another gay role for Benedict Cumberbatch. He'll play the "fifth Beatle"  Brian Epstein in a new biopic
Movie City News David Poland talks to Sally Field for Lincoln 

Vulture considers the Looper effect. New time travel films are coming, one from Leonardo DiCaprio's company
Movie|Line talks to the LEOgend. She's in everything lately including Flight
/Film Paul Thomas Anderson screens 20 extra minutes of The Master, to be included on the DVD release 
Guardian Skyfall is breaking records well before its US box office debut 
Empire a look at Ben Kingsley as The Mandarin in Iron Man 3 
Cinema Blend Maggie Smith's recent health scare was, very thankfully, much exaggerated by rumors. But there's still no word on whether she'll return to Downton Abbey for a fourth season.

Finally, have you seen Elizabeth Olsen on the set of Oldboy? She's giving you Maggie Gyllenhaal realness.

Right? I also love that she's standing by a Catering and Extras sign. As if.

Tuesday
Oct092012

NYFF: Lincoln's Unfinished Noisy Debut

Is DDL marching toward a third Oscar?I wasn't able to attend last night's "secret" -- we're stretching the definition--  Lincoln debut at the NYFF due to prior commitments but as I lined up for Sally Potter's Ginger and Rosa premiere at 9 it was clear that we would not be filing in anytime soon. Lincoln was running well over. It had supposedly begun at 6:15 and we were informed we wouldn't see our movie until 10:00 pm. For a few biophobic moments I wondered if Lincoln could really be 3 ½ hours long; much much longer than the Gettysburg address!  I can't confirm a running time but I imagine the stars bowing and blurbing "I loved working with ____" sucked up some of the 3 hours and 45 minutes that Lincoln filled the cavernous Alice Tully Hall.

As the Lincoln crowd exited, one woman who joined the Ginger & Rosa line was asked how it was.... After a long pause she unenthusiastically announced that the acting was great. And then...

It was obviously written by a playwright. A LOT of words."

Damn you, Tony Kushner. Hee!

The playwright behind Angels in America: A Gay Fantasia On National Themes, Only Those Who Guard the Mystery Shall Be Unhappy, and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures has probably heard this particular complaint before but I imagine he feels a bit like Amadeus did when he heard "too many notes." (Remember that?)

LOTS MORE AFTER THE JUMP....

Click to read more ...

Thursday
Sep132012

Yes, No, Maybe So: On "Lincoln" and Trailer Premieres

Four score and seven years ago One hour and some minutes ago our Spielberg brought forth, upon this internet, a new trailer, conceived in Marketing, and dedicated to the proposition that all biopics are created equal.

LINCOLN will arrive in theaters on November 16th, 2012, a mere ten days after the election when everyone will undoubtedly be exhausted by politics (if they aren't already). And for reasons unbeknownst to The Film Experience Lincoln became the first movie to have its trailer premiere in this Google Hangout fashion with immediate commentary from fans afterwards. A sober presidential biopic isn't a natural fit for "OMG!" Insta-Reactions that fanboys pics can bring in trailer form as you'll see if you watch. You can watch the event (non-live) right here.

There is some hedge-betting from Steven Spielberg with which I personally great sympathize. The much beloved filmmaker hasn't bought in 100% to this new frightening world where trailers and not movies are the things that get people talking en masse.

Strathairn worries, Nathaniel doubts, and the trailer after the jump

Click to read more ...

Wednesday
Feb222012

4 Days Till Oscar. Flashback to "A Dignified Superstar"

It's all right. You can get your cheap laughs. I shall remain the dignified superstar that moi am."
-Miss Piggy to "Jonathan" at the 52nd Oscars 

What was Miss Piggy so miffed about in April 1980?

Click to read more ...

Tuesday
Oct112011

Cast This! All Black "Steel Magnolias"

Everyone is doing it... why shouldn't we? I caught the news on Twitter where everyone I follow (but particularly Joe & Mark) were sounding off about who they'd like to see in the just announced remake of Steel Magnolias (for Lifetime) which will use an all black cast. Since blacktresses and the unfortunate dearth of roles for them are one of our pet topics here at The Film Experience we can't really let this one go without a discussion.

Clockwise from top left: Hannah (Annelle), Maclaine (Ouiser), Parton (Truvy), Field (M'Lynn), Dukakis (Clairee), and Roberts (Shelby)

The original film, a big hit in 1989 that has had an infinite DVD shelf life with the gays, gave Julia Roberts her first Oscar nomination. It was another Oscar vehicle at the time for Sally Field, a star-laden adaptation of a hit play that opened in November, but the only thing Oscar ended up noticing was Julia Roberts all fresh faced and quivering ginormous lips. At the time Sally Field loved to lay claim to discovering Julia though it was the nascent superstar's fourth film to hit theaters.  

She's mine!

Yes, I saw it in theaters. Shut up. I know my 80s movie stories are totally aging me. It can't be helped! This will happen to some of you when they start remaking 90s and 00s movies like Total Recall and  Spider-M (oh wait. damn). The cast at the time was NOT listed alphabetically but had to deal with old fashioned 'whose the biggest star right now?' billing so it went like so...

  • SALLY FIELD as "M'Lynn" the no nonsense mom who worries herself sick over her reckless life-loving diabetic daughter 
  • DOLLY PARTON as "Truvy" the big haired big hearted owner of the beauty shop where the cast continually congregates.
  • SHIRLEY MACLAINE as "Ouiser" the mean spirited wealthy brunt of many of the jokes 
  • DARYL HANNAH as "Annelle" the bumbling beauty shop apprentice and born again Christian. 'Her personal troubles will not interfere with her ability to do good hair.'
  • OLYMPIA DUKAKIS as "Clairee" Ouiser's wise-cracking bestie, also rich, but infinitely better-tempered.
  • ...and JULIA ROBERTS as "Shelby" a fragile young bride who is desperate to have a normal life

The cast (sans Dukakis) at the NYC premiere in November 1989

So which black actresses would you cast in these roles?
EXTRA POINTS to anyone who manages to recast Tom Skeritt's and Dylan McDermott's parts, too. [Psssst. Shamelessly name dropping alert: Dylan McDermott was at that Hugo screening on Monday night, just 8 seats away from me!]
DOUBLE EXTRA POINTS to anyone who manages to recast it without using Viola Davis or Octavia Spencer who, trust, aren't going to be hurting for offers post The Help.
TRIPLE EXTRA POINTS to anyone who can do it using Steel Magnolia's formula at the time (4 previous Oscar nominees or winners, 2 absolute legends, 1 current sex symbol de-glammed and 1 newbie who is clearly on her way to major stardom)

Go!

Friday
Aug052011

Cinema de Gym: Forrest Gump

Kurt here. On the day Forrest Gump was playing at my gym, it seemed only right that I swap out the elliptical for the treadmill: Run, cinephile! RUN!! In truth, part of me wanted to run right out of the building (this is a behemoth of a movie to chip away at with my modest column). But, I stuck it out, and I tip my hat to the gym's programmers, as I've never been so inspired to burn off as many calories as possible.
Forrest Gump tends to have that effect on people, ever since it ran away with every trophy in sight at the end of 1994. It's a you-can-do-it movie, through and through, with Forrest boasting Oprah-level propulsion – too busy to look back for more than a brief glance. The film itself doesn't wow so greatly the smaller it gets in the rearview, no matter how large it looms on the marquee and no matter how well it urges one to keep up with its star runner. Such is the plight of the overhyped phenomenon.
I like Forrest Gump just fine, but I think it works better as a capsule of Americana than as a movie. And, of course, to be a capsule of Americana is a big part of its aim. It's essentially 141 minutes of milestones and iconography, landmark moments and famous faces. Its underdog-rewrites-history conceit is a good one, always teetering on the edge of magical realism but too awash in actual events to truly show it. That vicious, wonderful – and very viral – review of Transformers: Dark of the Moon stuck it to Gump for being the evil initiator of archival footage manipulation, but it's hard not to find charm in the film's grainy tour of suddenly resurrected legends (JFK, John Lennon), however buffoonish the tour guide may be. I think my personal favorite thing about the film – if I may be so broad – is its sociopolitical Vietnam-era backdrop, which multiple films have since tried and failed to depict with the same buzzing cultural potency (ahem, Across the Universe, ahem). It's what pumps awesome power into Forrest and Jenny's Washington Monument reunion, surely one of the most iconic hugs in contemporary cinema. It's not strength of narrative, but strength of context that gives you butterflies – a movement and an era defined in an embrace. 
Hug it Out

And that's just one moment.
In its tireless forward motion, Forrest Gump, covers an awful lot of ground, each episode another page in the history book. So nimble is its pace that to tell you what I saw during my quick workout is to offer you a clip reel: the rise of the ping pong master, the boiling resentment of a legless Lieutenant Dan, the newsreel mooning of LBJ, the breaking up of the Black Panther “party” and, of course, that lovely aforementioned hug. All scenes that, appropriately, have now found their own places in the pages of history. However you feel about Forrest Gump, few films have so firmly cemented themselves into popular conversation, achieved such immortal quotability, and made themselves known to what seems like every adult media consumer. As I write this, I'm in a house with a ping pong table in the basement. Is it possible to play the game without thinking of a rubber-limbed Tom Hanks? Is it possible to open a box of chocolates without envisioning Sally Field, or a white bench in Savannah, Georgia? 
It was nice to revisit this movie after the major Hanks misfire of Larry Crowne, which won't put a dent in the smiley star's career, but surely bruised his credibility as a filmmaker. There will be no higher peak for Hanks than Forrest Gump, no better instance of his massively, uniquely beloved everyman/leading man persona. I wonder if he knew this when he was making the press rounds with Robert Zemeckis and Robin Wright, or when he collected his Oscar – that this was it, the summit, the key page in his history. I wonder if he wanted to stop and freeze instead of just keep running. 

Conclusions?
  1. See above.
  2. Movies about running are even better motivators than Matthew McConnaughey's abs. (Should I recommend Prefontaine to the gym programmers?)
  3. Admittedly, the whole “box of chocolates” thing is pretty counterproductive here.
  4. Qualms aside, Forrest Gump is something of treasure.  
What do you think of the film? Despite everything, it's surprisingly divisive, especially given the whole Pulp Fiction / Shawshank Redemption Best Pic defeat.